New music – James McVinnie – Glass Diptych (Pentatone)

by Ben Hogwood, using text from the press release

In Glass Diptych, organist and pianist James McVinnie explores the remarkable breadth of Philip Glass’ music, from the rhythmic repetition of Dance IV and Mad Rush to the more harmonically expansive language of his later works. Both dating from 1979, these pivotal works reveal different facets of Glass’s approach to repetition, transformation and musical time.

Dance IV, created in collaboration with choreographer Lucinda Childs and visual artist Sol LeWitt, is particularly rooted in the interplay of music, movement and visual art, while Distant Figure (A Passacaglia for Solo Piano) further explores Glass’ evolving musical language.

McVinnie also presents his own organ arrangement of the Mishima Quartet, alongside Etude No. 20, bringing piano and organ together in a programme that highlights the extraordinary range of Glass’ sound world.

A special note about the organ:

The present St Giles’ organ was built in 1992 by the Austrian firm of Rieger Orgelbau, in consultation with Herrick Bunney and Peter Hurford. The instrument, with its distinctive case of Austrian oak designed by Douglas Laird, stands in the South Transept.

The 1992 organ was completely new, except for the Pedal Open Wood 16’ and the Bombarde 32’ which were retained from the previous instrument (Willis III 1940). In addition, the lowest seven pipes of the old 32’ Double Open Wood are mounted at the back of the case and form the bass of the Untersatz 32’ – the remaining metal pipes of which form part of the façade.

“Organs vary from place to place more than any other instrument and searching for one which embodies the heart of any particular music for the permanence of a recording is a complex, painstaking challenge. The Edinburgh Rieger is a feast for both the ears and eyes; an extraordinary modernist instrument from the late neo-classical period, with an array of bright synthesisery colours, broad bass tones and a generous foundational basis, topped with Rieger’s characteristic transparent yet fiery reed stops. The organ sits in a truly opulent acoustic setting too. My thanks go to my friend Liam Byrne for his expert capturing of all of these details in this recording.” – James McVinnie

Glass Diptych is due for release on Pentatone on 15 January 2027 – for more information and purchase options visit the Pentatone website

Published post no.3,076 – Thursday 12 November 2026

New music – MG x CD + JL = : Cross Whisper (ANNA & Vera Grace remixes) (Mute)

posted by Ben Hogwood text from press release Photo by Travis Shinn

Martin Gore (songwriter, electronic composer and founding member of Depeche Mode) and artist and lyricist Cliff Damavandi have shared two remixes of their haunting new track Cross Whisper, which features vocals from Gore’s daughter, Johnnie Lee.

The first comes from Lisbon-based Brazilian artist ANNA, who has previously remixed Depeche Mode and Martin Gore. Talking about her remix, which resonates with playful positivity, she said, “This remix came together after I had just spent five days at Ozora Festival, dancing, connecting with people and getting so inspired by the music, powerful grooves and energy there. I came back really excited to get into the studio and create something on that psychedelic vibe. And then Martin’s stems arrived, fitting perfectly with what I had in mind!

I made the remix so quickly and had so much fun doing it! I was dancing and jumping around the studio while creating it.”

Dutch DJ and modular synthesist Vera Grace brings different depths to the track. She explains, “I enjoy a challenge, especially when it pushes me outside my comfort zone. This was definitely one of those moments. The vocals and the different elements in the original track gave me a lot of room to experiment and play around with different ideas. I built several distinct parts, eventually bringing them together into one piece: a section driven by chords, and another where atmospheric bleeps drift through the drums, taking me in a different direction from what I usually explore in my techno productions.”

The track itself has an unusual genesis: while deep in conversation with some friends, the subject came around to unexplainable phenomenon. Explaining that “he wouldn’t be surprised by anything”, Gore went on to say that on several occasions birds had appeared when someone close to him died. In one instance, he was visited by an insistent bird, tapping ferociously at the window of his studio. Two days later he found out a close friend had passed, and he wondered about the symbolism and mythology that has surrounded birds since ancient times, and whether these birds could be a harbinger or messenger.

He goes on, “I was out with some friends and we started talking about death so I shared that whenever someone close to me has died, birds start appearing, sometimes arriving every day for a year outside my window. When my mother died, a bird came, and again when my dog passed. When my cat died, a bird came into the house and flew downstairs into the room where it slept!”

Cliff Damavandi was so moved by the story that he wrote lyrics that Gore then put to music. Damavandi expands, “When Martin was sharing his story, he was so alive, and I could feel the story as well as hear it. There was an otherness that compelled me to write the words.”

‘Cross Whispers’ opens with evocative whispered voices, that gradually give way to Gore’s synths. Undulating between melodic passages, the whisper comes in waves, alongside an insistent hammering, that mirrors the bird that visited Gore’s studio.

The track, released today on Mute, has been remixed by a whole host of artists, including Brazilian techno DJ and producer, ANNA; techno artist, DJ and label head Regis, Dutch techno artist Vera Grace, Boothnavy, and British hauntologist Pye Corner Audio, aka Martin Jenkins.

Cross Whisper 12” will be released on Mute on vinyl on 4 December 2026

Published post no.3,076 – Thursday 12 November 2026

New music – zakè and bvdub: erasure (Zakè Drone Recordings)

posted by Ben Hogwood

Over on Bandcamp, Zakè Drone Recordings have dropped the first taste of erasure, a four track collaboration between zakè & bvdub, to be released on Thursday 19 November.

If the swirling expanse of lead track Evanishing Eternity is anything to go by then this will be a comforting yet stirring quartet of ambient pieces, full in texture but with plenty of room for repose. More to come when the full album is released next week!

Published post no.3,075 – Wednesday 11 November 2026

In appreciation: Cevin Fisher

by Ben Hogwood

At the end of October we learned the sad news of the passing of New York house DJ Cevin Fisher, at the age of just 63.

There is a fitting tribute to him on the DJ Magazine website, but I wanted to share a few personal favourites, not least his most successful singles – The Freaks Come Out and (You Got Me) Burnin’ Up, the Loleatta Holloway sampling hit from the late 1990s:

Fisher was responsible for some superb house music compilations, in my view none finer than his contribution to King Street Sounds’ Mix The Vibe series, which you can hear below:

Published post no.3,074 – Tuesday 10 November 2026

In appreciation: Herbert Blomstedt

by Ben Hogwood Photo Matthias Creutziger

Last week we heard the sad news of the death of much-loved Swedish conductor Herbert Blomstedt, at the ripe old age of 99.

Blomstedt was a fine conductor of symphonic music, and I wanted to choose a playlist with personal resonance which draws on that, as well as some music from the stage. My personal favourites include Nordic composers Berwald, Grieg, Nielsen and Sibelius, along with Hindemith – whose orchestral music he recorded in memorable accounts for Decca – and finally Beethoven’s Symphony no.7, which I was fortunate to watch him conduct with the Philharmonia Orchestra in 2017.

With grateful thanks to him for some wonderful music making!

You can listen to the playlist on Tidal

Published post no.3,073 – Monday 9 November 2026