
This week the BBC have started showing the intriguing drama Marriage, which has superstar quality from its two lead characters, Sean Bean and Nicola Walker.
The series has split opinion in its accurate portrayal of every life in a marriage lasting 27 years – largely played out in real time. As the series has developed the many subtleties have combined to a plot that is gathering substance and meaning as time goes on, rather like life itself.

One of the most striking elements of the drama is its bold choice of signature tune, which again has divided opinion sharply. The chosen music is by composer Caroline Shaw (above) – the first couple of minutes of her Partita for unaccompanied choir, specifically the first movement Allemande.
Initially the voices sound like an extra part of Marriage, especially as the plot continues to play out, but as the voices come together in a firm pitch so too do the images, and the end credits roll.
You can listen to the full movement, which lasts six minutes, below – and enjoy Shaw’s wonderful layering of the voices, with spicy harmonic clashes and some vibrant writing for the small choir:
The Partita continues with three further movements, each based on an old dance form. The Sarabande is initially soothing and enchanting, before really letting rip with primal power halfway through. The Courante, the most substantial of the four movements, has a number of hypnotic effects and fresh faced harmonies, especially halfway through as it soars to unexpected heights.
Finally the Passacaglia has a lilting base to its music, and a spoken word commentary resumes as it did at the start of the piece, before the voices end powerfully in unison.
Here is a live performance, given by the dedicatees Roomful of Teeth – with whom the composer sings:
Aside from this high profile appearance, Shaw has been making quite a name for herself in recent years. In 2021, Nonesuch released the album Let The Soil Play Its Simple Part, written and performed with Sō Percussion:
Meanwhile the choral piece And the Swallow lingers particularly long in the memory:
You can discover more of Caroline’s music at her website
I love the theme music for “Marriage” Caroline Shaw’s Partita – really unusual with the use of the spoken word and like the series, an undercurrent of darkness and something not being quite right in the bending of the chords. Great choice for an intriguing series. Thank you!
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I too have been intrigued with Caroline’s music captures the frisson, the mood swings and the contracting and expanding of the tensions in the relationship.I shall now listen to the whole piece.
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