Swiss and German folksong collector Johann Friedrich Reichardt (left, picture by
Carl Traugott Riedel) and the young Ludwig van Beethoven
6 Variations on a Swiss Song WoO 64 for piano (1790-92, Beethoven aged 21)
Dedication not known
What’s the theme like?
The theme is a 17th-century Swiss song, Dursli and Babeli – which appears in the collections of old Swiss and German folk tunes, made by composers such as Reichardt, Herder and Müller. It is a simple but catchy tune that bears a resemblance to a hymn that followed a century or so later, This joyful Eastertide. The tune was a favourite of Goethe, who is said to have described it as ‘a charming story of peasant love’.
Background and Critical Reception
Very little is written about these variations. The short note for Cécile Ousset’s recording declares the variations ‘do not go any further than mere charm’. Meanwhile Barry Cooper, writing in his guide for the DG complete Beethoven edition, describes the variations as ‘relatively simple an unadventurous’.
It seems these variations are popular student pieces, the standard suitable for developing pianists and markedly different from the Righini variations we heard very recently.
The source material does at least ensure a memorable melody for the short series of variations, which feel more like a set of unfinished doodles. The hymn-like main theme slips into the minor key for a little while, its second variation given a sideways glance by the composer as he does so. There is a nice bit of humour here at times, but the piece does ultimately feel lightweight, more of a student exercise.
Cécile Ousset (Eloquence), Mikhail Pletnev (DG); Cyprien Katsaris (Piano 21)
Three fine recordings – but again it is Ousset who emerges with a greater poise, and less of a tendency to indulge than Pletnev. Ronald Brautigam takes a typically quick tempo in his sprightly version.
Also written in 1792 Hummel Piano Trio no.1 in E flat major Op.12
Next up Prüfung des Küssens