reviewed by Ben Hogwood
What’s the story?
‘We need to save humanity, because no one else will’. The stark outlook at the beginning of Daniel Parsons’ third album as Amongst The Pigeons sets the scene for a 12-track salvo against the choppy waters we find ourselves navigating. It is a first-hand response to the pandemic, the destruction of the environment, social and racial injustice, and much more besides. It is delivered through his own inimitable set of gadgetry from a garden shed outside Worthing, with home-produced music whose message travels far and wide.
What’s the music like?
Silence Will Be Assumed As Acceptance has an extremely satisfying structure, featuring a raft of carefully chosen electronics but with Parsons’ own voice opening and closing. Some of the track titles are clearly borne of the last year – N.V.O.D. especially. Standing for Natural Vectors Of Disease, this track collaborates with Richard Wiseman to call out the government on their response to the pandemic, amongst other things. There is barely concealed anger here, channeled through a hard hitting burst of electronics, and it is typical of the album’s ability to make a forceful point without resorting to cliché.
Colour Blind achieves a similar aim, Parsons’ urgent vocal nicely blended with Ollie Barron’s chorus, and while N.V.O.D. is angry, Holding My Breath works an emotive blend of flickering electronics and the well-matched vocals of Tiger Mendoza and Charis Cooper. More tender moments can be enjoyed in Bring The Stars Closer, where the cooing of singer Emma King is complemented by poolside grooves.
Before The Storm Hits is a satisfying blend of stabbing bass and a soulful vocal from Fast Trains, a complement to Megan Lundford’s persuasive tones on the following After The Storm. The beats are busy but never too obtrusive, Parsons working a healthy quotient of riffs and some really effective percussive effects. The balance is ideal, typified by the rich voice of Hannah Katy Lewis, set to quickly turning studio cogs.
The album works like a mix, with each track segued into the next, and the panning effects Parsons works in work really well on headphones. On occasion the bass hits satisfying depths, too, none more so than the fine instrumental Can You Manage? Do You Understand?
However the album’s defining moment proves to be the inspired use of a Charlie Chaplin speech on You The People. Developing like a Chemical Brothers track, it exhorts us to ‘create happiness’, to ‘make this life a wonderful adventure’. Spread Hope, with The Sad Song Co., delivers a similar if more understated message.
Does it all work?
Handsomely. Silence Will Be Assumed As Acceptance is a lean beast, scooting through its dozen tracks in under 40 minutes with no padding at all. Its message is powerful but never ‘preachy’, and the busy electronics complement the vocals rather than smothering them. A word, too, for some striking artwork from Ella Manongdo, matching the album’s impact.
Is it recommended?
Yes, enthusiastically – an album full of incident and heart but with strong underlying messages that are fiercely relevant to today’s world. It is a shot in the arm – or should I say shoulder?!