reviewed by Ben Hogwood
What’s the story?
Over the course of three albums, Django Django have shown themselves to be a remarkably fluid musical group. Staying clear of genre labels and pigeon holes, they simply make the music that feels right to them in the moment – and Glowing In The Dark, their fourth long player, is no exception.
What’s the music like?
With lean textures, danceable beats and quickly moving basslines, Django Django have made an album of urgency and craft, but with a few surprises along the way too, which befits the way they work.
It is easy to get swept up in the rush of Spirals, a heady opening track with a fluid bassline. It establishes the positive mood with dazzling keyboards, jangly guitars and a catchy chorus – all elements that are kept up with Right The Wrongs.
Charlotte Gainsbourg’s guest appearance on Waking Up will raise a good many eyebrows, but for good reason as the combination works perfectly. Here and elsewhere it is the drums and bass that provide a really strong basis for the music, while the vocals reach back through the 1970s and 1960s for their source material.
There is a slight dip in form towards the end, but Hold Fast and Asking For More ensure the album ends on a high.
Does it all work?
Glowing In The Dark may lose a bit of its brightness towards the end, where the melodies are not quite so strong as they were at the beginning, but other than that it is a very strong album, with regular bursts of inspiration and some really catchy choruses and hooklines.
Is it recommended?
Yes. If you enjoyed the last album Marble Skies then you’ll warm to the winding paths of this one, added to the instinctive feel it has throughout. A record made by friends with a common love of instinctive pop music that pays homage to their record collections but keeps their own identity strong too.
You can purchase Glowing In The Dark at the Piccadilly Records website here