reviewed by Ben Hogwood
What’s the story?
This is a surprise release from Peter Broderick, the Oregon multi-instrumentalist giving us his first vocal album in five years, since Colours of the Night in 2015. The release will not be as much of a surprise to Broderick’s followers, however, as they are used to his prodigious output on several musical levels. While more recently he has been lending violin to Tim Burgess‘ band, Broderick still finds the time to write his own classically-infused music and the sort of song-based material we find here.
The whole of Blackberry was recorded in Broderick’s home in south east London, an environmentally friendly album in concept and execution.
What’s the music like?
Subtle, meaningful, light-hearted and affecting. Broderick recognises the need of listeners to have something consoling in the times in which we find ourselves, but he offers a few witticisms along the way. Stop And Listen and But are both quirky songs littered with wordplay and wry observations, Broderick’s sonorous voice working well with the humour.
As the album progresses however so the music becomes more deeply affecting – and the thread of environmental awareness, which runs through the album, comes more to the front. Blackberry itself is a celebration of foraging, and is really nicely done, while the wordplay on The Niece is clever. Broderick’s voice has folk music inflections without directly using traditional source material.
The soft but compelling storytelling of What’s Wrong With A Straight Up Love Song leaves its understated mark, Broderick working really well with a longer structure of nine minutes on the album’s centrepiece. The soft brushstrokes of Let It Go are lovely, as are the autumnal strings on What Happened To Your Heart.
Does it all work?
Yes. The humour in the opening songs might not strike a chord with everyone but it is an essential part of Broderick’s carefree style, and works really well. His skill in orchestration and songwriting, meanwhile, comes through at every opportunity.
Is it recommended?
Definitely. Seasoned collectors of Peter Broderick’s music will be used to spending a bit of money to keep up with his prolific output, but that’s because they will argue the outlay reaps musical dividends. That is very much the case once again.