Ask The Audience Arcana at the Proms
This is the continuation of a series where Arcana invites a friend to a Prom who does not normally listen to classical music. In an interview after the concert each will share their musical upbringing and their thoughts on the concert – whether good or bad! Here, Tim Squier gives his thoughts on Prom 34.
Håkan Hardenberger (trumpet), Claudia Buder (accordion), Mats Bergström, BBC Symphony Orchestra / Sakari Oramo
Dutilleux Timbres, espaces, movement (1990)
Gruber Busking (2007)
Beethoven Symphony no.5 in C minor (1804-1808)
You can listen on the BBC iPlayer here
Arcana: Tim, what was your musical upbringing?
It was my mum that brought me up, and in terms of music it’s not worth going there really! It was very middle of the road – Cliff Richard, some of The Beatles. I discovered most things myself pretty much, she would have the radio on sometimes – but when I first discovered my own music it was via an alarm clock, an FM radio that she gave me. It was all the pop of the time in 1984-1986 – Madonna, Prince, A-ha, your Now 1984. Certainly in my early years there was Band Aid – and I wasn’t particularly cool. There wasn’t anything of a classical background in there!
Could you name three musical acts you love, and why you love them?
Harold Budd is a big one for me. I do love my ambient and he doesn’t seem to put a foot wrong really. He just seems to have a certain emotion and style where you can just get lost in it. It can be background but it can be foreground as well. I can work to it, and not be fully tuned in, or I can be sitting down and listening to it and it works just as well.
I’m going for artists who have been with me for a long time, and Fleetwood Mac are an act that I could never really get enough of. They’ve gone through different phases like the 1980s pop side but I can also do the Peter Green stuff, and the Stevie Nicks especially. I just keep discovering new things off the albums too, like Oh Daddy from Rumours recently. Stevie Nicks solo – just brilliant, too. Not every single track but she’s the sort of person you can see her rehearsal footage on YouTube and it’s amazing. I’m watching it thinking it’s better than the album version!
For the third one I’ll go for someone electronic – Carl Craig. Certainly between 1990 and 1996 where he couldn’t put a foot wrong. He could do an ambient track, a banging techno track, stuff that doesn’t all into a genre – something for the dancefloor, something for the home. Carl recorded a lot of that on cassette tape, it didn’t sound very good but still did the business!
What has been your experience of classical music so far?
I think almost unintentionally my first experience of anything like classical music would have been through film scores. One of my best friends in London has been responsible for playing me some classical music but not so much for a long time now. I have been to one Prom before but it was a long time ago and I can’t remember the actual pieces – but I know I enjoyed it. I quite enjoy listening to it but I don’t know much about it. I’ve heard some Ravel before, and quite enjoyed that.
How did you rate your first Proms experience?
The Royal Albert Hall is always a joy, it’s a great venue – and the acoustics are really good for classical rather than pop I think. I really rated the first piece (the Dutilleux) and enjoyed that the most I think.
What did you think of the Dutilleux?
It was thoroughly enjoyable, I’m a real sucker for that deep sound from the lower strings – there is a certain orchestral sound I really love, the lower frequency, and you get a lot of that in film scores. There was a lot of that coming through and it flowed really well. I wasn’t bored at all, I really loved it.
What did you think of the HK Gruber?
It started out interesting, and the introduction was good, but the trumpet was too much of a focal point and I found myself drifting out. I was trying to listen to the background more but because of the positioning I was trying to hear what was going on my right hand side, but every time I tried I could hear the trumpet. There was a variety of devices going on (the mutes and three different trumpets – Ed) I’ll always give things a chance, and I tried but it didn’t work out!
And the Beethoven?
That was really enjoyable, a nice take on it – it’s been a while since I heard the entire piece and I think it really worked. There were some quirky moments, it was great watching the whole orchestra. There was one really young player who really stood out (oboist Henry Clay), he was really good. Another thing going back to the first piece, the Dutilleux – the percussion was great. With the Beethoven I loved the whole thing and there was a really nice stereo effect coming through, the clarity was there more and I could pick up on certain things, especially being a bit of an audiophile.
There are bits you forget as well – you don’t get them played on Capital Radio four times a day after all! It was good to hear those. So I think the Dutilleux first, then the Beethoven, then the Gruber.
Would you go again?
Absolutely, for sure. I’m quite open to new musical experiences and will try most things but would do this again!