Reviewed by Ben Hogwood
What’s the story?
Canadian cellist-composer Julia Kent turns to expressive dance for inspiration on her fifth album Temporal. Much of the music here has its origins in the theatre, and looks for a more organic approach than the relatively confrontational Asperities, her previous album for The Leaf Label in 2015.
What’s the music like?
In a word, emotional. The cello has properties unlike any other instrument, an ability to function as bass, harmony or treble – and all combine here to heart-melting effect. Kent uses the distinctive timbres of the instrument’s ‘open’ strings to create a mood in Last Hour Story, the expansive opening piece, but when the bass drops the full range of sound is fully revealed.
The music does indeed dance, often slowly – but the cello takes the lead with probing melodies from its rich tones. The use of subtle vocal effects around the edges only enhances the human connection. While Imbalance uses more electronics, with a fluttering figure from what sounds like a hi-hat, it cuts to the wide open Conditional Futures, a glorious sonic panorama.
When other instruments do appear, such as the soft piano in Crepuscolo, they are at a respectful distance, the cello kept as the foreground ‘lead’.
Does it all work?
Absolutely. Julia Kent knows intimately the potential of a cello not just to sing but also to provide harmonic substance and rhythmic impetus. All elements come together beautifully here.
Is it recommended?
Very much so. Temporal represents a good way in to Julia Kent’s music but is also a natural pinnacle of her work so far. It repays both foreground and background listening, though the former is encouraged so you can get the extent of the intricacies in and around her cello. Once heard a few times, Temporal will become a permanent fixture.
You can listen to Temporal below:
Meanwhile Julia has contributed a cello-themed playlist to Arcana which you can listen to here: