New Music – Shabaka: Of The Earth (Shabaka Records)

by Ben Hogwood, with text from the press release

Shabaka has today released his new solo album Of The Earth, available today worldwide via his newly formed label Shabaka Records.

Written, performed, produced and mixed entirely by Shabaka, Of The Earth marks a defining moment in the British musician’s ongoing artistic evolution. Widely regarded as one of the most influential figures in contemporary British music, Shabaka has spent the past decade reshaping global perceptions of UK jazz through projects including Sons of Kemet, The Comet Is Coming and Shabaka and the Ancestors. With Of The Earth, he steps forward not only as a bandleader and instrumentalist, but as a producer crafting his sound from the ground up.

The album follows 2024’s internationally acclaimed Perceive Its Beauty, Acknowledge Its Grace, which introduced a new phase of Shabaka’s practice centred on flute, breath and meditative sonic space. Of The Earth extends that transformation while reconnecting with the rhythmic propulsion that has long defined his work. Built from beats, loops and layered instrumentation recorded across multiple locations, the album synthesises the diasporic rhythms of Caribbean and African traditions with electronic production and improvisation.

Much of Of The Earth was created while travelling, with Shabaka working from portable instruments and digital production tools. Electronic rhythms and looping structures form the album’s foundation, while choral melodies unfold across alto flute, saxophone and clarinet. The music reflects a sense of movement – tracing diasporic pathways through sound while remaining grounded in rhythm and breath.

For the first time on record, Shabaka also raps. Inspired in part by André 3000, the decision emerged naturally from his deep relationship with hip hop. Having grown up practicing instruments over rap beats, he approached his voice as another instrument within the album’s sonic ecosystem, exploring cadence, phrasing and breath alongside flute and saxophone.

The album also marks a renewed relationship with the saxophone. After publicly stepping away from the instrument in recent years, Shabaka returned to it during the memorial concert for South African jazz legend Louis Moholo-Moholo in 2025. On Of The Earth, the saxophone reappears not as the dominant voice of earlier projects but as one element within a broader instrumental palette shaped by years of studying global flute traditions.

Shabaka will celebrate the album’s release with a special live launch performance at Village Underground, London on April 7th 2026, where he will present the music in an evolving hybrid format blending live instrumentation, improvisation and manipulated stems from the album recordings. With Of The Earth, Shabaka reveals a new dimension of his artistry, one that unites instrumental virtuosity, beatmaking and experimentation into a singular creative vision.

Published post no.2,821 – Friday 5 March 2026

New Music – Tycho: Forge (Ninja Tune / Mom + Pop)

by Ben Hogwood, with text lifted from the press release

Tycho has announced and released Forge, the follow-up to (and early incarnation of)  Boundary Rider, his recent collaboration with Paul Banks of Interpol.

Speaking about the track, Tycho (aka Scott Hansen) says: “Boundary Rider started life as a demo called Forge, a driving open-ended extension of the Epoch-era sound. I originally sent a pretty stripped back version to Paul Banks to see if he was interested in contributing vocals, which later informed the direction of that arrangement. After completing that version, I revisited the original to see if I could draw a compelling instrumental out of it. This is sometimes difficult with a song written with vocals in mind — it’s hard to find the elements to tie it all together once the vocals are gone. But with this one it ended up feeling nicely balanced just by pushing Zac’s guitars to the front a bit, retaining the isolated sound of the vocal version while opening up more space for the instrumentation to breathe.”

As you will hear while listening to the track below, Hansen’s point is proved with music of warmth and poise, yet also positive energy – such as that felt with the onset of Spring-like weather here in Britain!

Published post no.2,820 – Thursday 5 March 2026

New music – Sean Shibe presents Vesper (Pentatone)

by Ben Hogwood, with text from the press release. Picture (c) Camilla Greenwell

Sean Shibe’s fifth Pentatone album, Vesper, is due for release on 17 April 2026.

On it he presents a typically inventive collection of contemporary guitar works by the late Harrison Birtwistle, James Dillon, and Thomas Adès, “all composed by musicians who do not play the instrument themselves”, says the press release. “Recorded here for the first time, these recent miniatures explore the guitar’s expressive range in profoundly different ways: ritualistic and evocative in Birtwistle, elemental in Dillon, and allusive in Adès. Shibe’s interpretations reveal the instrument’s extraordinary colour, subtlety, and capacity for transformation, bringing each work to life with imagination and nuance.

For some of Birtwistle’s pieces, Shibe performs on Sylvette (2021), a guitar made by luthier Simon Ambridge in collaboration with French-British artist Lydia Corbett. A muse to Pablo Picasso – who was himself an important influence for several of Birtwistle’s works on this album – Corbett also inspired Picasso’s celebrated Sylvette series. Modelled on the small, responsive instruments of the Andalusian luthier Antonio de Torres, the guitar features Corbett’s artwork on its body, adding a visual and symbolic layer to the performance.

You can watch the launch video for Vespers here:

The tracklisting for Vesper is:

Thomas Adès (b. 1971)
Forgotten Dances*
1 I. Overture, Queen of the Spiders
2 II. Berceuse, The Paradise of Thebes
3 III. Courante – Here was a swift (for Max Ernst)
4 IV. Barcarolle – The Maiden Voyage
5 V. Carillon de Ville (for Hector Berlioz)
6 VI. Vesper (for Henry Purcell)

Harrison Birtwistle (1934–2022)
7 Beyond the White Hand: Construction with Guitar Player**
8 Guitar and White Hand**

Thomas Adès
9 Habanera* from ‘The Exterminating Angel’

10 Oockooing Bird (arr. for guitar by Forbes Henderson)
11 Sleep Song
12 Berceuse de Jeanne (arr. for guitar by Forbes Henderson)
13 Sad Song (arr. for guitar by Forbes Henderson)
14 Je sui aussi

James Dillon (b. 1950)
12 Caprices*
15-26 1.-12.

You can explore purchase options for Vesper at the Pentatone website

Published post no.2,816 – Sunday 1 March 2026

In Appreciation: José van Dam

by Ben Hogwood picture courtesy of Colbert Artists Management

Last week we learned the sad news of the death of the great Belgian baritone, José van Dam, at the age of 85. A suitable obituary can be read at the Presto Music website

van Dam’s discography is extremely impressive, and the Tidal playlist below taps in to a number of elements of it, not least his many recordings made with the Berliner Philharmoniker and Herbert von Karajan. Yet there are landmark recordings of French opera and melodies too, which are also included – with music by Massenet, Ibert and Ravel:

José van Dam – Tidal playlist

Published post no.2,810 – Thursday 26 February 2026

In Appreciation: Helmuth Rilling

by Ben Hogwood picture courtesy of Opus Artists

Last week we learned the sad news of the death of conductor Helmuth Rilling, at the age of 92. An obituary can be found at the New York Times website

Rilling will forever be closely associated with the music of Johann Sebastian Bach, becoming the first conductor to record all of his cantatas in a project begun in October 1969 and completed on the occasion of Bach’s 300th anniversary in 1985. The results were released on the German label Hänssler, and immediately won the ‘Grand Prix du Disque’.

In honour of Rilling’s achievements, this Tidal playlist comprises his recordings of three Bach cantatas written for the Sunday before Lent – falling today – and excerpts from works he commissioned for Passion 2000, marking the 250th anniversary of Bach’s death, from the composers Tan Dun, Osvaldo Golijov, Wolfgang Rihm and Sofia Gubaidulina

Published post no.2,799 – Sunday 15 February 2026