Listening to Beethoven #31 – Flute Sonata in B flat major


Gentleman walking a hound in a wooded landscape (Unknown, German school, late 18th century

Flute Sonata in B flat major Anh.4 (1790-92, Beethoven aged 21)

Dedication unknown
Duration 25′

Listen

Background and Critical Reception

This substantial four-movement work was found amongst Beethoven’s papers after his death, and was not published until 1906. Despite its location, there are a number of doubts over the authorship of the piece – which appears not to have been in Beethoven’s own handwriting, according to biographer Alexander Thayer.

Barry Cooper, writing in the ‘Rarities’ booklet accompanying DG’s New Complete Edition of Beethoven, makes several useful points. He notes a ‘few awkward moments that could betray inexperience’, and says ‘its authenticity cannot yet be excluded completely, if it is a very early work’. Yet in the other corner there are ‘far fewer articulation markings than in even Beethoven’s earliest known works’, and the scribe ‘was also the composer’, which for Cooper offers the final proof that Beethoven was ultimately not involved.

If it was indeed Beethoven who wrote this work it is thought it would date between 1790 and 1792 – which would plausibly make the dedicatee the flautist son of the Westerholt-Gysenberg family, who Beethoven had included as part of his equally substantial Trio for Flute, Bassoon and Piano a few years earlier.

Thoughts

This substantial piece is quite hyperactive in its first few minutes, when it feels like there are too many notes, but the mood is bright and positive. The music gradually settles, passing through quite an adventurous development section where the dynamic changes, from quite a pastoral mood which then darkens as Beethoven shifts into the minor key.

The second movement, a Polacca, sets out on a strident path, in the same key of B flat major. Both instruments are close together, complementing each other’s melodic movements. The theme is a bit more rustic but the polonaise attributes are not obvious.

The slow movement brings the music to rest, and offers a change of scenery in E flat major. The final movement finds the players close again for a bright theme on which the players then expand with four variations. Even the minor key variation, the third, doesn’t really cloud the sunny exterior too much. By Beethoven’s standards so far it does feel like a relatively standard theme and variations, but they end with a flourish and a relatively restful coda.

Recordings used

Michel Debost (flute), Christian Ivaldi (piano) (Warner Classics)
Emmanuel Pahud (flute), Eric Le Sage (piano) (Auvidis Valois)
Severino Gazzelloni (flute), Bruno Canino (piano) (DG)

A trio of excellent performances here, each of which serves the sonata very well. The top choice by a whisker would be the ever-stylish Emmanuel Pahud and Eric Le Sage, though Severino Gazzelloni and Bruno Canino run them close with their close-knit partnership, which is particularly beautiful in the slow movement.

Spotify links

Michel Debost, Christian Ivaldi

Emmanuel Pahud, Eric Le Sage

Severino Gazzelloni, Bruno Canino

You can chart the Arcana Beethoven playlist as it grows, with one recommended version of each piece we listen to. Catch up here!

Also written in 1792 Haydn Symphony no.98 in B flat major

Next up Primo amore piacer del ciel

Leave a Reply

Fill in your details below or click an icon to log in:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s

This site uses Akismet to reduce spam. Learn how your comment data is processed.