New music – Council: This Day, Every Day (Bedroom Community)

posted by Ben Hogwood, with text from the press release

Council, the collaborative project of American singer-songwriter and composer Gabriel Kahane and Finnish violinist and conductor Pekka Kuusisto, have released their debut album This Day, Every Day via Bedroom Community.

The album follows the singles Panic (feat. Elizabeth Ziman) and mirrorworld, which features synth and drum programming by Nick Sanborn of Sylvan Esso.

Council brings together two artists who have spent their careers refusing easy categories. American singer-songwriter and composer Gabriel Kahane has built a singular body of work spanning song, contemporary classical music and orchestral writing, collaborating with artists from Sufjan Stevens and Phoebe Bridgers to the San Francisco Symphony. Finnish violinist Pekka Kuusisto is equally difficult to contain: an internationally celebrated soloist, conductor and champion of new music whose practice moves freely through contemporary composition, folk traditions, electronics and improvisation. Together, they make something neither would make alone.

The seeds of Council were planted in 2015, when Kuusisto met Kahane and immediately began quizzing him about a tiny orchestration detail on one of his records. Kahane’s first reaction was essentially: who is this guy? A year later, after performing together in Helsinki, he was “immediately smitten by his sound, his musicianship, his whole vibe.” Long-distance collaborations became writing retreats in Finland and the United States, and over the following decade a shared musical language took shape. This Day, Every Day is its first full-length document.

Across twelve tracks, piano, guitar, acoustic and electric violin, harmonium, percussion, electronics and close, finely shaped vocals form a sound world that can be intimate one moment and violently expansive the next. The songs move between private experience and the wider pressures of contemporary life: mental illness, grief, memory, friendship, fatherhood, war, political disillusionment and the psychological exhaustion of the digital age.

Opening single Panic establishes the album’s central impulse. That willingness to expose what is normally concealed runs throughout the record. Tetris places fighter pilots killing time between missions against a relentlessly propulsive violin figure. Crawlspace turns intimacy into something dreamlike and subterranean. mirrorworld featuring synth and drum programming by Nick Sanborn of Sylvan Esso, enters the distorted reality of conspiracy, online performance and information overload. Elsewhere, The End of Days Inn asks uncomfortable questions about the artist’s own complicity in the systems they criticise.

The album was co-produced with Kahane’s longtime collaborator Joseph Lorge, whose subtle interventions help shape its unusually tactile sound; additional guests include Elizabeth Ziman, Eliza Bagg, Samuli Kosminen, Logan Strosahl and Ted Poor.

For Kuusisto, Council is “the two of us trying to make sense of a number of things by exposing vulnerable parts of ourselves to each other.” The result is a record that is tender in both senses of the word: gentle and comforting, but also raw, exposed and painful to the touch.

Published post no.3,064 – Saturday 31 October 2026

On this day in 1876: the premiere of Brahms’ String Quartet no.3

by Ben Hogwood Image unknown credit, used courtesy of Wikipedia

On this day 150 years ago, the first performance of Brahms’s Third String Quartet took place in Berlin.

It is the lesser known of the three published Brahms quartets, but has a certain Autumnal beauty and lightness ideal for this time of year.

It was dedicated to cellist Professor Theodor Wilhelm Engelmann, and published just before his Symphony no.1. You can enjoy a performance of the quartet below, given by the Castalian Quartet at the Wigmore Hall in 2020:

Published post no.3,063 – Friday 30 October 2026

In appreciation: Stephen Kovacevich

by Ben Hogwood Photo: David Thompson/EMI Classics

Earlier this week we learned of the sad news that leading pianist Stephen Kovacevich had passed away at the age of 86.

A truly great pianist, Kovacevich was in later years an insightful conductor too. I was very fortunate to meet him at his house back in 2015, where he gave an interview full of insight, humour and generous detail. His generosity and geniality shone through at that meeting, but so did a fierce creative intensity running through his finest recordings.

I have put together a Tidal playlist which you can access by clicking here

Published post no.3,062 – Thursday 29 October 2026

New music – Everything But The Girl: Blue Reservoir (Buzzin’ Fly)

posted by Ben Hogwood, with text from the press release, Photo by Edward Bishop

Blue Reservoir is the eleventh and latest studio album from Everything But The Girl (above) – the best-selling UK duo formed in 1982 by singer-writer-musicians Tracey Thorn and Ben Watt, out on February 19 on Buzzin’ Fly/Virgin.

The album’s first single Young and Dumb and accompanying music video is out now, and more UK live dates in May 2027 go on sale this Friday 30 October.

My thoughts are that Young and Dumb is very much a return to past glories as the song ambles into view, with a languid Spanish guitar anticipating Tracey’s vocal. Her voice has deepened (“yes I’m older and wiser”, she sings) and remains as expressive as ever, dovetailing beautifully with Ben’s backing. “So let’s drink to the future”, they sing together, “let’s drink to just living like we’re young and dumb again”.

I think we can all resonate with that.

Meanwhile, a bit about Blue Reservoir from the album PR:

“Inspired by the pair’s unexpected and unconventional return to live performance in 2025 – a long-running sold-out residency (with thousands each night on the wait list) at Hackney’s intimate 300-capacity MOTH Club – Blue Reservoir sees the duo put aside the sharply-lit electronica of 2023’s acclaimed comeback album, Fuse, and lean into some of their foundational influences and ideas.

“There was an intensity and simplicity to the MOTH shows that took us back to how we started out,” says Thorn. “Direct, rooted in guitar and voice, a few extra colours. We hadn’t been in that world for a long time and it just felt fresh and real.”

Uplifted, Watt bought a Spanish nylon-string guitar in January 2026 to write and perform on: “It is the sound of so much of the music I first connected with growing up, and I’d never actually owned one. It became quite an emotional springboard for me. I found a voice I thought I’d lost.”

Published post no.3,061 – Wednesday 28 October 2026

Switched On – Vigilant – Threads of Memories (Glacial Movements)

Reviewed by Ben Hogwood

What’s the story?

Described as balancing ‘raw sonic exploration with a strong sense of atmosphere’, Dmitry Polivenko delivers his first solo work as Vigilant for Glacial Movements.

Taking up the story, he describes the album as “an exploration of memory, nostalgia, and the passage of time. It reflects a feeling that returns to me every year—a yearning for a fleeting moment of happiness preserved deep within my childhood. Winter, with its silence and wonder, remains one of my earliest memories: sitting wrapped in a blanket on a sled, carried through snow-covered streets by my father. Today, I walk those same streets alone, guided by fragments of the past. Time can feel like a storm that clouds our vision and pulls us away from ourselves. Yet beneath the weight of accumulated experiences, expectations, and endless information, there remains a quiet certainty: beyond the noise, beyond the dreams and fears, lies the possibility of rediscovering who we truly are. This album is a journey through that landscape of remembrance and self-discovery.”

What’s the music like?

As evocative as the cover art. This music is deep as the ocean but weather-beaten too, its elemental power immediately obvious as the slowly shifting harmonies evolve with the slow tread of a ship or an iceberg.

Winter has his house is as cold as you would expect, though some of the more consonant harmonies raise the temperature a little. By contrast Lullaby is not so restful, with a searching treble line.

There is an icy, industrial air to the likes of Cold silent love but a contrasting charm to the quieter Crystals, which operates above a soft, sonorous drone amid footsteps in the snow. Here Polivenko appears to be channelling childhood memories of being pulled through icy streets on a sled by his father.

Into the black light is shifty and twisted, a fever dream in the snow, resolved by the bright consonance of Somewhere, whose sweeping beauty looks skyward.

Does it all work?

It does, and with its quieter central core the album is ideally structured.

Is it recommended?

Yes. Vigilant writes powerfully from the heart, and the remembered threads of the title combine here to make a substantial and lasting piece of work.

For fans of…Loscil, Tim Hecker, Schneider TM, O Yuki Conjugate

Listen / Buy

Published post no.3,060 – Tuesday 27 October 2026