News – Anna Handler to become Ulster Orchestra’s new Chief Conductor

published by Ben Hogwood from the original press release. Photo above (c) Christopher Heaney

The Ulster Orchestra is delighted to announce that Anna Handler will be its new Chief Conductor from September 2026.

Joining an impressive and venerable list of conductors who have worked with the Orchestra including Vernon Handley, Bryden Thomson, Yan Pascal Tortelier and, more recently, Rafael Payare and Daniele Rustioni, the German-Colombian conductor Anna Handler is at a stage in her own career that makes a partnership with the Ulster Orchestra a dynamic prospect – just last week making her Boston Symphony Orchestra subscription series debut at short notice, with violinist Joshua Bell. Handler, a former Gustavo Dudamel Fellow and current Assistant Conductor at the Boston Symphony Orchestra, also began her tenure as Kapellmeister of Deutsche Oper Berlin in September 2025. 

During her tenure, Anna looks forward to working in partnership with the Orchestra to grow the artistic identity of the organisation in breadth and depth, taking the level of performance to new heights on the international stage. Her leadership, which is founded on respect for shared musical roots, staying curious and opening the Orchestra’s sound to the future, is inspirational and the Ulster Orchestra is excited for this new phase of its development.

Reflecting on the appointment, Anna Handler says;

“Over the next three years, we’ll ask what it means to be an orchestra that belongs to now: alive, questioning, connected. Every phrase a conversation, every silence a choice. We’ll play as if it were the first or the last time – because real music doesn’t perform; it becomes. I feel deeply honoured to lead this journey – together, with the Ulster Orchestra musicians and the wider team. I feel grateful for their trust to have been chosen as their new chief conductor – a responsibility I carry with joy and curiosity.”

Anna Handler with Ulster Orchestra players (l to r) Gongbo Jiang, Wizz Bannan and Rich Cartlidge, backstage at the Ulster Hall (c) Thomas Jackson

Auveen Sands, Ulster Orchestra Chief Executive and Patrick McCarthy, Artistic Director, commented;

“Of Anna’s many remarkable qualities, her ability to genuinely connect with musicians and audiences is what makes this such an exciting appointment. That ability was immediately evident in a recent concert in Derry~Londonderry’s Guildhall, bringing a new energy and collaborative spirit to the Ulster Orchestra’s superb music making. We’ve already agreed on some exciting and deeply meaningful programmes for next year, and can’t wait to share them with audiences in Northern Ireland, and beyond.”

Ciaran Scullion, Head of Music at the Arts Council of Northern Ireland, added: 

“Anna Handler’s creativity, knowledge and extensive experience will bring a further rich dimension to the Ulster Orchestra’s work, identity and output over the next 3 years.  The Arts Council established the Ulster Orchestra in 1966 and has been its principal public funder ever since. We are delighted to see Anna join as Chief Conductor at a time when the Orchestra’s artistic profile and reach continue to rise.”

Anna Handler’s first concert as Chief Conductor of the Ulster Orchestra will be the opening concert of the Orchestra’s 60th anniversary Season, in the Ulster Hall on Friday 25 September 2026. 

Published post no.2,731 – Thursday 27 November 2025

News – Bertrand Chamayou residence @ Wigmore Hall, including Ravel’s complete piano music on Sunday 7 December

published by Ben Hogwood from the original press release

This December, Wigmore Hall focus in on a pianist famed for winning the prestigious Victoires de la Musique Classique award on five separate occasions, most recently in 2022. Described by the Guardian as ‘a remarkable musician, no question’, Chamayou caps off his short residency with an unmissable evening of the complete Ravel pianos works. Before that, the pianist joins forces with the thrilling Belcea Quartet and accompanies soprano Barbara Hannigan for her Wigmore Hall debut.

The programme with the Belcea Quartet on Thursday 4 December is of extra interest, for in addition to Chamayou’s appearance in the rarely-heard Piano Quintet in E major of Erich Korngold, the quartet will mark the 80th anniversary of the world première of Britten’s Second String Quartet at Wigmore Hall.

Chamayou’s programme with soprano Barbara Hannigan is typically adventurous, the pair reaffirming their Messiaen credentials with a performance of the Chants de terre et de ciel, before Chamayou looks at late Scriabin in the form of the Poème-nocturne Op. 61 and Vers la flamme Op. 72, before the two take on John Zorn’s song cycle Jumalattaret, written for Hannigan herself.

Chamayou’s third appearance will see him perform the complete works for solo piano by Maurice Ravel, whose birth in 1875 is being marked with 150th anniversary celebrations this year. The concert begins at 7pm, with the programme as follows:

1875-1937
Prélude
Miroirs
Menuet in C sharp minor
Sonatine
A la manière de Borodine
Gaspard de la nuit

Interval

A la manière de Chabrier
Valses nobles et sentimentales
Menuet sur le nom d’Haydn
Sérénade grotesque
Jeux d’eau
Menuet antique
Pavane pour une infante défunte
Le tombeau de Couperin

For more information on all the Wigmore Hall concerts, click on the links highlighted above.

Published post no.2,730 – Wednesday 26 November 2025

News – Broadcast: On the occasion of the 70th birthday of Jorge E. López, Sunday 30 November

published by Ben Hogwood and Richard Whitehouse

On the occasion of the 70th birthday of Jorge E. López

The singular tonal language of an Austrian composer of Cuban origin

Sunday 30th November 2025 @ 19:45 [NB: 18:45 UK time] on Austrian Radio Station Ö1

Jorge E. López, one of the most distinctive and original composers currently living in Austria, celebrates his seventieth birthday next Sunday. He has never identified with the conventions of New Music: ‘‘Instead, I was convinced from the beginning that it was more about making the ancient present’’. He does not look for the new but ‘‘rather the repressed’’, as emphasized in an extended interview with the radio journalist and regular Ö1 broadcaster Peter Kislinger.

López was born on 30 November 1955 in Havana. In 1960 he came to the United States with his family, where he lived in New York and Chicago. In 1970 he began to compose – inspired by such figures as Mahler, Berg, Ives, Messiaen, Stockhausen and Xenakis – then studied at California Institute of the Arts during 1971-76. In 1987, after notable orchestral performances in Donaueschingen, the focus of his life shifted to Europe and the German-speaking world.

He draws inspiration for his often timeless works from an intense experience of nature, most especially in Lapland, Iceland and the American North-West. His works defy current trends in contemporary music and demonstrate an affinity for the music at the turn of the 20th century as well as proximity to the aesthetics of Surrealism. In recent years, he has resided alternately between Mölltal in Upper Carinthia and Vienna. This latest edition of the Supernova series (produced by Rainer Elstner) features several large-scale orchestral works by the composer.

The programme can be accessed from the UK by clicking on the link below:

On the occasion of the 70th birthday of Jorge E. López | SUN | 30 11 2025 | 19:45 – oe1.ORF.at

Published post no.2,728 – Monday 24 November 2025

News – Winter Music in City Churches

published by Ben Hogwood from the original press release

Almost at the mid-way point between the past and future Summer Music in City Churches festivals, we bring news of two winter warming concerts to enjoy in the lead-up to Christmas.

Pavel Sporcl, English Chamber Orchestra, Holy Sepulchre EC1A 2DQ Sunday 30 November, 7pm

The 29th Made in Prague Festival concludes in grand style with a gala celebrating Czech violin virtuoso Pavel Šporcl, whose expressive artistry and dazzling technique have enthralled audiences worldwide.

The programme features Mendelssohn’s Octet in E-flat major, bursting with youthful brilliance, alongside Dvořák’s lyrical Romance and spirited Mazurek. Šporcl’s virtuosity will shine in a solo by Paganini, ensuring a thrilling and unforgettable finale to this year’s festival.

City of London Choir: Carols in the City – St Giles Cripplegate EC2Y 8DA Friday 19 December, 6.30pm

Just ahead of a sell-out carol concert in the Barbican with the King’s College Cambridge choir, the City of London Choir and conductor Daniel Hyde return to St Giles Cripplegate with a wonderful selection of carols and Christmas music, in the company of organist Andrew Lumsden.

Beloved carols by contemporary composers including John Rutter, Morten Lauridsen and Cecilia McDowall sit alongside traditional favourites – with plenty of audience participation. The perfect start to your family festivities.

For links to the concerts, click here for the English Chamber Orchestra and here for the Carols in the City.

Published post no.2,721 – Monday 17 November 2025

In Appreciation – Gary ‘Mani’ Mounfield

by Ben Hogwood Photo of Mani in 2009 by Katherine Barton, edited by Gaz Davidson. Used courtesy of Wikipedia

Yesterday we learned the sad news of the unexpected death of Gary ‘Mani’ Mounfield. Mani was best known as bassist for Stone Roses, where he was a founding member, and Primal Scream, who he joined in 1996. An obituary can be found on the BBC website, but I wanted to acknowledge his contribution to some of the late 1980s and 1990s most notable albums.

One of the first musical sounds you can hear on the Stone Roses debut is the lumbering bass line with which Mani introduces I Wanna Be Adored, one the band’s calling cards:

Meanwhile Fools Gold steps up the tempo, with a funkier but equally brilliant contribution from the bassist:

Many people see the second Stone Roses album as a drop in quality…but when you hear the bass groove driving the superb Begging You those opinions are called into question!

For Primal Scream, you can watch Mani driving one of the band’s excellent mid-90s cuts, If They Move, Kill ‘Em, on live footage from Later…with Jools Holland:

Meanwhile here is one of his final contributions to Primal Scream, driving the energetic Can’t Go Back:

Published post no.2,675 – Thursday 2 October 2025