Switched On – Faithless – Champion Sound (ADA)

by Ben Hogwood

What’s the story?

The longevity of UK dance artists from the 1990s is truly impressive – with some, like Faithless, evolving through forced circumstances. When they lost the charismatic frontman Maxi Jazz in 2022 to a long-term illness, bandmates Rollo and Sister Bliss harnessed the spirit of collaboration, bringing in extra voices while acknowledging their band could never be the same again. And yet there is still room for ambition. Champion Sound is the biggest Faithless album to date, a ‘double double’ epic that takes its listener on a voyage. It is cleverly divided into four, essentially a group of mini albums that can be experienced as separate entities or as part of the bigger whole.

What’s the music like?

Consistently good. Champion Sound shows that the versatility Faithless showed in first two albums Reverence and Sunday 8pm was not misplaced – and they build on it impressively here.

We visit the club – of course – but in two very different ways. The second segment, Phone Number, tells through vocalists Nathan Ball and Amelia Fox the story of a couple who meet on the dancefloor but then can’t work out if their attraction is genuine or was situation-bound. Their songs are vulnerable and at times hit an emotional high.

Book Of Hours follows this, a broad instrumental section of reflective landscapes. Conceived as a tribute to DJ Shadow’s Entroducing album, it builds slowly but surely, opening out with strings and intricate breaks before an affirmative choral section, surely destined for Ibiza’s Café Del Mar.

From here the natural goal is within sight, and Champion Sound itself ends on a high with four no-nonsense anthems, making great use of guests L.S.K. (on the title track), Suli Breaks and Bebe Rexha (on the excellent anthem Find A Way) and finally Anthony Szmierek’s closing thoughts on Yes I Want It Too. Setting all this up is the first section, Peace And Noise, where Suli Breaks is the ideal match for the beats. “Let’s find love between the beats”, he suggests, “before we search for it between the sheets. Can we put the world on pause, while we take the night off and rejoice?” Prior to this we hear some of the last words recorded by Maxi Jazz, his brooding presence eliciting both a smile and a tear.

Does it all work?

Pretty much. It is hugely ambitious, and time constraints will mean Champion Sound can’t be experienced in its entirety – which is where the decision to divide it into four mini-albums of differing moods pays dividends.

Is it recommended?

It is – a really impressive achievement by Faithless, an album of highs and lows that shows Rollo and Sister Bliss still have the fire for their art. It rewards both dancing and thinking in equal measure.

Listen / Buy

You can explore purchase options for Champion Sound on the Beatport site

Published post no.2,657 – Sunday 14 September 2025

Switched On – R Plus: The Last Summer (Loaded Records)

reviewed by Ben Hogwood

What’s the story?

When R Plus released singles Summer Dress and Those Were The Days in an undercover style earlier in the year there was a lot of chat as to who could be behind the music. Now R Plus has been revealed as a close relative of Faithless.

Key to the project is Rollo Armstrong but his sister Dido also plays a key role, having worked on the project alongside her recent album.

What’s the music like?

Some of the productions are Rollo on his own and are essentially down-tempo Faithless, sitting by the pool rather than heading towards the dancefloor, as they undoubtedly would have done with the edge of Maxi Jazz‘s vocal.

Dido’s vocal contributions work really well here, complementing the synths on the likes of the woozy Summer Dress and Cards. Landing and Together make a classy pair at the start, while Those Were The Days is top notch Rollo, a Balearic winner that is the equal of any of his solo projects over the last 25 years.

The dividing track will probably be Ozzie Girl, its tale of a holiday ‘romance’ vividly evocative of a summer holiday but not to everyone’s tastes.

Does it all work?

At times there could be more of an edge to the music, which does occasionally enjoy its comfort zone a little too much. Generally however The Last Summer is a success, Rollo’s honed production skills and instincts delivering a strong sunshine album.

Is it recommended?

A qualified recommendation. Faithless fans will enjoy its curiosity value and the effectiveness of the songs, not to mention the heat-soaked instrumentals. This is certainly music Rollo can make with ease, and it would be good in the future to see him really pushing his undoubted talents further once again.

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