by Ben Hogwood

What’s the story?

Elninodiablo is the pseudonym of Berlin-based Stephanos Pantelas, who is releasing what he describes as ‘his most personal and unrestrained release to date’.

The Downey Groove took shape during a long stay in the mountains of Cyprus, Pantelas with only a laptop, headphones, and a field recorder for company. His sketches gradually evolved into an album proper, enjoying the differing styles of dub, synth-based electronica and freeform beats with good feeling. Live percussion rubs shoulders with boomy bass, Pantelas operating without a concept.

“For me, music is spirit in sound, truth expressed through frequency”, says the producer. “It moves through you. It transforms.” He goes on to describe the album as “a womb-like slap in the face and a warm, gentle cuddle.”

What’s the music like?

All of the above – but operating in a wide-open space, reflecting the place where The Downey Groove began.

This is freeform, feelgood music, themed loosely on dub-based rhythms operating at the speed of slower house or breakbeat. It is atmospheric and often drenched in heat; a definite boon this time of year. Highlights include the brooding, slightly glitchy Misteriosa Noche, while The Soul Monad is an effective fusion of electro and dub, with numerous soundbites.

Rodeotheque is a lot of fun, going continental with a big beat, but the best two are saved for late in the album, with The Downey Groove and especially Rise In Dub hitting the sweet spot.

Does it all work?

It does. The freeform music is easy to enjoy and kick back to, but the stealthy bass grooves don’t take long to work their magic if movement is what you’re after.

Is it recommended?

It is indeed – readily recommended to lovers of dub or easy-paced electronica. Good vibes abound, with plenty of bass!

Listen / Buy

Published post no.2,683 – Friday 10 October 2025