New Music – Shabaka: Of The Earth (Shabaka Records)

by Ben Hogwood, with text from the press release

Shabaka has today released his new solo album Of The Earth, available today worldwide via his newly formed label Shabaka Records.

Written, performed, produced and mixed entirely by Shabaka, Of The Earth marks a defining moment in the British musician’s ongoing artistic evolution. Widely regarded as one of the most influential figures in contemporary British music, Shabaka has spent the past decade reshaping global perceptions of UK jazz through projects including Sons of Kemet, The Comet Is Coming and Shabaka and the Ancestors. With Of The Earth, he steps forward not only as a bandleader and instrumentalist, but as a producer crafting his sound from the ground up.

The album follows 2024’s internationally acclaimed Perceive Its Beauty, Acknowledge Its Grace, which introduced a new phase of Shabaka’s practice centred on flute, breath and meditative sonic space. Of The Earth extends that transformation while reconnecting with the rhythmic propulsion that has long defined his work. Built from beats, loops and layered instrumentation recorded across multiple locations, the album synthesises the diasporic rhythms of Caribbean and African traditions with electronic production and improvisation.

Much of Of The Earth was created while travelling, with Shabaka working from portable instruments and digital production tools. Electronic rhythms and looping structures form the album’s foundation, while choral melodies unfold across alto flute, saxophone and clarinet. The music reflects a sense of movement – tracing diasporic pathways through sound while remaining grounded in rhythm and breath.

For the first time on record, Shabaka also raps. Inspired in part by André 3000, the decision emerged naturally from his deep relationship with hip hop. Having grown up practicing instruments over rap beats, he approached his voice as another instrument within the album’s sonic ecosystem, exploring cadence, phrasing and breath alongside flute and saxophone.

The album also marks a renewed relationship with the saxophone. After publicly stepping away from the instrument in recent years, Shabaka returned to it during the memorial concert for South African jazz legend Louis Moholo-Moholo in 2025. On Of The Earth, the saxophone reappears not as the dominant voice of earlier projects but as one element within a broader instrumental palette shaped by years of studying global flute traditions.

Shabaka will celebrate the album’s release with a special live launch performance at Village Underground, London on April 7th 2026, where he will present the music in an evolving hybrid format blending live instrumentation, improvisation and manipulated stems from the album recordings. With Of The Earth, Shabaka reveals a new dimension of his artistry, one that unites instrumental virtuosity, beatmaking and experimentation into a singular creative vision.

Published post no.2,821 – Friday 5 March 2026

Switched On – Nightmares On Wax: Shout Out! To Freedom… (Warp)

nightmares-on-wax

reviewed by Ben Hogwood

What’s the story?

The Coronavirus pandemic has had a deep effect on many artists, causing them to rethink their approach to life and often showing them the things of greatest importance. George Evelyn, the man behind Nightmares On Wax, is no exception, as a life spent largely on the road became extended time spent with his wife and daughter.

At the same time he was in the midst of a cancer scare, prompting him to write Shout Out! as though it was his last album. The profound effect of these life-changing experiences led to what he declares to be his most personal album yet – and his most thankful one too.

What’s the music like?

Shout Out! To Freedom… has typically blissful Nightmares On Wax vibes, with good feelings to the fore, but there is definitely something more profound hovering on the surface. The positive feelings are dispensed from the start, but contemplation and appreciation is often the order of the day.

3D Warrior is one of the finest tracks in that respect, with a mellow saxophone sound from Shabaka Hutchings and some excellent vocals from Haile Supreme and Wolfgang Haffner. Hutchings appears again in Wonder, a beautiful piece of work where the instrument really feels airborne and lost in time, its opening statement akin to a piece of ancient plainchant.

Greentea Peng is a captivating and provocative presence on Wikid Satellites, her vocal an excellent foil as the music steps up a gear. Own Me is a thoughtful study in positivity with Haile Supreme to the accompaniment of a dreamy trumpet, while Isolated – in spite of its obvious lyrical influence – is uplifting in a deep-rooted way, positivity coursing through the warm production. Trillion has an electro edge, sharpening the vocals from Mara TK, while Miami 80 is an excellent, piano-based instrumental construction that could be longer.

Evelyn has a very natural musical style that can’t be fully pinned down, other than to say he works in elements of hip hop, soul, dub and funk without ever restricting himself to one. The vocalists are well-chosen, while the production casts an attractive heat haze over the whole album.

Does it all work?

Very much so. This is deeply felt material, made by an artist still at the top of his game, bringing music to Warp that is just as meaningful as when he started with the label in 1991.

Is it recommended?

Yes. As simple as that!

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