New music – Bicep & Various Artists – Takkuuk (Ninja Tune / Earthsonic)

from the press release, edited by Ben Hogwood

TAKKUUK is a new immersive installation from BICEP, visual artist Zak Norman and filmmaker Charlie Miller that explores the lives, communities and challenges facing artists Indigenous to the Arctic Region. TAKKUUK will feature on the giant floor to ceiling wrap around screens at Outernet London, one of the UKs most visited cultural attractions.

Created in partnership with the charity In Place of War, as part of their EarthSonic programme, the installation sees the renowned Northern Irish electronic duo — otherwise known as Andy Ferguson and Matthew McBriar — collaborating with a number of Indigenous vocalists, including Katarina BarrukAndachanSebastian Enequist (from Sound of the Damned), TarrakNuijaNiilas and Silla. The music was recorded in 2024 by Detroit-based producer and musician Matthew Dear in Árni Árnason from The Vaccines studio, during Iceland Airwaves festival in Reykjavík.

The resulting demos, combined with additional field recordings taken by Ferguson from the Russell Glacier in Greenland, form the backbone of this unique soundtrack set to accompany the remarkable TAKKUUK visual installation which premiers on July 3rd at Outernet London, before touring venues and festivals across the globe over the coming year.

The initial spark for the project came when BICEP travelled to Greenland in 2023, in which they began learning about the various issues facing local artists and their communities. It then came to life over the following two years, growing to eventually incorporate a striking visual element shot by Zak Norman (who has previously worked on visuals for BICEP, Squarepusher and Africa Express) and Bristol-based filmmaker Charlie Miller (whose documentary work with In Place of War has taken him to some of the world’s most marginalised and remote communities.)

Across its immersive presentation, TAKKUUK sees Norman and Miller introduce each of the Indigenous musicians and their communities. In scenes from GreenlandSwedenNorway and Canada, attendees will witness the impact of their changing worlds, giving us an insight into their everyday lives and exploring not just the direct environmental consequences of a changing climate, but also the displacement of people and the marginalisation of their communities — resulting in the erosion of ancient cultures, languages, traditions and more.

Through highlighting these individual stories, the project hopes to raise awareness of the existential issues facing Indigenous people across the Arctic region. TAKKUUK reflects In Place of War and EarthSonic’s mission to use music to tell the stories associated with climate change, amplifying the voices of Indigenous artists on its frontlines. Through their music, words, and lived realities, this project shines a light on the deep connection these Indigenous communities have with their environment, while revealing the challenges they face as their lands, languages, and traditions come under threat.

“Takkuuk (pronounced tuck-kook) is the Inuktitut word which translates to literally ‘look’ but has the connotation that you’re urging someone to look at something closely. The Arctic climate is changing rapidly, so in context of the larger project, it’s a ‘hey look at this, the adverse effects of climate change are obvious,’ but also, ‘hey look at how cool Inuit culture is’.” – Charlotte Qamaniq (AKA Silla)

“This is a global story, and we all have a role to play. Join the movement by pledging to one or more of our six climate actions, and become an EarthSonic Champion. Together, we can make meaningful steps towards a more climate-conscious future.” – Ruth Daniel, CEO In Place of War/EarthSonic. Read more at earthsonic.org/6-acts

“Creativity and music are both powerful forces that can shine a light on global issues that need to be addressed. As a trustee of In Place of War the Earthsonic project with Bicep and artists Indigenous to the Arctic Region was something we really wanted to support. The work that has been created will be showcased across the Outernet screens and I know it is going to have a real impact and look and sound beautiful.” Philip O’Ferrall CEO Outernet

‘TAKKUUK’ Tracklist:
1. Niuja & Bicep – Sikorsuit
2. Niilas & Bicep – Alit
3. Tarrak & Bicep – Taarsitillugu
4. Andachan & Bicep – Aappoq
5. Niuja & Bicep – Qimuttoq
6. Sebastian & Bicep – Alloriqigit
7. Silla & Bicep – Takkuuk
8. Niuja & Bicep – Aallartilerpoq
9. Katarina Barruk & Bicep – Dárbbuo
10. Niuja & Bicep – Nipaassuseq

TAKKUUK Installation Tour Dates:

LONDON – OUTERNET – 03/07/2025
GHENT, BELGIUM – Wintercircus – 01-07/09/2025
MILAN, ITALY – Act in Synch Summit at Linecheck – 17-22/11/2025 TBC
OULU, FINLAND – Deep Space at Museum & Science Center – 02/2026
NUUK, GREENLAND – NUUK Snow Festival – February 2026
UMMANNAQ, GREENLAND – Iceberg Projection – February 2026
SISIMIUT, GREENLAND – Arctic Sounds – 04/05/2026
BELFAST, NI – Ulster Museum – May – July 2026 TBC
LINZ, AUSTRIA – Ars Electronica – Dates TBC
LONDON, U.K. – Frameless – Dates TBC
BERLIN, GERMANY – Quantum Gallery – TBC
BARCELONA, SPAIN – Mira Festival – TBC DUBAI, UAE – IMS – TBC
SÃO PAULO, BRAZIL – CCBB Gallery – TBC BELFAST, N.I – AVA Festival – TBC GIJÓN, SPAIN – LEV Festival – TBC

Published post no.2,566 – Tuesday 17 June 2025

Switched On – Bicep: Isles (Ninja Tune)

reviewed by Ben Hogwood

Isles is the second album from Bicep, the Belfast-born and London based duo of Matt McBriar and Andy Ferguson, who dazzled us with their self-titled album in 2017. On it they showed a love of early rave music and an ability to channel it into futuristic beats and soundscapes. This resulted in a number of high profile advert appearances (BMW especially) but also translates into a brilliant live show.

When live gigs do return, this ‘home listening version’ of their second album will find new impetus in front of an audience, with Bicep always keen to give their fans the biggest show possible.

What’s the music like?

In truth it would be impossible to recreate the primal thrill of Bicep’s debut, which was all about having the maximum possible impact on the dancefloor. Yet Isles runs its predecessor close, retaining the distinctive clipped beats and riffs that make the duo’s music instantly recognisable, and adding some imaginative samples and vocals drawn from international sources.

Second single Apricots is a prime example, powered by a double sample of traditional Malawian singers recorded in 1958 and a song from the Bulgarian State Radio and Television Choir. Along with Atlas it runs close to the sound of their first album, with enjoyable kinetic energy and early house highs. Meanwhile Sundial uses Asha Boshle and Bhupinder Singh’s Jab Andhera Hota Hai, a sublime piece of work catching the dazzling rays of our star.

The clipped beats find an ideal complement in the vocals of Clara La San on Saku, a singer who manages the balance of being quite subdued but capturing an underground garage sound. The two really feed off each other. Vocals of a very different kind inform the beatless Lido, based on a sample of a motet by Italian renaissance composer Carlo Gesualdo.

These examples show just how broad the reach of McBriar and Ferguson can be, a cosmopolitan approach that keeps a healthy edge to the music and gives the album a healthy variety.

Does it all work?

Pretty much everything does. Just on occasion it would be good to see Bicep develop their source material a bit more, as in a track like Rever, with Julia Kent, which has a really good sample but doesn’t push on as much as you might expect. Elsewhere though, when the beats ping around like images on a 1980s video game, Bicep are on great form.

Is it recommended?

Yes. While Isles may not have their immediate thrills and spills of the Bicep debut, it still has plenty going for it. A fine follow-up which shows them to be great beatsmiths on record – and let’s hope it’ not too long before we get to see them live as well.

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