Switched On – BUNKR: Signals (VLSI)

Reviewed by Ben Hogwood

What’s the story?

The roots of Signals can be found in the Surrey Hills. There, James Dean witnessed a phosphorescent sphere in the sky above Pitch Hill, close to the Mullard Space Science Laboratory; a phenomenon seen by friends and reported in the local press.

The memory has stayed with Dean since, and now he uses his BUNKR alias to tell the story of the hills and their significance in his life, whether this mysterious event, childhood bicycle adventures or post-midnight raves.

What’s the music like?

Typically engaging, but this time around BUNKR’s music has more subtle yet far-reaching emotional depth. The Light We Saw paints an evocative picture of that night, but is only the beginning of the story, continued by the spacious 96 Refraction, where dreamy synth loops encounter distant breakbeats on the horizon, their initial ambience cleverly pivoted for them to take control of the track.

Quarry Transcendence is a hive of rhythmic activity, over and above the held chords, while the reflective These Hills goes into deeper, more thoughtful territory. Eyes Like Mirrors plays out without beats, a thick cloud of ambience that sparkles at the edges – the ‘sci-fi daydream’ that Dean hints at in his album commentary. This Side Of Forever wraps up the vision beautifully, a coda of analogue drums and bright synth lines glinting at the edges.

Does it all work?

It does, and thanks to clever sequencing the album has a really satisfying ebb and flow the whole way through.

Is it recommended?

Yes, with enthusiasm. BUNKR is becoming a real force to be reckoned with in electronic music, and this descriptive album is another valuable string to his bow.

Listen / Buy

Published post no.2,877 – Monday 4 May 2026

On this day – anniversaries for Marcel Dupré & Adolphe Adam

by Ben Hogwood. Image by La Presse, courtesy of Wikipedia

Two French composers share significant anniversaries on this day. The first, organist-composer Marcel Dupré, was born on this day 140 years ago. His innovations for the instrument were many, and here is one of his most thrilling works – the early Prelude and Fugue in B major, once proclaimed to be ‘unplayable’ by fellow composer Charles-Marie Widor:

Sharing this anniversary is Adolphe Adam, who died on this day 170 years ago, in 1856. One of his most celebrated works is the ballet Giselle, premiered in 1841 with the ballerina Carlotta Grisi in the title role (below). The ballet, conducted by Herbert von Karajan, can be listened to below:

Published post no.2,876 – Sunday 3 May 2026

On this day 90 years ago – the first performance of Prokofiev’s ‘Peter and the Wolf’

by Ben Hogwood. Image courtesy of Wikipedia

On this day in 1936, the first performance took place of Prokofiev’s much-loved Peter and the Wolf. This piece was commissioned by the Central Children’s Theatre in Moscow, and given its first performance on May 2 in the Large Hall of the Moscow Conservatory. Prokofiev dedicated the work to his children.

You can enjoy the witty and touching setting below, in an arrangement for chamber ensemble at the Royal College of Music, narrated by Lucy Hollins and conducted by Sam Scheer:

Published post no.2,875 – Saturday 2 May 2026

Switched On – Juha Mäki-Patola: Momentary Movements of Landscapes (130701)

Reviewed by Ben Hogwood

What’s the story?

Juha Mäki-Patola’s third solo album is his first release for FatCat Records’ post-classical imprint 130701.

It consists of twelve carefully composed and intricately layered pieces, “built around upright piano and Prophet 10 loops processed through tape echo and reverb”. The linked pieces were recorded during the dark winter of 2024–2025, where Mäki-Patola sought light and solace through memory and imagination. The pieces look to blend memories with the present for times of healing.

The album was recorded live in Juha’s Helsinki studio, using tape-based processing techniques, and with guests including his daughter Frida, Jessica Hébert, Tapani Rinne and Julia Gjertsen – with the addition of vocals, violin and bass clarinet.

What’s the music like?

Deeply calming. Rather than suggest a dark winter, this is music that captures the rarefied light Helsinki often experiences. The twelve movements have a simple musical language, but that is their strength – musical gestures that are easy to listen to, but which set an atmosphere all of their own.

Often the music hangs in the air like a suspended cloud, free of hassle but progressing onwards in a fluid and attractive way. Many of the moments are free of obvious melody, free to wallow in the bright textures that Mäki-Patola has formed. Moment 2 is one of those, while Moment 3 steps back for thoughtful introspection before introducing a lovely, thick duvet of sound to dive into.

Moment 6 is led by softly voiced keyboards with mottled textures around, before Moment 7 drops the frequency effectively for a slow, mellow stream of consciousness. Yet this turns out to be a prelude to the blissful Moment 8, where languid guitar hovers over a reassuringly dense drone. Moment 10 is similarly calming with its lazy loops, while Moment 12 ends with waves of calm.

Does it all work?

It works, through being a natural evolution of musical thinking. Mäki-Patola doesn’t try too hard at any point, being comfortable to let the music forge its own path – which it does effortlessly.

Is it recommended?

Momentary Movements of Landscapes is a deeply restful time out for the listener, at the same time offering pinpricks of light in the darkness. It is a cleansing experience, slowing the heartbeat and softening the soul.

For fans of… William Basinski, Tim Hecker, Stars Of The Lid, Machinefabriek

Listen / Buy

Published post no.2,874 – Friday 1 May 2026

In appreciation: Jean-Bernard Pommier

by Ben Hogwood

This week we learned the sad news of the passing of pianist and conductor Jean-Bernard Pommier, at the age of 81. As well as being a highly regarded solo pianist, Pommier held a post with the Northern Sinfonia – as you can read from this tribute on the Cultured North East website

Pommier made several highly regarded recordings, including cycles of the Mozart and Beethoven piano sonatas – and the Tidal playlist Arcana have compiled recognises this, as well as recordings of the Brahms Violin Sonatas, in partnership with Jaime Laredo, and the Mozart piano concertos with Sinfonia Varsovia. You can access the playlist here

Published post no.2,873 – Thursday 30 April 2026