reviewed by Ben Hogwood
What’s the story?
Places is one-third of a multimedia project by Syntrex. Described as ‘an interdisciplinary collective exploring the sense of transition’, it is equal parts contemporary dance (Magnus Westwell), projected animations (Amy Dang) and live music (Piksel herself).
Piksel, real name Ieva Vaiti, is a Lithuanian musician and producer based in London, whose disciplines include classical violin and electronics, with an ever-increasing film score portfolio. The half-hour long soundtrack for Places brings both her specialities together, presented for listening either in eleven separate tracks or one mixed whole.
What’s the music like?
Both descriptive and ambient. Like all good descriptive scores, this is music that as well as fitting the specification works on its own feet.
The track titles are strongly represented by the music. Walk In sets the expansive scene, while Boxes gives a vivid representation of heavy cubes being pushed around, with white noise and electronics squeezing the sound. Breathing senses the wide open air, Travel has a pulsing bass drum – but She Ghetto is rather disarming, the quarter tones and sighing vocals working together to heighten anxiety.
This is ultimately calmed in the musical hug that is Serenity, offsetting the previous tension with weather-based ambience. Time is a little less calm as it shuts off quite dramatically, but that makes way for Home, the jewel in the crown, where Vaiti plays a richly coloured violin solo that soars over the textures.
Does it all work?
Yes. Places is strongly suggestive in its musical descriptions, meaning the listener can approach it without knowing anything of the project to which it contributes.
Ieva Vaiti’s classical and electronic sensibilities work off each other really well, so that the result is a piece of work suiting both approaches.
Is it recommended?
Yes. It works equally well either listening to the divided tracks or the continuous half hour, where the sense of departure and homecoming is heightened.