Category Archives: Let’s Dance!

New music – Floorplan: The Master’s Plan (Classic Music Company)

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by Ben Hogwood

Robert and Lyric Hood announce the release of their fourth studio album The Master’s Plan, landing on Luke Solomon’s Classic Music Company imprint on Friday 21 June. Spanning 18 crafted house and techno tracks, Robert and Lyric playfully juxtapose the light and dark of their signature sound, navigating a spectrum of genres and styles on this highly anticipated body of work.

Robert recognises the uplifting qualities of their music, saying, “In these troubled times, we are grateful to be able to share our music with the world. Especially the dance community. We hope this album will uplift and invoke you to dance.” Meanwhile daughter Lyric comments, “I want people to feel inspired and empowered, but most of all to feel the love of God and his connection in every track. This album was made for the fans that love house music as much as we do.”

The album features Detroit trio Dames Brown, Eunice Hood (Earthtone) and Lowell Pye, while Honey Dijon appears on Fake & Unholy. Feel It is the final piece of the pre-release jigsaw, with a deep beat and typically strong riff typical of Floorplan’s best – not to mention the uplifting, gospel qualities that sit at the centre of their music.

Luke Solomon, Classic’s founder, says “The combination of wonderful people and wonderful music is always the absolute top for me. Floorplan are an unstoppable force that stay in their lane and deliver dancefloor music in a way that no one else can, but beyond that they are special human beings and I am beyond grateful to be able to call them Classic family.”

Published post no.2,194 – Thursday 30 May 2024

Let’s Dance – I. JORDAN: I AM JORDAN (Ninja Tune)

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by Ben Hogwood

What’s the story?

I AM JORDAN is a celebration. I. JORDAN, real name Jordan Tek, has written this 10-track album as a dance music diary, a celebration of ‘collective ecstasy as a mode of self-discovery’.

It expresses “joy as a trans person, and trans joy generally, working with trans people, making all this fun music together”.

What’s the music like?

Without overusing the word, this is a joyful piece of work. I. JORDAN certainly knows how to get people up and dancing, and does so in a distinctive way that immediately lets the listener know who is involved. This is fundamentally house music, but making use of a number of other different styles, covering trance, a splash of hardcore and a touch of garage to make its point.

It’s also very cleverly crafted. The intro and outro work perfectly, raising the expectations (When Lights Flash) and bringing us back down to earth (Rapt Finis) In between, the highs include Real Hot n Naughty, featuring Felix Mufti, Casino High and The Countdown, each of them using the first principles of house music with nippy beats, clever riffs and clipped percussion. The rolling beats and bass of Butterlick, featuring Sister Zo, are also a treat.

Meanwhile the more introspective tracks, Reification and Pathetic Fallacy and People Want Nice Things, also work a treat, the latter setting flickers of treble against thick bass notes.

Does it all work?

It does – and with the guest artists, I AM JORDAN feels like a communal album, not just the product of one creative mind.

Is it recommended?

Enthusiastically. I. JORDAN have made a hugely uplifting dance music document, one that makes you smile pretty much as soon as you start listening. When it sets you down in a heap some 45 minutes later, there is the sort of satisfaction you get after a night on the dancefloor. Job done.

Listen & Buy

Published post no.2,193 – Wednesday 29 May 2024

Let’s Dance – Perc: The Cut Off (Perc Trax)

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by Ben Hogwood

What’s the story?

This is the first album in seven years from Perc, aka Alistair Wells – recorded at the Perc Trax studios in London. It is his fourth album and is pointed squarely at the dancefloor, a collection of club tracks with an industrial edge.

What’s the music like?

Big and bold. Perc makes his techno big – the riffs, drones and drums all of a size that could easily fill an aircraft hangar. This is dance music going back to first principles, but as he says it is in avoidance of nostalgia and, as far as possible, cliches.

Most of the album is instrumental, which makes Sissel’s appearance on Static all the more striking. Banging industrial drums complement her claustrophobic vocal. The drums are to the fore in the minimal Imperial Leather, a primal high,

Elsewhere there are hints of ambient backdrops amongst the activity. Can You Imagine? works like a set of bells before the cavernous drums kick in, while choral voices alternate on Heartbeat Popper. UK Style dispenses with the drums for some disarming panoramic views, as does Calcify, a closing track of orchestral dimensions.

By contrast, the synths come out in force on the acidic Cold Snap, while Felt 23 goes for white hot percussive action and very little else. Milk Snatchers Return is quick march techno, with an ominous presence of widescreen white noise.

Perc’s versatility is most impressive, cutting through a range of drum tracks and styles, most of them fast and all of them delivering straight-to-dancefloor satisfaction with the minimum of fuss.

Does it all work?

Perc certainly achieves what he set out to do with The Cut Off, and its energy levels are off the scale – meaning it is not for every listening situation! When you need to cut loose, though, it does what it needs to do.

Is it recommended?

A qualified recommendation for The Cut Off – because it certainly won’t be to all tastes! – but if fast and furious minimal techno is what you want, you’ve come to the right place.

Listen & Buy

Published post no.2,180 – Thursday 16 May 2024

Let’s Dance – Various Artists: Balance presents Dave Seaman & Quivver (Balance)

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by Ben Hogwood

What’s the story?

For their contribution to the esteemed Balance Series, Dave Seaman and Quivver have gone down the exclusive route. Each of the tracks chosen for the pair of mixes has not been released before, and both artists have cast the net across their network of contacts to ensure the quality remains high throughout.

That means exclusive tracks from the likes of Einmusik, Timo Maas, Just Her and Anthony Pappa, as well as a long sought-after and seldom-heard remix from Seaman, that of Underworld’s Low Burn.

The two friends have also locked horns on five new tracks which they present throughout the mixes.

What’s the music like?

When I say ‘solid’, that’s not meant as an insult – more an observation that while house music goes down some weird and wonderful avenues you can rely on these two for a consistently good mix. Their experience shines through in the pacing each mix receives, setting an airy atmosphere early on and then building inexorably to a strong finale.

The pair secure a typically atmospheric, smoky start, before the music gets progressively more full-bodied through tracks like Murat Uncuoglu’s Magico. Horizons, a collaboration between Kamilo Sanclemente, Anthony Pappa and Jamie Stevens, flickers atmospherically, then the sounds sharpen and the pace quickens for AIKON’s Hurricane and the excellent, moody Walensee from Einmusik. We then move through the gears for the excellent Seaman / Quivver co-productions Mushroom Embargo and Make This Disappear, with a feel of Dave Gahan in the vocals from Quivver, before Robert Babicz’s smouldering Mystik.

The second mix has impressive urgency from the start, toughening up with Timo Maas’ remix of pølaroit’s Apart, then leading through a shimmering breakdown from Jamie Stevens’ The Peace Machine before getting a shift on through Stas Drive’s Hold Me Tight.

The Low Burn remix is certainly worthy of the hype, Seaman sprinkling star dust over a strong beat with brooding interventions from the bass and Karl Hyde’s ‘be bold, be beautiful’ imprint whispered against the grain. From there to home there is more darkly magnificent music, the closing trio from Jamie Stevens (Verlaine), Chicola (Dust Coins) and Ron Flatter (Ovid)

Does it all work?

It does – the pair using all their dance music knowhow to get the pacing right, so that each mix feels like a single chapter of the night.

Is it recommended?

It is – quality house music delivered with style and polish.

Listen

Buy

You can explore purchase options and listen to excerpts from the mix on the Balance website

Published post no.2,175 – Saturday 11 May 2024

Let’s Dance – Justice: Hyperdrama (Ed Banger / Because)

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by Ben Hogwood

What’s the story?

With the dissolution of Daft Punk, Justice are now one of the mainstays of French dance music, flying the flag with their fourth album.

Hyperdrama is their first long player in seven years, but they spent a lot of time recording, enlisting guest vocalists such as Tame Impala‘s Kevin Parker, Thundercat and Connan Mockasin – but also making good chemistry with new talent RIMON and Miguel.

What’s the music like?

The music for Hyperdrama may not be a massive departure from what Justice do best, but that is surely good news for those who love them. The album is well thought out, starting off with a high from the likes of Generator, which is contrasted nicely with the two Kevin Parker tracks, and Incognito, which works the room well.

Then it all changes around half way through, the tempo slowing and the saxophone emerging for the cheesy but enjoyable Moonlight Rendez-Vous, a slow track that nonetheless works a treat as a poolside chillout tune.

Then, gradually, the energy returns – with Saturnine and The End.

Does it all work?

Pretty much – the only reservation being that Justice may have used a bit too much studio gloss in the final production process.

Is it recommended?

It is. Hyperdrama may be a bit more polished than previous work bit it still presses all the right buttons!

Listen & Buy

Published post no.2,163 – Monday 29 April 2024