Listening to Beethoven #2 – Schilderung eines Mädchens

This Peanuts strip was first published on December 16, 1977, drawn by Charles M. Schulz (c)PNTS

Schilderung eines Mädchens WoO 107 (“Schildern, willst du Freund, soll ich dir Elisen?”) for voice and piano (1783, Beethoven aged 12)

Dedication not known
Text Unattributed
Duration 0’35


Background and Critical Reception

In his landmark biography of Beethoven, Alexander Thayer tells of how, by the age of 12, he was the ‘cembalist in the orchestra’. This was an important position within the Bonn Court orchestra for keyboard – presumably harpsichord rather than fortepiano – from which Beethoven would conduct the orchestra in rehearsals, filling a gap while the Electoral Kapellmeister was absent on a journey ‘of several months’.

The suggestion is that in this position lies the root of Beethoven’s powerful music, where he had to play up in volume to make himself heard. It gave him little time for composition, however, until the Kapellmeister returned – whereupon this short song was written and printed.


The first of many brief forays into song for Beethoven, Schilderung eines Mädchens (loosely translated as Portrayal of a Maiden) is almost over before it begins. It has a relatively high line, and a bold and bright melody. The young composer may be just getting a feel for how the voice behaves, but his instincts already appear to be sound.

Recordings used

Dietrich Fischer-Dieskau (baritone) and Jörg Demus (piano)
Peter Schreier (tenor) and Walter Olbertz (piano)
Hermann Prey (baritone) and Leonard Hokanson (piano)

All three recordings are in a different key. Dietrich Fischer-Dieskau is full-bodied in E major, but tenor Peter Schreier raises the tonality up to G with a brightly voiced account. Hermann Prey‘s account is very much slower (almost twice as long!). Luxurious in tone, it is beautifully sung but really stretches the words out. Leonard Hokanson shadows his every move.

Spotify links

Dietrich Fischer-Dieskau and Jörg Demus:

Peter Schreier and Walter Olbertz:

Hermann Prey and Leonard Hokanson:


Also written in 1783 Mozart Duos for violin and viola, K423 & K424

Next up Fugue in D major

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