St-Martin-in-the-Fields launches first Music for Mindfulness concert

published by Ben Hogwood, text from the press release

Thursday 10 October, 19:00
Tenebrae: Meditatio – Music for Mindfulness

Sandström / Praetorius Es ist ein Ros entsprungen
Donna McKevitt Lumen
Rachmaninov We Hymn Thee
Gibbons / Forshaw Drop, drop slow tears
Chilcott The Last Invocation
Kedrov Otche nash
Rachmaninov Rejoice, O Virgin
Lobo Versa est in luctum
Allegri Miserere
Stanford The Blue Bird
Golovanov Cherubic Hymn
Chilcott Even Such Is Time
Howells Requiem aeternum II

In a new initiative that combines well-being and musical excellence, St Martin-in-the-Fields presents an evening of Music for Mindfulness with award-winning vocal group Tenebrae and mindfulness coach Michael McCaffrey. Tenebrae’s Artistic Director Nigel Short has devised a sequence of beautiful and calming vocal masterpieces by Lobo, Allegri and Rachmaninov and others, while Michael McCaffrey will guide the audience towards deeper listening through a focus on the breath. No previous experience of meditation or mindfulness practice is required, and in the inspiring candlelit surroundings of St Martin-in-the-Fields, the unbroken sequence of music and mindfulness invites the audience to take an hour at the end of the day to relax and centre themselves.

Nigel Short explains, “I’ve wanted to experiment with this format ever since I
conducted a similar concert in Denmark several years ago. We all know that
people are living increasingly busy lives, and the constant stream of
information we receive through our phones is making it harder and harder to
switch off. Music has always been something that people have turned to for
comfort and solace, and arguably we need this now more than ever. We hope that
this combination of beautiful music and guided breathwork will allow everyone a
small bit of time and space to take some time out and slow down.”

Reversing the emotional arch of a standard concert programme, Short and McCaffrey have worked together to shape the evening to guide the audience towards deeper tranquillity at the midpoint of the concert, before gently bringing them back to the present moment. The concert will include choral masterpieces such as Allegri’s Miserere, and extracts from Rachmaninov’s Vespers and Howells’ Requiem. Analysing their social media, Tenebrae noticed that many listeners discovered their recordings through YouTube searches for music to aid relaxation and sleep, and wanted to create a live concert experience that would help people to switch off and slow down.

Michael McCaffrey says, “As both a musician and experienced mindfulness teacher, the power of music as a tool to tap into deeper states of being is apparent. Music speaks to those same states that meditation often guides us into. A sense of calm, a present moment consciousness, the alive, immediate ‘now’ of each moment. It is no coincidence that ancient practices that encourage these states often use sound as a direct means by which to enter the stream of calm that mindfulness delivers.”

Michael McCaffrey is a dedicated meditation, mindfulness and breathwork
guide, passionately committed to making the transformative benefits of these practices accessible to all. With a rich background in these various techniques, his teachings focus on demystifying mindfulness, offering clarity and guidance to beginners while providing depth and insight for seasoned practitioners. It is his belief that anyone can take something positive from these practices and achieve an overall sense of wellbeing. Michael creates an inclusive space where individuals can embark on a journey of self-discovery and
inner peace. Over the last decade he has built up a dedicated following for his sessions, working with individuals and also with companies such as Chelsea FC, NBC Universal, Amazon and Google.

Described as “phenomenal” (The Times) and “devastatingly beautiful” (Gramophone Magazine), award-winning choir Tenebrae is one of the world’s leading vocal
ensembles, renowned for its passion and precision. Under the direction of Nigel Short, Tenebrae performs at major festivals and venues across the globe, including the BBC Proms, Wigmore Hall, Elbphilharmonie Hamburg, Rheingau Musik Festival and Sydney Festival. The choir has earned international acclaim for its interpretations of choral music from the Renaissance through to contemporary masterpieces, and has commissioned new
music from composers including Judith Bingham, Joanna Marsh, Owain Park, Josephine Stephenson, Joby Talbot and Roderick Williams. Tenebrae has enjoyed collaborations with some of the UK’s leading orchestras, including the London Symphony Orchestra, Aurora Orchestra, the Academy of Ancient Music and Britten Sinfonia. The choir also undertakes regular session work, having contributed the vocals for Max Richter’s Voices (2020), Jean-Jacques Annaud’s Notre Dame brûle (2022), and blockbuster sci-fi movie Avatar: The Way of Water (2022) among others. Its extensive recording catalogue comprises a wide range of music on labels including Signum, LSO Live and Warner Classics, and has earned the choir two BBC Music Magazine Awards, an Edison Classical Award and a Grammy nomination.

Alongside its performance schedule, the choir runs a thriving Learning & Connection programme encompassing activities with London Youth Choirs, Tenebrae Effect workshops with amateur choirs, and Tenebrae Schools. In partnership with Ealing Music Service, this programme aims to embed a long-lasting culture of singing activities in local primary schools which might otherwise face barriers to music-making Through its Associate Artists programme, Tenebrae also provides talented young professional singers with vital experience and support in the early stages of their careers.

‘Passion and Precision’ are Tenebrae’s core values. Through its continued dedication to
performance of the highest quality, Tenebrae’s vision is to inspire audiences
around the world through dramatic programming, flawless performances and
unforgettable experiences.

St Martin-in-the-Fields is a landmark church, concert venue and visitor attraction on London’s Trafalgar Square. It is a friendly and forward-thinking community and the
building itself is steeped in beautiful Georgian architecture. With a huge
programme of services, concerts, events, exhibitions and lectures, St Martin’s
welcomes hundreds of thousands of visitors from all over the world each year.

A strong musical tradition flourishes at St Martin’s. Their concert series includes over 350 performances and gigs every year, featuring some of the UK’s finest ensembles, chamber orchestras, choirs and musicians. An outstanding music programme is provided by the Choir and Choral Scholars of St Martin-in-the-Fields, some of London’s finest voices who are regular performers on the BBC and in concert. In the Crypt you can find St Martin’s award-winning Café, Shop, Brass Rubbing Centre and a number of excellent spaces available for hire for meetings, celebrations and corporate events.

For further information, please head to the websites for St Martin-in-the-Fields or Tenebrae, where you can purchase tickets

Published post no.2,295 – Monday 9 September 2024

In appreciation – Sir Neville Marriner

by Ben Hogwood

Monday 15 April saw the 100th anniversary of the birth of Sir Neville Marriner, the beloved conductor who formed and led the Academy of St. Martin-in-the-Fields. Surely one of the most recorded conductors in history, Marriner completed a wonderful discography ranging from early Baroque to 20th century masterpieces, with a good deal in between.

This playlist takes just a fraction of those recordings, mixing a couple of classics with some of the more modern music in which Marriner added some very interesting interpretations. We go from Grieg to Ives with a relative rarity included, Tchaikovsky’s tuneful Orchestral Suite no.3. Hope you enjoy!

Published post no.2,152 – Thursday 18 April 2024

BBC Proms 2016 – Håkan Hardenberger and HK Gruber perform Kurt Weill & Kurt Schwertsik at Cadogan Hall

Håkan Hardenberger (trumpet), HK Gruber (chansonnier, above), Helen Crayford (piano), Mats Bergström (banjo & guitar), Claudia Buder (accordion), Academy of St Martin in the Fields

Broström Sputnik (2015)

Lundgren arr. Pöntinen The Seagull (2007)

Weill Speak Low (arr. Pöntinen) (1943); Songs from The Threepenny Opera (1928); Der Song von Mandelay (1929); Song of the Rhineland (1944)

Schwertsik Adieu Satie – Gymopédie; Clownerie acrobatique (2002, arr. 2010)

HK Gruber 3 MOB Pieces (1968, rev.1977)

Brahms arr. Broström Hungarian Dance no.6 (1869 / 2016)

Cadogan Hall, Monday 8 August 2016

Listen to this concert on the BBC iPlayer

After A Satie Cabaret the BBC Proms chamber music series at Cadogan Hall continued in mischievous mood, this time bringing Kurt Weill and his associates centre stage. In doing so they managed to include another tribute to Satie, courtesy of Kurt Schwertsik, a member of the unofficial Third Viennese School with composers Friedrich Cerha and HK Gruber.

The three were responsible for the creation of MOB-art, in Gruber’s words ‘a celebration of enjoyment and invention’. The approach, enjoying tonal music but pushing boundaries and frequently encroaching on jazz and musical genres, was explored here by Gruber with good friends and long-time musical collaborators, trumpeter Håkan Hardenberger and Swedish composer Tobias Bröstrom.

As well as being a composer of some repute Gruber is an excellent conductor and vocalist into the bargain, and with Hardenberger he brought Weill’s music fair off the page, not to mention the words of his collaborators, Brecht and Ira Gershwin.

The concert began with Broström and a celebration of space travel, Sputnik. This completed one bumpy orbit of the Cadogan Hall, a lively and enjoyably syncopated curtain raiser. After this Jan Lundgren’s The Seagull was a mournful companion, beautifully observed by the muted trumpet.

hardenberger

Håkan Hardenberger (trumpet)

Neither principal performer could stay quiet for long however, and we swiftly moved to the music of Weill. This was in the form of an attractive selection that showed not just the importance of the trumpet in the composer’s work, but also his chemistry with the acerbic wit and poignant observations in the text of Bertolt Brecht. These were given out by Hardenberger himself, revealing unexpected gifts for vocalising in Song of the Insufficiency of Human Behaviour, but also HK Gruber, surely without parallel in this music. There was a glint in his eye as he characterised the selections from The Threepenny Opera, One Touch of Venus, Happy End and Where Do We Go From Here?

They were superbly accompanied by accordionist Claudia Buder and Mats Bergström on guitar and banjo, both stylish players, while pianist Helen Crayford enjoyed the colourful harmonies and spiky rhythms. The string players of the Academy of St Martin in the Fields supplied extra body and impetus, clearly enjoying themselves.

After the Weill came two movements from Schwertsik’s suite Adieu Satie. The first of these was a lovely piece of expanded pastiche in the form of a Gymnopédie, led by Buder and supplemented by the strings, before the irreverent Clownerie acrobatique took enjoyable liberties with syncopations and melodic figures.

This led us to Gruber’s flagship work, the 3 MOB Pieces, where chamber ensemble and drum kit team up neatly with humour and touching asides. Composer Broström was now required to play drums, and did so with aplomb.

Finally all the performers were united for Broström’s mischievous but rather brilliant arrangement of Brahms’s Hungarian Dance no.6, which called on Hardenberger to play at dizzying speed – and found him unexpectedly overshooting his final note. If anything this added to the enjoyment, for it was an occasion where spirit and humour were to the fore, with the distinctive colours of accordion, banjo and piano adding to the already ebullient strings.

The BBC Proms have delivered several imaginative chamber concerts this year, and this one was an excellent introduction to the music and world of HK Gruber ahead of a performance of Busking in Prom 34, where Buder, Bergström, Hardenberger and Gruber will once again join forces.

Ben Hogwood