Fitzwilliam String Quartet, James Boyd (viola)
Composer: Anton Bruckner (1824-1896)
What did he write? Bruckner’s reputation is almost entirely built on his nine symphonies and three Masses, which form the bulk of his regularly performed repertoire. However there are also a number of exquisite motets for unaccompanied choir.
What are the works on this new recording? Bruckner wrote very little chamber music, but the two works recorded here are by far the most substantial. The String Quintet is an ambitious, substantial piece that could easily be imagined for string orchestra, while the recently discovered String Quartet represents another sizeable contribution to the form.
What is the music like? The Bruckner of the symphonies is only occasionally glimpsed here, for this is music to fill drawing rooms rather than cathedrals. The quintet especially fulfils its purpose with intimacy and depth of emotion, especially in the slow movement, where the Fitzwilliam Quartet and James Boyd really go up a level.
The outer movements are a little less successful, in this recording at least, for the textures are a little congested. However the String Quartet in C minor of 1862, discovered in 1950, justifies its case for a more permanent place in the quartet repertoire, as it is a substantial and memorable work. The third movement Scherzo has a distinctive theme while the outer movements are resilient and very well done here.
As a bonus, the Fitzwilliam and Boyd include an alternative version of the Intermezzo for the String Quintet, given a polished and elegant performance here.
What’s the verdict? This new Fitzwilliam Quartet disc makes a compelling case for the recently discovered work, but is not always on the money in the Quintet itself. The Intermezzo could have a little more humour in its theme, while the outer movements sound a little grainy in the recording.
Give this a try if you like… Brahms, Mendelssohn or Schubert
You can listen to excerpts from this new disc on the Linn Records website