by Ben Hogwood

What’s the story?

Finn Andrews and his band The Veils are now seven albums into a career the singer describes as ‘disconcertingly long’. They have changed a good deal since their noughties vintage, now more open to acoustic elements. On their last album, string arranger Victoria Kelly was an influential presence.

For this album she makes another telling contribution, while Andrews plays on the piano that Nina Simone used in her last gig at the Royal Festival Hall.

What’s the music like?

These are some of Andrews’ most subtle compositions, but they are touching too. The lyrical material is strong, Andrews using his own inspiration but also leaning on Federico Garcia Lorca, Ted Hughes and Louis MacNiece for inspiration.

‘Asphodels’ are Ancient Greek flowers of the Underworld, and here they bloom colourfully. Mortal Wound is powerful, Andrews “alive with the colours of spring”, while Melancholy Moon defies its title with a cheery singalong. A Land Beyond travels down a similar road.

Does it all work?

Pretty much…though there is the odd pang of regret that The Veils don’t punch as heavily in the guitar area as they used to. No matter, for the quality of the songs and their emotional impact is what really matters here!

Is it recommended?

Yes. Finn Andrews’ songwriting odyssey remains a compelling one, and this set of songs shows his versatility, not to mention his strength as a communicator. A fine album.

For fans of… The National, Nick Cave, Tindersticks, Leonard Cohen

Listen / Buy

You can explore purchase options at The Veils’ website

Published post no.2,427 – Friday 31 January 2025