New music – BEAK>: Live at Zebulon, Los Angeles, April 2nd 2025 (Invada)

from the press release:

Beak> are happy to announce the release of their first ever live album, ‘Live at Zebulon, Los Angeles, April 2nd 2025’.

This is a full multi track recording of their second night at the Zebulon in Los Angeles, California on their USA/Canada tour earlier this year.

13 tracks on double clear vinyl, this set of songs is a compilation from their most recent album ‘>>>>’ and the best from all their other releases.

Let this fill your Beak> void until the next chapter begins…

You can buy the new album from the Beak> Bandcamp page

Published post no.2,669 – Friday 26 September 2025

On Record – BEAK>>: >>>> (Invada Records)

by Ben Hogwood

What’s the story?

There is a refreshing lack of information to go with the new BEAK>> album. It is, quite simply, the need of a group of people to make music, with no back story in particular – just the love of what they do and can achieve together.

This is probably why >>>> does not have more of a distinctive title, as the music is left alone to have the best possible impact. It was recorded at Invada studios in Bristol, the sessions dotted around to accommodate the band’s touring schedule.

There is, however, a story behind the opening track Strawberry Line, which is a tribute to Geoff Barrow’s much-loved dog Alfie, who appears on the album’s cover.

What’s the music like?

Compelling. As the band say, it works best listened to in one breath from start to finish, where the listener can appreciate how the grooves take hold through the album.

The Alfie tribute, Strawberry Line, starts with a solemn, chorale-like figure, which eventually acquires a groove and grows to impressive heights. The Seal has a clipped rhythm and greater urgency, while Windmill Hill starts the more beat-driven section of the album with an appealing, wonky groove.

From here on the bass heads are in for a treat, thanks to the grooves of Hungry Are We and Ah Yeh, which has been around for a little while, and makes a very strong impact in this LP version. As the album progresses the spirits rise further, with a brilliant bass line on Bloody Miles and some clanging, metallic percussion that propels Secrets towards the 1980s in the company of a buzzing synth code.

The closing Cellophane is an unsettling affair, however, going through a woozy vocal and distracted band passage before suddenly gaining momentum like a dance of death, careering into the buffers at the end.

Does it all work?

It does – and the bigger the system the better for this affair, so that the bass driven tracks make their mark and the woozy, psychedelic dressing gets its full perspective.

Is it recommended?

Very much so. BEAK>> are continuing on their compelling path of sonic innovation with this powerful and multifaceted piece of work.

For fans of… Portishead, Magazine, Cabaret Voltaire, Can

Listen and Buy

Published post no.2,198 – Monday 3 June 2024

New music – BEAK: >>>> (Invada & Temporary Residence Ltd)

by Ben Hogwood

Beak> have delivered a surprise release of their first album in six years today. The aptly titled >>>> is released by Invada and Temporary Residence Ltd

The band – Geoff Barrow (of Portishead), Billy Fuller (Robert Plant’s Sensational Space Shifters) and Will Young (Moon Gangs), explained the reason for their surprise delivery.

“At its core we always wanted it to be head music (music for the ‘heads’, not headphone music), listened to as an album, not as individual songs. This is why we are releasing this album with no singles or promo tracks.”

They have also spoken about the genesis of >>>>. “The recording and writing initially began in a house called Pen Y Bryn in Talsarnau, Wales in the fall out from the weirdness of the Covid days. Remote and with only ourselves and the view of Portmeirion in the distance we got to work. With the opening track, “Strawberry Line” (our tribute to our dear furry friend Alfie Barrow, who appears on the album’s cover) as the metronomic guide for the album, we then resumed recording, as before, at Invada studios in Bristol, whilst still touring around Europe and North/South America. After playing hundreds of gigs and festivals over the years we felt that touring had started to influence our writing to the point we weren’t sure who we were anymore. So we decided to go back to the origins of where we were at on our first album. With zero expectations and just playing together in a room.

Arcana will be reviewing the new album shortly.

Published post no.2,192 – Tuesday 28 May 2024