Peanuts comic strip, drawn by Charles M. Schulz (c)PNTS
An Laura WoO 112 for voice and piano (1790-92, Beethoven aged 21)
Dedication not known
Text Friedrich von Matthisson
Background and Critical Reception
A note on this song from the Beethoven-Haus museum in Bonn tells us that Friedrich Matthisson first published this poem in 1785 in Hamburg, under the title An Serena. In 1787 however the poem appeared unchanged in the first edition of Matthisson’s poems, under the new title An Laura.
Beethoven’s setting followed soon after – maybe as little as three years – and only the first and third verses were written out under the music in the autograph score. This is taken as an indication that the first part was to be repeated for the second verse.
The message from this song is positive to begin with, joyful even – and the soprano line carries nicely above flowing piano accompaniment. Beethoven gets quite chromatic with the melody towards the end of the first two verses, before a change of mood in the central section heightens the drama.
After that brief aside we return to the music of the opening, if not the mood – a scene at the grave casting a shadow over proceedings. It is as though Schubert and Mahler are waiting in the wings at this point.
Pamela Coburn (soprano), Leonard Hokanson (piano) (Capriccio)
Peter Schreier (tenor), Gisela Franke (piano) (Brilliant Classics)
Pamela Coburn brings a relatively rich soprano line to this song. Peter Schreier is a fair bit quicker, pushing the melody along.
Pamela Coburn, Leonard Hokanson
Peter Schreier, Gisela Franke
Also written in 1792 Sterkel 3 Violin Sonatas, StWV 198
Next up 14 Variations in E flat major Op.44