Switched On: Sofia Kourtesis – Madres (Ninja Tune)

by Ben Hogwood

What’s the story?

The story behind Sofia Kourtesis‘ debut album is an inspiring one. It is dedicated to neurosurgeon Peter Vajkoczy, for the life saving surgery he performed on the Peruvian DJ’s mother. Following the sad loss of her father, Sofia’s mother had become gravely ill, but she sought out Vajkoczy, dedicating a track to him, and rather wonderfully he agreed to treat her mother – who is now better and living in Berlin.

Madres, the Spanish word for mother, is a musical depiction of the emotions Sofia has gone through in the course of her own mother’s illness – but also represents Vajkoczy’s part in the album, for he joined Sofia on nights out in Berghain. As well as documenting her mother’s recovery, Madres is a document from Kourtesis to her home country, containing percussion and field recordings from her homeland, as well as documenting the pain of being ostracised for her queerness.

What’s the music like?

As uplifting as much of the story told above, but with deep emotional fluctuations. Kourtesis writes fluently, making richly expressive house music that has attractive twists and turns. The voice of Kourtesis complements her warm synth registrations. Only one track has guest vocals, but it’s a cracker, Estación Esperanza harnessing a strong percussion soundtrack while featuring the voice of Manu Chao. Lead single Si Te Portas Bonito is an absolute beauty, a hot weather treasure with full bodied synths and the voice of Kourtesis herself.

Vajkoczy – a tribute to the man himself – has a persuasive rhythmic lilt, while true euphoria is reached from the wonderful How Music Makes You Feel Better, an ode to the power of recovery at the hands of our favourite art form. Meanwhile Funkhaus goes more for the jugular, a propulsive dancefloor winner.

Does it all work?

It does. Madres is a beautifully executed album, its ebb and flow ideally managed so that Kourtesis hits all the right spots.

Is it recommended?

Very much so. A fine debut from a bona fide dance music talent.

Listen

Buy

Published post no.1,992 – Saturday 28 October 2023

Switched On: Mr Scruff – Trouser Jazz (Ninja Tune)

by Ben Hogwood

What’s the story?

To celebrate the 20th anniversary of Mr Scruff’s second album, Ninja Tune are making it available as a 2LP reissue. This is excellent news for DJs and vinyl consumers, for as anyone will know the appeal of Mr Scruff lies not just in the music but in the accompanying art and package. To that end, the LPs are in blue and red vinyl, with artwork from Mr Scruff & Airside with – brilliantly – an ‘infinity peelable trouser sticker on the cover to reveal silver and gold foiled 20th anniversary trousers’.

What’s the music like?

The great thing about this reissue is that it lies wholly in the spirit of the album. Trouser Jazz was a breath of fresh air when it was released in 2002 and it remains the same today. Few tracks bring more cheer than the breezy Sweetsmoke, especially if you experience it via the video:

The vocal guests on Trouser Jazz are extremely well chosen, too – from the beautifully floated delivery of Seaming To, who graces Beyond and Valley Of The Sausages (!), to the fun rapping of Braintax on Vibrate.

There is also a winsome sense of humour running through the album. The well-chosen samples and original riffs brim with optimism, and have a brilliant sense of mischief about them. Listen to Shrimp, as its loose funk and jazzy overtones skate between the beats, or Ug, which has a bass line that is just plain weird. Shelf Wobbler is excellent, with its abundance of percussion and lithe hip hop beat, as is the vibrant sax on Champion Nibble. Scruff always gives good rhythm, but his music often carries a whiff of nostalgia, too. Come Alive wears a light melancholy, looking back towards the Style Council in its bass.

Does it all work?

It sounds as good now as it did in 2002!

Is it recommended?

If you didn’t buy it originally, what are you waiting for?

Listen

Buy

Switched On: Jayda G – Guy (Ninja Tune)

by Ben Hogwood

What’s the story?

Jayda G’s new opus is an intensely personal tale. Since her last album was released, the Canadian singer-songwriter has seen a surge in popularity bringing her high profile remixes and DJ sets, not to mention gigs. It has also seen her marry her childhood sweetheart in the same house where her parents were married.

The story here is much more about them than her – and specifically her father, William Richard Guy, whose voice can be heard in the spoken word interludes surrounding the music. The music itself is all about him, too, tracking his upbringing in Kansas, brushes with local gangs and the authority, splitting with his wife on return from a stint in Vietnam and moving to Washington. From there he moved to Canada, where he remarried and Jayda was born.

Jayda tells the story through pop music, though is more than happy to bring in house, funk and soul to enrich the musical flavour.

What’s the music like?

As above – pop music with extra colour and spice. Jayda writes with clean lines and has a cool vocal delivery, but these are beautifully worked nuggets that work in several contexts. House music fans will love the tempo and energy, lovers of soul will appreciate the deeper moments and the connection to the heart that she finds with her lyrics and vocals.

Pure pop music fans, meanwhile, will delight in the sharply observed lyrics, the hooks on which the music comfortably hangs, the sleek production and the riffs aplenty. What also helps a load here is the way Jayda clearly enjoys her role, and the personal input she gives to tell her story as vividly as possible.

There are many highlights, but a special mention should be made for Heads Or Tails, with its sharply observed pop and house music edge, Jayda G delivering typically cool vocals. Meanwhile Your Thoughts is an excellent power pop song, faultlessly delivered.

Does it all work?

It does. The ebb and flow here is spot on, the movement towards house music only heightens the pop sensibility, and there is a good groove at every turn.

Is it recommended?

It certainly is. This is music that is personal to Jayda G, but it will resonate deeply with any listener making the effort to get involved.

Listen

Buy

Switched On – Little Dragon – Slugs Of Love (Ninja Tune)

by Ben Hogwood

What’s the story?

Gothenburg band Little Dragon have reached their seventh album, which is an extraordinary statement to make about a band who still feel so new. It only feels five minutes since their songs Twice and Test were marking them out as the next band to watch, but those songs are now fifteen years old.

Slugs Of Love finds the band in a good place, however, with Yukimi Nagano leading them in a clutch of assured new songs.

What’s the music like?

There are some excellent songs on this album – some of the band’s finest, in fact. The title track finds Nagano on playful form but also shows how distinctive the band have remained in their fifteen years. Contrasting this is Glow, a profound utterance with guest Damon Albarn, a longer song that works really well and hits the emotional depths.

The band hit the heights through a number of songs. The influence of Price comes through on Frisco and Disco Dangerous, while Gold leans heavily on Whitney Houston’s Million Dollar Bill for its material. Meanwhile Kenneth is an airy yet poignant tribute to a childhood friend.

Does it all work?

Yes, thanks to consistent and inventive songwriting and music making. This is Little Dragon making excellent, left of centre pop music that knits together really well.

Is it recommended?

It is – album number seven being one of the band’s best to date.

Listen and Buy

Switched On – Nabihah Iqbal: DREAMER (Ninja Tune)

by Ben Hogwood

What’s the story?

DREAMER, Nabihah Iqbal’s follow-up album to her debut Weighing Of The Heart, stands as a story of resolve in the face of considerable hardship.

In early 2020, just as the pandemic was beginning to take hold, Iqbal’s studio was burgled and all her work lost – including the album on which she was working. By this time she was suffering from extreme fatigue and had sustained a broken hand, but worse was to come as her grandfather suffered a brain haemorrhage, and she had to travel to Pakistan to be with the family.

The relocation was unexpectedly beneficial for her music, as she returned to basics away from the electronic trappings, using an acoustic guitar and harmonium to make much of her music. Although the genesis of DREAMER was changed with her experiences, Iqbal found inner strength and power for her music, adding new colours and shades to her sound.

What’s the music like?

Having read the story behind the music you might expect a morose, navel-gazing album – but nothing could be further from the truth. Instead what we have here is music full of rich colours, resolve and positivity, finding an inner strength and power.

The shimmering textures of In Light set the scene, brighly coloured and soaked in heat. This is a theme continued by the sweet melancholy of Dreamer, but which reaches a peak on Sunflower, a heady rush akin to being in the middle of a dancefloor breakdown in the mid 90s. “Count the steps of the sun, comfort me sweet golden one”, speaks Iqbal poetically.

As the album progresses so more acoustic themes are revealed. The descriptive Lilac Twilight presents a rich acoustic picture, while the final three tracks, of a more thoughtful persuasion, offer an aside to self over largely non-digital sound pictures. By contrast, Gentle Heart presents a sumptuous deep house landscape, while Aky River reaches even more vividly for the light, with a strong beat in tow.

Does it all work?

It does. Iqbal’s music casts an unusual light, in a good way – and the lyrical content, while relatively sparse on occasion, is always meaningful. The balance of instrumental and vocal is just right too,

Is it recommended?

It is – this is a rather special album, and responds well to being played at volume!

Listen

Buy