Category Archives: Switched On

On Record – Various Artists: Histoire De Couer (Caroline True Records)

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by Ben Hogwood

What’s the story?

In the words of the press release:

France-the 1980s. A local radio and studio system almost unsurpassed in Europe – add brilliantly inventive labels and producers with a sense of fun & adventure & the result?

A golden age of Synth-Pop – Post-Disco..inventing the future…celebrating the chanson of the past. Updating that for a new generation & a new dancefloor. Virtually neglected until now – only the heads knowing…

Presented in the classic 45 (Quarante Cinq) 7″ format – the way that these great records were produced for the radio & were meant to be heard at that moment. Curated & with sleeve notes By John Kertland Of CTR, in English and French.

Now, the “savoir” is yours also. Hard to find 7″s by elusive artistes…Tangui/Kelly Way/Generation Egoiste & More…Glorious vocals ,soaring synths and irresistible basslines it’s all here ..

Bon écoute !

What’s the music like?

Tres bien! There is a lot of fun in store here, with some brilliantly bonkers synth pop, bursting with tunes and good vibes. The title track from Corinne Tell gives us a flavour of what to expect, before the brilliantly mad chorus of Fabienne Stoko’s Poupee.

Valene’s Sauve Moi has a great riff, while Tangui’s Amour Combat has a big chorus Kim Wilde would be proud of. Generation Egoiste (Tout Tout D’Suite) Egoiste is a lot of fun, from Generation Egoiste, while Kira’s Vacances A Deux is an appealing and humourous quicker disco march. The compilation signs off with Nani Antoni’s excellent Faites Vos Jeux.

Does it all work?

It does. There are some rough edges here, too, which only add to the listening appeal.

Is it recommended?

Enthusiastically. Loads of smiles and good times to be had with this compilation! Packed with riffs and a lot of dance appeal.

For fans of… Desireless, Brigitte Bardot, Imagination, Shakatak

Listen / Buy

Published post no.2,618 – Wednesday 6 August 2025

On Record – Sebastian Reynolds: New Beginnings (PinDrop)

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by Ben Hogwood

What’s the story?

Oxford producer Sebastian Reynolds follows up his September 2023 debut album, Canary, with this set of reworks bringing together source material from collaborations with his previous bands, namely Flights Of Helios and The Epstein.

The collaborative album also welcomes Irish artists Bróna McVittie, Rezo and The Mining Co. as well as West Country group Will Lawton & The Alchemists and New York duo Kritters. The album complements his atmospheric writing with Neon Dance, and his self-termed “athletics themed bangers”, produced with Dubwiser and darqwud.

What’s the music like?

The heat haze of summer courses through Reynolds’ music. He is a gifted and versatile writer, bringing a wide range of beats and textures to make an album that runs fluently.

The songwriting is on point, too – IYSCM especially, a reimagining of If You Could See Me, where breathy vocal interjections are complemented by guitarist Myles Cochran. The destination here is unmistakably poolside, with a lovely Balearic disco feel.

The warmth is a feature of the album, which unwinds with a reworking of Dubwiser’s The Jackal), a loping broken beat number with UNKLE leanings (Molotov, with Rezo), and the breezy Fossils Of The Mind, a collaboration with Will Lawton & The Alchemists. Also making its mark is the attractive indie-baggy hybrid Broken, with Bróna McVittie, and One Year To Go, a Michael Patrick Gallagher co-write with more than a hint of Andrew Weatherall. Finally Make This Our Drone removes the beats but turns everything up to 11, a richly coloured wall of sound.

Does it all work?

It does – and if anything some of the reworks later in the album could be longer, for good vibes abound in their rich melodic content.

Is it recommended?

Enthusiastically. The carefree mood created by New Beginnings is perfect for summer listening, a blissful set of sounds that cover a surprisingly large number of bases. Sebastian Reynolds is a talented producer and songwriter, who deserves to expand his audience considerably with this welcome dose of musical warmth.

For fans of… UNKLE, Ian Brown, Andrew Weatherall, Gorillaz

Listen / Buy

Published post no.2,603 – Tuesday 29 July 2025

New music – HAAi – Hey! (Mute)

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from the press release, edited by Ben Hogwood

London-based, Australian-born producer, songwriter and DJ, HAAi (aka Teneil Throssell) has shared the latest track from her eagerly anticipated new album – HUMANiSE – out on 10 October 2025 via Mute on limited edition clear double gatefold vinyl and limited-edition CD in eco card packaging.

The new album – an immense evolution from her acclaimed debut – reckons with what it is to be human in an increasingly digital world, as AI threatens to eclipse everything and our screens separate us from each other.

You can listen to Hey! below:

Talking about the new track, Teneil explains, “‘Hey!’ is dedicated to the unmatched human connection we feel on the dance floor. The repeated lyrics “can’t live without you” is a nod to my love for the club and the people in it.”

Hey is an immensely likeable track, with an immediacy born of the dance floor and a direct style with repetition of voices that intersects a little with Caribou’s more minimal work.

The press release continues: In all of her work, Teneil has always sought to conquer new frontiers in electronic music, and on the new album, she’s drilling deeper into the grid to deliver an ambitious and thrilling epic: embodying a sonic step up, exploring the sweet spot between machine-led dystopia and emotion-filled utopia. “Throughout the album, I kept thinking about a machine with a human heart,” she says. Where previously she’s been hidden by a laptop, or obscured behind the decks, more recently she was, “inspired to return to my songwriting roots and use my voice more in my own music.”“Throughout the album, I kept thinking about a machine with a human heart,” she says. Vocals are front and centre, stunningly delicate and giving a newfound dimension to her kinetic productions. “It took a long time to get there, it’s such a vulnerable thing to do,” she continues, “but for this album, it was important for me to allow this ‘human heart’ to be front and centre.”

The human heart has another focus on the album: unity and community. HAAi explains, “Even though HUMANiSE is about how the world is starting to change beyond our control, it’s important to keep a sense of togetherness and hope.” These ideas of community and a sense of belonging is of utmost importance, and she has returned to work with friends including Jon Hopkins, Alexis Taylor from Hot Chip, singer Obi Franky and rapper KAM-BU, artist Kaiden Ford, as well as poet James Massiah, who guests on ‘All That Falls Apart’, and two choirs: TRANS VOICES with choir leader ILĀ and a gospel choir led by Wendi Rose. But this is no clique, the community she surrounds herself with is inclusive, with ample space for the listener on a journey where you are suspended in dreamlike euphoria, drawing the most human part of you to the surface – the part where nothing matters more than family, friends, and togetherness.

HUMANiSE is out on 10 October 2025 via Mute on limited edition clear double gatefold vinyl and limited edition CD in eco card packaging. You can pre-order here

Published post no.2,603 – Tuesday 22 July 2025

Switched On – Rival Consoles: Landscape From Memory (Erased Tapes)

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by Ben Hogwood

What’s the story?

After an extended time out, Ryan Lee West – the man behind Rival Consoles – returns with his ninth album.

Having fallen out of favour with the creative process, West retreated and started composition by way of an audio scrapbook, where past clippings and musical sketches were transformed into fully fledged tracks.

What’s the music like?

There is a fresh, revitalized feel to Rival Consoles on this album. In fact West seems to be falling over an abundance of ideas, but has found the best way to get them all together and make an album that is consistently rewarding, colourful and durable.

There are many highlights, such as Coda and Drum Song, where percussive work and melodic craft work well hand in hand. Yet at times the music is at its most effective without a drum track, as on the start of Nocturne, or the reverie Tape Loop. 2 Forms brings both together intriguingly, starting in an ambient mood but with a sudden burst of acidic, quasi-industrial noise.

Gaivotas, meanwhile, is a great illustration of the colour West brings through from the studio, a rich and dazzling array of textures.

Does it all work?

It does – and the album only gets better and more rewarding with repeated listening.

Is it recommended?

Yes. If you’re a Rival Consoles fan then you will need no persuasion, but if you are new to his music then Landscape From Memory is a great place to start.

Listen / Buy

Published post no.2,599 – Thursday 18 July 2025

On Record – Clare O’Connell: Light Flowing (NMC Recordings)

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by Ben Hogwood

What’s the story?

Cellist Clare O’Connell releases the Light Flowing album, which, in the words of the press release, is “inspired and tied together conceptually by ideas of light, depth, simplicity, the search for a perfect line, and capturing an otherworldly beauty that these carefully chosen composers represent within their different sound worlds.”

She looked for an ‘introverted introspective simplicity’, which is found through new compositions from five composers.

What’s the music like?

The music here is rather bewitching, in the best examples drawing the listener into a spell, with O’Connell playing beautifully.

Edmund Finnis contributes two examples, beginning with the Three Solos, expressive miniatures that O’Connell inhabits easily, especially the playful second solo with its pizzicato. Finnis allows for expansive thought in the outer two movements.

Meanwhile Emilie Levienaise-Farrouch contributes the imaginative four-part suite Opened, its movements based on the pitch of each of the cello’s four strings. Although it starts from the lowest ‘C’ string and works up, the pitches are closely linked and longer, sustained drones are used. The colours are subtly shaded, the musical motifs rich in thought and execution.

Natalie Klouda’s Uhteare is an excellent piece, packing a strong emotional punch but also falling naturally under the scope of the instrument, with a terrific end – O’Connell’s tone in the high register as sure and pure as it could be.

Emily Hall’s You Sail To The Sky is a meditative space, while Nick Martin’s two Vocalises find a hypnotic and compelling train of thought. The first floats down with delicate harmonics like a feather falling slowly through the sky, while the second floats most attractively, O’Connell’s cello ideal for its songlike profile. Prayerful, and lost in thought towards the end in contemplation, it disappears beyond the horizon.

Zenith introduces a timely change of sonorities, introducing the harp of Eleanor Turner, which has a more Japanese feel. An engaging discourse between the two instruments, it grabs the listener especially towards the end where O’Connell’s cello climbs higher. Then the sound descends to the depths as Marianne Schofield’s grainy double bass winds through a shadowy encounter as the first of three Figures Of Eight, Finnis writing a slight but compelling second movement drawing in the listener’s ear. The two instruments circle each other with pizzicato figures that get more insistent but stay largely quiet in the second movement, while the third has a richer, mellow sound

Does it all work?

It does, a thoughtfully planned recital executed with no little technical expertise.

Is it recommended?

Yes. The literature for solo cello is a rich body of work, right back to Bach in the 18th century, but this wide range of works illustrates how, with imagination, it is still possible for composers to explore new paths. Clare O’Connell proves a compelling communicator in bringing the pieces to life.

Listen / Buy

Published post no.2,597 – Thursday 17 July 2025