Switched On: Ellie Wilson: Memory Islands (Bigo & Twigetti)

by Ben Hogwood

What’s the story?

The striking artwork on Ellie Wilson‘s new album is a key for what lies within. Memory Islands explores the power or spirit of remembrance, drawing on a number of first hand sources for inspiration.

The most pronounced of these is a recording of Wilson’s grandfather reminiscing about his experiences and lost years as a Navy seaman in World War II (By the Time I Got Back Pt 1). Other pieces explore the behaviour of the brain when waking from a coma (Delta), or the disappearance of words from our language, as noted by Robert Macfarlane (Unnamed Unseen). Looking forward – in a sense – is Will I Dream, inspired by the film The Year We Make Contact – specifically the moment the onboard computer HAL 900 confronts his digital ‘mortality’– all memories erased.

What’s the music like?

Extremely evocative. Wilson’s twin disciplines are the violin and electronics, the ideal blend of past, present and future to support the album’s themes – and both are used in support of memories lost and regained.

The open strings of the violin on Unnamed Unseen inevitably hark back to time spent learning the instrument but also express a powerful simplicity, her experience in folk music yielding strong communication from the off. The use of rapid pizzicato is especially effective when describing Delta‘s emergence from a coma, its pitter-patter countered by rustic double stopping.

The electronic Mindpop harnesses its power through a rolling drum track, while Will I Dream? has intriguing effects that play with aural perspective.

As you might expect, the tones of Wilson’s grandfather on By the Time I Got Back Pt 1 are particularly moving, complemented by urgent phrases from the violin. The second part spins a web of ideas against a tick-tock rhythm, an open-ended conclusion to the album.

Does it all work?

It does. The album is effectively a seven-part suite of studies on memory, and its half hour fairly flies by, leaving you wanting more.

Is it recommended?

Very much so. If you enjoy music where folk and electronic intersect, then this is definitely for you – and more besides, since Memory Islands tells a series of vivid tales. Given its value for money through Bandcamp, there really is no excuse!

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