Listening to Beethoven #89 – La Partenza WoO 124

Portrait of Italian poet Pietro Metastasio (1698-1782) Image used courtesy of Wikipedia

La partenza WoO 124 for voice and piano (1795, Beethoven aged 24)

Dedication not known
Text Pietro Metastasio
Duration 1’10”


Background and Critical Reception

Beethoven joined a prestigious list of composers in setting Pietro Metastasio’s canzonetta from 1749. Paisiello and Mozart had already taken the text as inspiration, but now Beethoven – setting Italian again – took the plunge. This would appear to be a result of his continuing training with Salieri, who was encouraging the setting of songs in his native language.


Beethoven shifts from the G major of previous song Zärtliche Liebe to A flat major, a tonal centre that would inspire some of his best and most contemplative music over the years. It is a shift in mood, too – the previous song a declaration of love, this one (translating as The Departure) sat in the cloud of departure and loss.

It is a relatively simple setting, and a short one too at just over a minute. A flowing piano is the bedrock for a smooth, mid-range melody, but the overriding mood is sombre and relatively downcast.

Recordings used and Spotify links

Dietrich Fischer-Dieskau, Hartmut Höll (Warner Classics)

Hermann Prey, Leonard Hokanson (Capriccio)

Cecilia Bartoli, Andras Schiff (Decca)

Both Fischer-Dieskau and Prey give this song a good deal of gravitas, their pianists providing solid support. However the bright tones of Cecilia Bartoli and the light-fingered accompaniment of András Schiff give the song a new lease of life.

Also written in 1795 Salieri “Armonia per un tempio della notte” in E flat major for 2 oboes, 2 clarinets, 2 bassoons and 2 horns

Next up 12 German Dances WoO8 (piano version)

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