Switched On: Grasscut: Overwinter (Lo Recordings)

reviewed by Ben Hogwood

What’s the story?

Overwinter, the fourth album from Brighton duo Grasscut, was conceived in 2018 and 2019 – but its message carries from there to where we find ourselves today, locked down and in need of solace. Andrew Phillips, the principal songwriter, drew inspiration from wintertime walks around their home city, talking with homeless people on the seafront, while also attending marches of protest against the Grenfell tragedy.

At that time he was writing the music for a feature documentary on the disaster, and that writing spilled into Overwinter, conveying the keen desire to move from darkness to light. The same applies today, in the first album the duo have completed since their Lo Recordings debut in 2015, Everyone Was A Bird.

What’s the music like?

Very descriptive, and with an extremely strong sense of time and place. Phillips did much of his walking at either end of the day, and the music reflects the unusual light just before or after darkness. The enchanting first song Return Of The Sun has the wonder of a new start, captured through Marcus O’Dair‘s dappled piano and Phillips’ hushed vocals, which immediately transport the listener to his world. Edges Of Night reaches similar parts, and so does The Branches Of The Tree, by which time the album has taken an upward turn.

The songs are lovingly crafted, with very little percussion – in complete contrast to the duo’s earlier work but leading on naturally from Everyone Was A Bird. The natural world takes pride of place, realised in analogue arrangements with electronic trimming. The gentle bass clarinet undulations of Root & Branch suggest the beginnings of new life, thanks to the playing of Nick Moss, while the strings of the Moscow Bow Tie Orchestra are beautifully managed by conductor Vladimir Podgoretsky.

Does it all work?

Overwinter, heard by this listener for the first time in the ideal conditions of a snowstorm, is a vivid portrait of the UK’s coldest season. It works as well as it does because the nine tracks are arranged to form a single suite whose mood and climate align to the situation in which we find ourselves now. Andrew Phillips’ vocals are just right, a mixture of subtle emotion and clarity, and the arrangements complement them perfectly.

Is it recommended?

Heartily – but with the caveat that listening to this piece of work is even more effective if you have heard the previous three Grasscut albums. That may sound like a promotional sentence, but it’s true – the duo’s musical voyage together is creating music of ever greater substance. Overwinter is their most meaningful statement yet.



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