Composer: Sir Charles Hubert Hastings Parry (1848-1918)
What did he write? One composition springs to mind when you think of Parry – for the hymn Jerusalem is heard at many a national occasion. Beyond the Last Night of the Proms his choral anthems are also revered, with I Was Glad and Blest Pair of Sirens two of the most popular. Beyond that there are five symphonies and a number of orchestral and chamber works.
What are the works on this new recording? Although his choral works are often heard, Parry’s songs are a relatively rare breed. Promisingly, this is billed as volume one of the English Lyrics, a massive collection in twelve volumes that the composer wrote between around 1885 and 1920. The 31 songs on this new recording include 26 from the English Lyrics but finish with five settings of Shakespeare.
What is the music like? The disc takes in many moods, and although it flits around the different volumes of English Lyrics it is very well structured in this collection. Parry’s setting of Shelley’s Good Night is an early high point, Susan Gritton slightly husky in her description of nocturnal, and this is followed by the refrain ‘Soft shall be his pillow’ in Sir Walter Scott’s Where shall the lover rest, Gritton controlling the vibrato on her top ‘G’ with impressive precision.
There are some very popular texts in these Parry settings, and Roderick Williams handles O Mistress Mine and Take, O take those lips away with unfussy poise. On the other hand there are tiny trifles such as Julia, where the baritone introduces a touch of mischief. Meanwhile Gilchrist is especially effective in the anonymous text Weep you no more, a lovely piece of consolation. Andrew West is a sensitive picture painter alongside the three singers, introducing When icicles hang by the wall with chilly detachment and accompanying Williams in On a time the amorous Silvy with an instinctive sense of when to push on and when to hang back.
What’s the verdict? Somm have put together an enterprising release that unites some of the best English singers around, with pianist Andrew West joined by Susan Gritton (soprano), James Gilchrist (tenor) and Roderick Williams (baritone). It is a nice and effective contrast to move between the male and female voices, and it helps that the words are sung so clearly.
Give this a try if you like… Brahms, Schumann or Vaughan Williams songs
You can listen to Good night, sung by Susan Gritton, here