For the latest in Arcana’s Ask The Audience series Tom Morley gives his thoughts on the Britten Sinfonia’s rare performance of the Philip Glass / Ravi Shankar collaboration Passages, with the composer’s daughter Anoushka Shankar playing the sitar.
Prom 41: Alexa Mason (soprano), Anoushka Shankar (sitar), Ravichandra Kulur (bansuri), Gaurav Mazumdar (sitar), Britten Sinfonia / Karen Kamensek (above)
Philip Glass & Ravi Shankar Passages (1989-90)
Royal Albert Hall, Tuesday 15 August 2017 (late night)
You can watch this Prom on the BBC iPlayer here
ARCANA: Tom, how would you describe your musical upbringing?
There were two main influences in my musical upbringing. The first came from the local church choir which I sang with three times a week. Most of what we sang was very traditional although there was a piece by Messiaen which got wheeled out every now and then which was pretty out there.
Secondly, my parents were musical so I remember them playing and singing around the house. I’ve also got memories of sitting down with my Dad to listen to a recording, his taste is pretty eclectic so I remember listening to Phantom of the Opera, Donald Where’s Your Troosers, Return to Innocence by Enigma and Night Boat To Cairo by Madness!
What experiences have you had up until now with classical music, and have they been good or bad, or both? (Examples are great if you’re able!)
Aside from the choir, I played trumpet in an orchestra for a short while but decided it wasn’t really my thing. At university I had a few lectures on classical music but once again, struggled to find anything that really spoke to me apart from the odd piece here and there. I wouldn’t say my experiences with classical music have been either good or bad, probably somewhere in the middle.
What if any have been your previous experiences of the Proms?
I’ve never been to a Prom. I sometimes look through the schedule and think about going but have got round to going to see one.
Could you name three musical acts you love, and why you love them?
Radiohead – They always seem to keep their music interesting and challenging and I like the cinematic quality to some of what they write as well as the artwork and concepts that go along with the music.
Snarky Puppy – These guys are brilliant musicians, they’re really supportive of music education and they look like they’re having a great time on stage. Definitely more of a live band than a studio band.
The Beatles – An obvious choice, but they did so much to push the boundaries of popular music and created so many memorable tracks in a such a short while as well as having a massive influence on music and culture.
What did you think of the concert?
I loved it. I can honestly say I’ve never heard anything like that before. I think I was particularly fortunate to be at this one which was a real meeting of styles and ideas and the first live performance of the piece with great musicianship all round.
What did you think of the environment in the Arena?
Not what I was expecting at all. When we walked up the steps the atmosphere changed completely. Some people were standing, some were sitting or lying down and there was a buzz of excitement but when the music started everyone was listening intently. I think this was helped by the fact that this was a late night performance and in some ways, it felt more like a gig than a concert and even though we were close to the back, we still had a good view of the stage.
Is there anything you would change about the Proms?
More of the same please. If they’re all as varied and unique as this one then there’s nothing I’d change, stick to the same formula. If I had to change one thing, it’d be an outsiders perception of the proms. I thought that it was a strictly ‘classical’ music event but there seems to be a real range of different styles and types of music being performed. It’d be great if more people realised how accessible the proms are, even if you don’t typically listen to classical music.