
by Ben Hogwood
What’s the story?
After an extended time out, Ryan Lee West – the man behind Rival Consoles – returns with his ninth album.
Having fallen out of favour with the creative process, West retreated and started composition by way of an audio scrapbook, where past clippings and musical sketches were transformed into fully fledged tracks.
What’s the music like?
There is a fresh, revitalized feel to Rival Consoles on this album. In fact West seems to be falling over an abundance of ideas, but has found the best way to get them all together and make an album that is consistently rewarding, colourful and durable.
There are many highlights, such as Coda and Drum Song, where percussive work and melodic craft work well hand in hand. Yet at times the music is at its most effective without a drum track, as on the start of Nocturne, or the reverie Tape Loop. 2 Forms brings both together intriguingly, starting in an ambient mood but with a sudden burst of acidic, quasi-industrial noise.
Gaivotas, meanwhile, is a great illustration of the colour West brings through from the studio, a rich and dazzling array of textures.
Does it all work?
It does – and the album only gets better and more rewarding with repeated listening.
Is it recommended?
Yes. If you’re a Rival Consoles fan then you will need no persuasion, but if you are new to his music then Landscape From Memory is a great place to start.
Listen / Buy
Published post no.2,599 – Thursday 18 July 2025


