The national flag of Argentina waves in response to Sol Gabetta‘s account of the Elgar Cello Concerto
(c) Ben Hogwood
The BBC Proms are go!
The 2016 season is underway, and in a packed Royal Albert Hall this evening we were treated to the first of 75 Proms. As is traditional Sakari Oramo and the BBC Symphony Orchestra gave us a flavour of the season, but also a substantial second half in the form of Prokofiev‘s cantata and film score, Alexander Nevsky.
To begin, a sad reflection of the world’s troubles could be keenly felt in La Marseillaise, the Proms showing solidarity with France after the horrors in Nice. After such an event music can feel inconsequential but it can also bring people together and provide some sort of comfort – and in the big, swooning tunes of Tchaikovsky‘s Romeo and Juliet Oramo provided just that. The woodwind chorale on the approach to the end was particularly moving.
Sol Gabetta then stamped her own personality on Elgar‘s Cello Concerto, taking a few liberties with the tempo – but none of these were for personal gain, rather reflecting her own interpretation of the music. The pauses at the end of some of Elgar’s phrases were unexpected but profound, while the silvery accompaniment of the BBC SO spoke of Autumn rather than our supposed high summer. Gabetta’s encore, Dolcissimo by the Latvian composer Peteris Vasks, found her singing as well as playing cello, reducing the Royal Albert Hall to reverent silence.
Things got even colder for Prokofiev‘s film score Alexander Nevsky, though there were thrilling moments when the massed choir of the BBC National Chorus of Wales – just over 200 in all – let rip. The basses reached their lowest notes with commendable accuracy, while the Battle On The Ice, where Nevsky faces his German and Estonian foes, was thrilling and immediate.
Yet the show was stolen by Olga Borodina, the Russian mezzo-soprano ghosting onto the stage for a keenly felt account of The Field of the Dead near the end. Her emotion was first hand, and Oramo’s sensitive hand on the tiller encouraged a similarly heartfelt response from the orchestra.
It was a concert that bodes well for the season – and this year Arcana is planning two different approaches to its coverage of the BBC Proms. There will be a few straight ‘reviewed’ concerts, but the focus of our coverage will be on taking people to the Proms who have not been before. To that end our reviews of Proms will not be by experts, rather by first-time punters chosen from a pool of friends and contacts. Further to that, all reviews will be from the Arena, which is the ultimate Proms experience – and which to my knowledge is the best place for sound quality, let alone atmosphere.
No other source reviews from here as far as I am aware…so stick with Arcana in the weeks ahead, particularly through August. I can assure you we will be bringing classical music to new audiences on a weekly basis!