Category Archives: Let’s Dance!

Let’s Dance – Deep Dish: George Is On (Bandcamp)

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by Ben Hogwood

What’s the story?

The second Deep Dish album gets a reissue, having been unavailable on streaming services for many years. The American duo are still a going concern, though Ali ‘Dubfire’ Shirazinia and Sharam Tayebi tend to do their work in solo capacities these days, behind the decks.

By the time George Is On was released, Deep Dish had already proved their staying power in house music, but this was just the second long player from the duo in 10 years.

What’s the music like?

It’s great to see this fine house music album from 2005 back in circulation, and listening to it confirms that this is house music that has aged well. Lead single Flashdance, a no.3 hit in the UK, was one of their very best, commercial yet clubby at the same time – and with persuasive vocals from Anousheh. It is matched here with a rare guest slot for Stevie Nicks, singing Dreams – and yes, that is the Fleetwood Mac song that she was persuaded to re-record. It is a predictably fine version, those distinctive tones an ideal match for the wistful lyrics.

Also adding weight to the songs is the smoky vocal of Richard Morel, whose three contributions are led by the excellent Sacramento, the darker Everybody’s Wearing My Head and No Stopping For Nicotine.

Does it all work?

It does – and as a considerable bonus there are a host of extended mixes to enjoy.

Is it recommended?

It is. Both Deep Dish albums have aged well, and George Is On shows just how far ahead of the game they were when it came to making satisfying long players with commercial appeal.

For fans of… Danny Tenaglia, Hernan Cattaneo, Heller & Farley, Roger Sanchez

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Published post no.2,252 – Saturday 27 July 2024

Let’s Dance – Various Artists: Under One Roof (Poker Flat Recordings)

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by Ben Hogwood

What’s the story?

Under One Roof marks the kick off to a new series of releases dedicated to new artists from Poker Flat. Label head Steve Bug took part as a coach in the Mixmasters Retreat on Ibiza last year, alongside producers Huxley and Denney and singer-songwriter Jade PraiZe.

The retreat harvested a great crop of tracks, most of which were signed up for the Under One Roof initiative, bolstered by a remix each from the coaches themselves.

The first instalment is a bundle of the first five EPs.

What’s the music like?

There is some strong house music here, confidently delivered – and of consistently high quality.  Jade PraiZe’s smoky vocal on Thorsten Hammer’s World On Shoulders provides the ideal start, while the rolling beats of Maxima’s Get Into It – bolstered in remix form by Denney – are quick to impress.

T. Nguyen’s Prophetic Love has strong hints of Kerri Chandler – in a good way – while Al Leahy’s Shadow Rush proves the pick of the punch, a superb bassy number that delivers a wonderful, full-bodied bass line.

The remixes are an ideal complement to the main course, putting the seal on a desirable package – especially Steve Bug’s upbeat take on Prophetic Love.

Does it all work?

Pretty much! One or two tracks on the list feel a little bit formulaic – and while she generally delivers excellent vocals, PraiZe’s slot on Fast To Slow might be too nasal for some – but that’s splitting hairs in a fine collection, up to Poker Flat’s typically high standards.

Is it recommended?

It is. A collection of house music on the deeper side that connoisseurs of the genre will warm to straight away.

For fans of… Kerri Chandler, Miguel Migs, Andy Caldwell, Larry Heard

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Published post no.2,245 – Saturday 20 July 2024

Let’s Dance – Floorplan: The Master’s Plan (Classic Music Company)

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by Ben Hogwood

What’s the story?

Robert and Lyric Hood release their fourth album as Floorplan, building on their reputation as purveyors of spiritually infused house and techno. The Master’s Plan is a big conception, with 18 tracks, and includes guest slots for Earthtone, Honey Dijon, Lowell Pye and Dames Brown.

What’s the music like?

Floorplan traverse an impressive variety of styles on this piece of work, moving between chest thumping gospel hitters and darker slabs of techno with effortless ease. Whenever the piano comes into play the killer riffs are brilliantly executed, the tough beats and bold bass lines delivered with pace and power.

Into the former camp go We Give Thee Honour, Feel It and The Curse Breaker, whose extended vocal monologue is so powerful the preacher fair pins you up against a wall. Flashe No Deux is a big hitter, while the prize of catchiest riff goes to the rollicking No Ones Ready.

The collaborations are all a resounding success, especially the Honey Dijon-fronted Fake & Unholy – a great look at the other side of the coin – while The Plan is a powerful pick-me-up thanks to Earthtone.

Does it all work?

Yes, impressively so. Not many house / techno long players sustain their quality as this one.

Is it recommended?

It is. Floorplan know how to raise the spirits, and do so throughout this excellent album. Their refreshingly direct lyrics and message go with the big, piano-powered riffs to make a slab of spiritual house and techno that works a treat.

For fans of… Moodymann, Charles Webster, Carl Craig, Juan Atkins

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Published post no.2,238 – Saturday 13 July 2024

Let’s Dance – Defected presents House Masters: Marshall Jefferson

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by Ben Hogwood

What’s the story?

Marshall Jefferson needs no introduction as a house music master, for he is one of the genre’s cornerstone names, a founder member of house in its Chicago form.

If he had only made a single record – Move Your Body – Jefferson would already be of great importance to house music. Yet he used that as a springboard to decades of a consistently good output, where he crossed over easily to pop circles – or kept in with the deeper stuff.

With this House Masters compilation Defected have managed to assemble a set of 40 tracks from 1987 to 2022, no doubt overcoming a number of licensing issues on the way.

What’s the music like?

Consistently good – and often goose bump-inducing. Naturally the compilation starts with the piano-led Move Your Body, a bona fine classic – but it is the first of many, including a couple of the best cuts from Ten City, the quartet with whom Jefferson made house and disco-infused pop. The joyous, spring-loaded That’s The Way Love Is only gets better with age, likewise Devotion and Love Is Just A Game.

The deeper side makes itself known with the spaced-out Mushrooms shows how well he does the deeper side of things. The creeping chord sequence of The Cow (Is Already Waiting) works well, as do the volleys of percussion in Raindance.

Remixes and co-productions also feature, and Mission is slower – if a bit smoother. Vicky Martin’s Not Gonna Do It, meanwhile, is a classic extended mix. Other highlights are On The House’s Pleasure Control, a funky treat with busy piano, and Virgo’s R U Hot Enough, an excellent brass and piano workout. Ragtyme’s I Can’t Stay Away is a big room vocal winner, another linkup with Stingily, while Richard Rogers’ Can’t Stop Loving You features a particularly smoky trumpet.

Does it all work?

It does – a generously filled and well linked collection, partying its way through two hours.

Is it recommended?

Wholeheartedly – and more than that, it is an essential part of house music’s history lesson.

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Published post no.2,221 – Wednesday 26 June 2024

Let’s Dance – Fahrland: The World Is Crazy (Microkidz Music Production)

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by Ben Hogwood

What’s the story?

Fahrland is the pseudonym by which Alexander Geiger makes his music, switching to the name when he released a first Mixtape for the Kompakt label.

In theory, The World Is Crazy finds him in introspective mood – but that is not the case. As he takes up the commentary, “There has been a paradigm shift since the 2000s. From golden to grey. The World Is Crazy (TWIC) is a musical diary, in which Fahrland tries to manifest these changes through musical quotes.

It reflects the global madness that has been developing at an unstoppable pace worldwide ever since the beginning of the financial crisis, the pandemic till now in which wars worldwide and social unrest dominate the news. Despite the apparent hopelessness many songs are thought as an antidote to the crisis the world finds itself in. Always with a romantic wink. And always a bit seductive.”

What’s the music like?

This is indeed an antidote to the world crisis – just what house music should be. In the course of this consistently good album, Fahrland offers up some very danceable beats, plenty of hooks and sunshine grooves – all taking their lead from the deeper side of house, but keeping a great deal of originality while they do.

We begin with some nice, easy going deep house, on the smoky side – but the subtly inventive Geiger drops plenty of good ideas throughout, with well chosen vocal snippets and hook lines. He is not afraid to drive a bit more on cuts like Deeptroit, with its rolling beats, or the chunky set-up of I Am Keeping Up, featuring tOMBo. If You is especially good, while Feel So Fine 2 and Love Me both hit strong grooves, flickering in the half light

Does it all work?

It does – a consistently strong piece of work, nicely woven together.

Is it recommended?

It is. Fahrland’s deeper side of house is a great place to be, and The World Is Crazy offers up a release to the strife – taking house music back to first principles in the best possible way, but with an individual flair.

Listen & Buy

You can listen to the album and explore purchase albums at the ProStudioMasters website

Published post no.2,210 – Saturday 15 June 2024