
by Ben Hogwood
What’s the story?
Daniel Miller and Gareth Jones’ Sunroof project is proving to be both productive and enriching. This third volume was released late in 2024, a collection of nine tracks is recorded using the duo’s Eurorack modular systems, building on the self-imposed restrictions they had imposed in 2021.
The pair delve into their electronic archives for material, using a TEAC four track machine picked up by Miller in the late 1970s, used for The Normal’s Warm Leatherette and here powering the track Splendid.
What’s the music like?
Consistently inventive and intriguing. Splendid is the first track on the album, and it crackles into life before the pair apply a booming bass sound. The music is simultaneously graceful, with some elegant outlines, and edgy in mood, a trait running through the album.
Brotherly flickers, the music behaving as though heard in a flash of memory, a half-heard dance repeated in another room. Ensnare has a kind of rolling percussion, liked processed steelpans, exhibiting a strong rhythmic thread that runs through the album. Stratus teems with activity, like an insect colony, then Freezer starts like a Philip Glass organ piece, given rolling bass as accompaniment. Earthen has friendly chatter like a 1980s game, while by contrast Link goes low in range, like a big cricket. Meanwhile Conspiracies carries a latent threat, evoking memories of Cabaret Voltaire.
Does it all work?
It does. The freeform approach that Miller and Jones take is consistently engaging and engrossing, and the musical ideas are teeming with life.
Is it recommended?
Very much so…with evidence on this third instalment that Sunroof are only just getting into their stride. More instalments of this series would be welcome, for the musical chemistry between the pair is evident.
Listen / Buy
Published post no.2,440 – Sunday 9 February 2025

