New music – The Utopia Strong – The Atavist (Rocket Recordings)

adapted from the press release by Ben Hogwood

The Utopia Strong (Steve Davis, Kavus Torabi and Mike York) have shared a new track, the latest to be taken from their forthcoming album, Doperider out via Rocket Recordings on 10 October 2025.

You can listen to their new release, The Atavist, below. It is a wonderfully atmospheric piece, a cloud of synthesized sound with a passing similarity (in a good way!) to Mark Snow’s music for The X-Files:

The life of a psychonaut can take one to many plateaus of reality. Opinions vary as regards which of these are either desirable or optimal. All things considered though, it’s fair to say that once the average cerebral wanderer finds themselves a stoned skeleton on a motorbike, it’s a sign that they’re going places.

Such were the movements of The Utopia Strong, in making their third and arguably trippiest full-length album for Rocket Recordings. As the band explain: “When recording we tend to have books, bits of art and interesting things lying around the place. (Kavus) had recently bought the Paul Kirchner compendium, Awaiting The Collapse. Paul’s character Dope Rider (the skeleton in question) drives around the desert, getting into all manner of high jinx and spouting cosmic philosophy, highlighting the absurdities of life, death and the American mythos. “When we had created that particular track, one of our most beautiful and outré, it seemed to name itself. Certainly, we were looking at the comic strips while listening to it and something about its wide-screen vibes and the beautiful desert seemed to marry together.”

Serendipity has always played a strong role in The Utopia Strong, with the improvisatory approach of Steve Davis, Kavus Torabi and Mike York – as well as the innate chemistry between the trio – allowing them to take extensions through dimensions that frequently end up as much of a surprise to the band as the listener.

The band has summarily found ways to evolve its approach to facilitate the most adventurous exploratory missions possible. In this realm, the band’s formidable history – Steve as a snooker champion and bona fide household name, Kavus as a psychedelic and progressive polymath in the like of Gong, Cardiacs et al, and Mike in his work with Coil, Current 93 and as one of the UK’s foremost bagpipe makers – is transcended and usurped by their combined psychic chemistry.

Yet more than anything else this remains an evolutionary process. “All the pieces on Doperider began as purely electronic pieces, with Mike and Steve on modular synths and Kavus on an analogue synth” the band relate. “We were deliberately trying to not repeat ourselves and, for this reason, made a point of changing the model a little. Not that we’ve ever been necessarily conventional but I think this album goes a little deeper than the previous two studio albums.”

Doperider does indeed take the band down a variety of auditory pathways previously unexplored, and further into the realms of more surrealistic visions akin to the systems-built bliss of Caterina Barbieri, the unforgiving noisescapes of Hiro Kone or the alien soundtracks of latter-day Laurie Spiegel. “Certainly, Steve’s listening habits have changed somewhat since the first album, he has gone deeper into abstract electronica and musique concrete as well as becoming increasingly adept with his modular set up. This seems to have formed a backbone to how the music developed” reflects Kavus.

Hence the coruscating intensity of the title track and the elegiac rapture of ‘Unity Of Light’ showcase a still more moving and melancholic approach to their art, alongside the blissful ‘Harpies’, which features the vocals of Katharine Blake (Miranda Sex Garden/Mediaeval Baebes). Elsewhere curveballs strike such as the strident and stentorian curtain-raiser ‘Prophecy’, which utilises the influence of Magma and Zeuhl music – a longstanding passion for all three members – for the first time in earnest.  “It sits better at the start of the album as otherwise it would disrupt the decent into the beautiful hell hole that unfolds” as Steve notes.

Essentially however, the mission of The Utopia Strong remains intact – to offer a transformative pathway to wonders anew. “Well, we are making psychedelic music or, if you will, head music” reflects Kavus. “We put an awful lot of detail into each piece. It’s certainly not minimalist. Often after our shows people will remark that we had made them feel like they were on drugs. That’s the idea really. We’ll take you on a voyage of self-discovery that won’t preclude showing up to work on time the next day. Although really the core message of our music is ‘Quit your job and start a commune.”

As Steve notes: “Hopefully we’ve done justice to the comic book character Dope Rider and that he’d have loved riding along on his Harley Davison on another quest, with the wind blowing through his rib cage, listening to this album. If the audience choose the psychonaut road, then we are delighted to have been of service.”

Doperider is out on vinyl, CD and digitally on 10 October 2025.

Published post no.2,660 – Wednesday 17 September 2025

Switched On – The Utopia Strong: The BBC Sessions (Rocket Recordings)

by Ben Hogwood

What’s the story?

Six years in, The Utopia Strong continue to spread their wings, a band who are successfully blending the art of studio recording with that of improvisation. The latter is very much in play on The BBC Sessions, a collection of five tracks recorded in session for Marc Riley on 6Music in September 2022.

Arcana have been fortunate to interview Steve Davis and Kavus Torabi from the band, but for now the word goes to Torabi on how the album progressed. “When we hit a point where all three of us really had something going, we would continue while the proverbial tape was rolling, so, the shorter pieces are the result of about ten or fifteen minutes playing that you wouldn’t have heard.”

What’s the music like?

There is a strong unity between the three protagonists here, and the result is a powerful suite of pieces that creates a wide range of ideas. A lot of the action takes place in the company of drones, providing a point of reference for the listener and a strong harmonic base.

Certainly Miniature Citadels establishes its base early on, the drone supporting some melodic jousting above. The lines are angular but there is an impressive amount of energy generated, supplemented by a chunky rhythm section.

Lamp Of Glory is a beauty, with a melodic figure up top dancing in the half life, like an energetic strobe light. Soon the pipes take centre stage, played by Mike York, a virtuoso display The final two tracks are lengthy studies. The Tower Is Locked is highly descriptive music, the structure in question shimmering in the half light, before an increasingly powerful drum track takes hold. Finally Weather All, a tribute to the much loved producer, is underpinned by a strong, bassy drone over which a number of electronic bleeps and psychedelic riffs play out. The confidence with which these two tracks unfolds is both assuring and impressive.

Does it all work?

It does. The Utopia Strong prove difficult to classify, in the best possible way – and their music and its development are compelling throughout.

Is it recommended?

Most definitely. This is a band still very much in development, but the span and content of these tracks gives an indication of what they are capable of. With three very different musical minds that complement each other well, The Utopia Strong have got to that enviable position where everything they do is well worth experiencing.

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Published post no.2,137 – Tuesday 9 April 2024

Switched On – The Utopia Strong: International Treasure (Rocket Recordings)

reviewed by Ben Hogwood

What’s the story?

Steve Davis, Kavus Torabi and Mike York made a strong impression on their debut in 2018 as The Utopia Strong – but International Treasure confirms they were only just getting started.

Now their line-up is established, Davis has confirmed what it all means: “I see myself as a strong midfielder, or a centre back. Kavus and Mike are like the Lionel Messi or Ronaldo in the equation, and I’m setting situations up for them.” This modest appraisal gives a clue to Davis’s own role with the modular electronic backdrops, which are so important to the more improvisatory work that goes on up front.

International Treasure, the trio’s second album, takes them further along a journey which has already explored more musical dimensions than they thought possible.

What’s the music like?

International Treasure has a strong emotional pull throughout its nine tracks. It is also difficult to place stylistically, which proves to be one of its strongest selling points. At no point does it feel like the record was placed under any restrictions, and yet its musical progress is carefully managed at every turn, creating a rare intensity.

Another feature of the trio’s work is the vivid colouring they apply to the sounds, which operate as strong primary musical colours. This is in part due to Torabi’s acquisition of a guzheng (a Chinese plucked zither) which is used on Shepherdess, and the set of pipes and wind instruments York brings to the table, like an updated version of the Penguin Café Orchestra.

Does it all work?

It certainly does. There are some fascinating colours and tableaus presented here, each of them handsomely rewarding repeated listening.

Is it recommended?

Yes – as indeed is the first album. If you’re an electronic music devotee then this is a mandatory purchase, and a sign that even greater things lie ahead for the unlikely trio.

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