Medaille: Wyon, L. C.: Beethoven-Gedenkmünze (Philharmonic Society London, 1870) © Beethoven-Haus Bonn
2 Triple fugues, Hess 244 for four parts (1794-5, Beethoven aged 24)
no.1 in D minor
no.2 in F major
Dedication not known
Background and Critical Reception
These two triple fugues were written for four parts, though the exact instrumentation is not known. All three themes of the first piece are by Beethoven, while the second piece is collaborative between the composer and his teacher Albrechtsberger.
Writing a triple fugue means that a good number of musical parts are in play. Beethoven achieves his aim with music of impressive craftsmanship which will surely have satisfied Albrechtsberger.
The result for the listener is more admiration at the process than anything else, for this is clearly music that was not meant to be performed in concert. The first fugue is dutifully played out and a little downbeat as we return to D minor, while the second is more energetic and has a busier theme.
It is fascinating listening to these exercises though – and we will see much later in Beethoven’s life how they bear considerable fruit.
Covington String Quartet [Frank McKinster, Greg Pinney (violins), Luke Wedge (viola), William Hurd (cello)] (Deutsche Grammophon)
The versions for string quartet were arranged by the Dutch musicologist Albert Willem Holsbergen and are given sprightly performances here.
Covington String Quartet
You can chart the Arcana Beethoven playlist as it grows, with one recommended version of each piece we listen to. Catch up here!
Also written in 1795 Hyacinthe Jadin – Three String Quartets Op.1
Next up Prelude and Fugue in E minor Hess 29