In appreciation – Lamont Dozier

Lamont Dozier in 1969. (c) Michael Ochs Archives, via Getty Images

Last week we heard the sad news of the death of Lamont Dozier, one of Motown’s chief songwriters. If you have listening to British radio stations over the last week you may well have heard a tribute or two in his honour – and even if you haven’t heard the tributes, the chances are you have heard a song in which Lamont had a vested writing interest.

The shower of tributes from artists in the wake of his death says everything about the quality of his songwriting. Carole King, in a Twitter post, said this:

As a member of that fabled Holland-Dozier-Holland trio (with Brian and Eddie Holland) he helped form something of a production line of quality Motown hits, a trio of songwriters the label could turn to at incredibly short notice, and who thought nothing of challenging their star vocalists.

First in this tribute is an appropriate one for this website – The SupremesI Hear A Symphony, from 1965. Here it is on an episode of Hullabaloo, introduced in a classical context:

Some of Holland-Dozier-Holland’s finest songs were written for The Four Tops – and it would be hard to top Reach Out, I’ll Be There, exploiting the incredibly powerful voice of lead singer Levi Stubbs to give the song its strongest possible impact:

Meanwhile another recipient of the trio’s fruits were Martha & the Vandellas, whose Heatwave remains one of Motown’s most powerful and affirmative calling cards:

Back to The Supremes, and the feverish You Keep Me Hangin’ On – not just for the pleading Diana Ross vocal but for the insistent guitar line that just will not go away:

Another Martha & the Vandellas track, Jimmy Mack, written in the wake of the death of the songwriter Ronnie Mack at the age of only 23, asks ‘when are you comin’ back?’

Another UK chart topper for Dozier and the Hollands was Band of Gold by Freda Payne, released in 1970 and a radio staple to this day:

Finally here is a wonderful song Lamont wrote for the imperious Alison Moyet in 1984. Invisible is surely one of her finest vocal achievements:

For a full list of songs in which Lamont was involved, you can go to the SecondHandSongs website

New music – Mark Peters feat. Dot Allison: Switch On The Sky

Some more good news from Sonic Cathedral. If you are a regular visitor to Arcana you will have seen our praise for the new Pye Corner Audio album Let’s Emerge, released on the label last Friday. Now we can bring confirmation of new music from Mark Peters, whose rather wonderful Innerland album provided a geographical record of his move back to Wigan in 2018.

The new album, Red Sunset Dreams, looks much further afield for its inspiration, casting longing eyes across the Atlantic in fact. It features contributions from pedal steel guitar legend B J Cole and vocalist Dot Allison, who sings on two tracks including the single released today, Switch on the Sky. They both appear as part of Peters’ fascination with the ambient side of country music, with Cole’s legendary steel guitar work becoming something of a healthy obsession.

The press release takes up the story, talking of ‘an incredibly evocative trip through the landscapes of old Western movies, exploring their links with the North West of England while touching on wider themes such as isolation, freedom and dementia. Sonically, it builds on the palette of the previous record with instrumentation equally inspired by the ascendant ambient Americana movement and classic country-rock. As a result it ends up somewhere between Acetone’s peerless I Guess I Would, Diamond Head-era Phil Manzanera and the dusty instrumentals on the second disc of David Sylvian’s 1986 classic Gone To Earth.

New music – Kennebec ft. Hemlock Ernst & Sudan Archives

You may remember Eric Phillips, otherwise known as Kennebec, from his previous appearance on Arcana. We were rather taken by his debut album Departure, released on Night Time Stories back in 2020 – and now he returns with a sequel.

The press release paints an intriguing picture. Phillips has clearly been busy, completing second album Without Star Or Compass, due for release on 7 October. It is a collaborative piece, made with and for friends – with guests including Sudan Archives, Yazz Ahmed and Future Islands frontman Samuel T. Herring, aka Hemlock Ernst.

Hemlock Ernst and Sudan Archives front the album’s lead single, the urgent stream of consciousness Tall Tales, which you can experience here:

We look forward to welcoming Kennebec back with a full album review nearer release date, but for now enjoy the prequel to what should be a very fine piece of work!

In appreciation – Monty Norman

Today brings the sad news that the great Monty Norman has passed away, at the age of 94. His greatest gift to us, of course, will always be the James Bond theme, later arranged (but crucially not composed) by John Barry. It remains one of the most evocative and distinctive pieces of 20th century music. Here it is in all its glory:

Here, too, is the music Norman wrote for the famous scene in the Dr No film where Honey Ryder (Ursula Andress) emerges from the sea, sung by Cibelle:

Switched On – Awamu Together festival

A nod in the direction of the Awamu Together festival, due to take place over the long weekend of 29-31 July 2022. All profits from the festival go directly to the Awamu charity’s work with vulnerable women and children in Kampala, Uganda, which explains the festival hashtag, #fundraving!

Together 2022 will once again be set on a farm surrounded by the Chiltern hills, with the location made available to ticket holders nearer the time.

The line-up is tempting to say the least, with – among many others – Echaskech, BUNKR, Steve Cobby and Alucidnation all confirmed. The instruction on the festival website is to take Monday off, with appearances from Bunty & Jomotopia, The Mauskovich Dance Band, Bill Brewster, Yidah and Tom Blip all scheduled on the Sunday.

For more information, and to buy tickets, head to the festival website