Tag Archives: reviews

Introducing…Our Friends Electric!

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Today is known as Blue Monday, the day where New Year’s resolutions have traditionally worn off…and people have had enough of January. It happens also to be the name of one of the best electronic music songs ever made…so it seems right to make it the launch day for Our Friends Electric!

This will be Arcana’s celebration of electronic music in all its forms, where I will be listening to and writing about electronic music across the spectrum. It will be an expedition from early ventures in the 1920s to the most recent tracks from present day technology. Along the way there will be interviews, playlists, thoughts and music – so much music.

Lev Termen demonstrating the theremin, December 1927 by Bettmann, Corbis

It would be great to think we could cover all the electronic music there is, but that’s clearly impossible – so the focus will be on key works and albums, listening chronologically from early on in the 20th century. We will move from Varèse to Kraftwerk, from Delia Derbyshire to Kelly Lee Owens, taking in classical and pop pioneers side by side. We will also moving off-piste here and there, to take in all manner of successful – and failed – experiments with early computer music. There will be interviews, too!

To start, I plan to take a look at the music of Erik Satie and his influence, a composer who opened his mind to using mechanics and technology in music, and who looked to embrace new inventions. I will try to do the same.

My perspective is a Western one, so viewpoints from across the globe will be especially welcome. Please do contribute as much as you would like, from listening along on the playlists provided, to commenting on the findings and sharing in the delights we uncover. It promises to be a huge amount of fun.

So let’s switch on, power up and get listening!

Ben Hogwood, editor Arcana.fm

P.S.…for those of you following the Beethoven project – thank you! – I can promise you it hasn’t been cancelled but will resume in the composer’s ‘other’ anniversary year, 2027.

Published post no.2,772 – Monday 19 January 2026

Switched On – Death In Vegas – Death Mask (Drone)

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by Ben Hogwood

What’s the story?

Nine years have passed since Richard Fearless released a Death In Vegas album. That’s an awful lot of life – and a good deal of it has been packed into the nine tracks making up Death Mask.

For it is an autobiographical album, with explicit references to his nearest and dearest, yet all the while staying true to its musical function, ranging from drones to danceable beats. Fearless was keen to leave his output unpolished, a refreshing approach for an electronic music producer – so that means ‘dirty circuitry and rough-hewn textures at the fore’. These are helped by the inclusion of natural feedback and white noise from his Thameside Metal Box studio, a musical instrument every bit as important as the keyboards and electronics that output the music.

What’s the music like?

Very dark…and yet, ultimately, empowering.

As its title implies, Death Mask isn’t an album to shy away from thoughts about the end of life – but nor is it going to sit there and mope. For when Fearless drops some of the massive beats here there is a barely restrained euphoria that kicks in, a feeling that we’re dancing for our very existence.

That certainly happens on the epic Roseville, which goes for broke, but also on the warmer Your Love. Hazel is a multilayered track, a whirlwind rhythm section contrasted by a fuzzy drone, an uncannily effective portrayal of the emotions at play in the funeral of a close friend – in this case, Richard’s own father.

The studio makes its presence felt in the remarkable While My Machines Gently Weep, the rhythm section positively primal and the distortion turned up to the max.

Influences on Fearless’s work here range far and wide, with healthy nods to dub and techno. He credits Ramleh, Terrence Dixon, Jamal Moss, Mika Vanio and TM 404 explicitly as inspirations – though a name not mentioned but surely in his mind is that of Andrew Weatherall.

Does it all work?

It does – though Death Mask is certainly not for every mood. It’s a heavy-set album at times, but for every bit of darkness there are shards of dazzling light.

Is it recommended?

It certainly is. Richard Fearless has taken Death In Vegas on quite the journey since it began in the mid-90s, but this is arguably the album that has the greatest substance. Power and grace, rolled into one.

For fans of… Andrew Weatherall, Trentemøller, Luke Slater, Black Dog, Cabaret Voltaire

Listen / Buy

Published post no.2,568 – Thursday 19 June 2025