Patricia Kopatchinskaja (violin) and Polina Leschenko (piano) – Wigmore Hall, live on BBC Radio 3, 12 January 2015
Listening link (opens in a new window):
on the iPlayer until 14 February
For non-UK listeners, this Spotify playlist is available:
What’s the music?
Mozart – Sonata for Violin and Piano in B flat (1784, 20 minutes)
Georges Enescu – Violin Sonata no.3, ‘dans le caractère populaire roumain’ (‘in Romanian Folk Style’) (1926, 25 minutes)
What about the music?
Mozart wrote a mass of sonatas for piano and violin. The order of instruments is significant, because whereas now we tend to be used to the piano playing second fiddle – as it were! – to the violin, Mozart wrote for them the other way around. For this piece, the tale is that he didn’t even have a piano part ready for the first performance in Vienna, so had to make one up on the spot!
Just a week after our encounter with the remarkable Solo Cello Sonata of Hungarian composer Zoltán Kodály, we experience an equivalent outpouring of national passion from his contemporary, the Romanian composer Georges Enescu. A formidable violinist as well as a conductor, Enescu wrote what is regarded as one of the most difficult pieces for the instrument in 1926, looking to explore the soul of his country’s music. He does so in music of an incredibly direct nature, treating the violin as a voice at times.
The Mozart proves to be a delicate palette cleanser for the main course, where the two performers feel a lot more at home in a meaty and often stormy account of Enescu’s masterpiece. It may need several listens but this is a forward thinking piece of work that brings out some extraordinary colours from Kopatchinskaya’s violin. Leschenko is no slouch either! A red hot performance.
What should I listen out for?
Listen especially for these bits:
01:28 – the start of the piece. A polite musical language, calm and unaffecting. Kopatchinskaja uses very little vibrato here.
02:47 – Mozart moves from the slow section (marked by the Italian term Largo) to the fast (‘Allegro’). The music becomes more nimble
08:02 – The start of quite a lengthy but serene slow movement, with violin and piano imitating each other’s musical phrases.
14:42 – The beginning of the third movement, a sprightly number – where Kopatchinskaja’s outbursts suggest a bit of impatience!
22:22 – the mysterious and almost otherworldly start of the Enescu
26:40 – the sort of broad, highly expressive melody in which the Romanian composer specialises, with animated backing on the piano.
31:30 – Enescu employs harmonics on the violin to get a really unusual, glassy sound quality, the start of a passage with a kaleidoscope of colours that reaches its peak at 34:39 with some weird and wonderful squeaks from the instrument – before 35:30 features some incredibly robust double stopping (more than one note at once on the violin) and runs on the piano from Leschenko
40:00 – A strong set of quotations from Romanian sources, with brilliant ensemble from the two players.
43:00 – Vigorous plucking to add a percussive element to the music
47:00 – the lead up to the powerful end
The duo gave two encores to the performance:
Cage – Etude for Violin and Piano (from 49:23 to 53:03)
Fritz Kreisler – Syncopation for Violin and Piano (from 54:12 to 56:22)
Want to hear more?
Mozart – one of the great master’s five violin concertos, which provides a good number of tunes (K216)
Enescu – further explorations of his country’s heritage in the Romanian Rhapsody no.1