New music – James Newton Howard – Night After Night’: Music from the Movies of M. Night Shyamalan

Intriguing news from Sony Classical tells us that next month they will release a collaboration between composer James Newton Howard and director M. Night Shyamalan. The record label take up the story:

Included on Night After Night are highlights from Howard’s haunting scores that became part of the identity of eight of Shyamalan’s eerie, mind-bending thrillers – The Sixth Sense (1999), Unbreakable (2000), Signs (2002), The Village (2004), Lady in the Water (2006), The Happening (2008), The Last Airbender (2010) and After Earth (2013).

For this album, James Newton Howard created eight suites that are piano-centric and include new and original material.  Pianist Jean-Yves Thibaudet performs throughout the recording.  Violinist Hilary Hahn recreates her contributions to the soundtrack recording of the score for The Village and cellist Maya Beiser reprises her performance of An Event from The Happening soundtrack.  Gavin Greenaway conducts the orchestra and chorus in Howard’s new arrangements.

When Howard came onboard during the post-production phase to score ‘The Sixth Sense’, Shyamalan said he “felt potential and excitement” in their work together.  In their mutual candour, each discovered a trusting creative partner in finding the right musical expression for Shyamalan’s supernatural thrillers.

You can listen to Morning from The Village below, with the haunting solo Hahn brought to the foreground:

New music – Bruce Brubaker: Eno Piano – Music for Airports, 2/1

American pianist Bruce Brubaker is one of those artists whose every move is worth monitoring, for his musical quests bring many rewards.

Brubaker is perhaps best known for his work with the music of Philip Glass, John Cage and Meredith Monk, but now he makes a very intriguing turn in the direction of Brian Eno, creating an album for the InFiné label that will include a selection of ambient music, including Music for Airports.

The press release asks a question: “Can a single instrument convey ambient music originally made through studio techniques and tape loops? Eno Piano is a companion to Bruce Brubaker’s acclaimed album Glass Piano (2015) — even the two album covers are companions. Named by Pitchfork “one of the most exciting pianists in the contemporary American classical scene,” Brubaker, in Eno Piano, shows that just as the studio can be a musical instrument, a single musical instrument can be a studio.”

Have a listen below and see what you think:

New music – Cybotron: Maintain The Golden Ratio

In 1983, Cybotron made one of dance music’s landmark records. The single ‘Clear’ became a calling card for techno, a futuristic piece that still sounds new today. Now they are returning as a duo, original founder Juan Atkins teaming up with producer Laurens von Oswald but not Rik Davis.

A two-part EP, Maintain The Golden Ratio, is scheduled for release on the Tresor label on 13 October – and for now we can enjoy its lead track Maintain. Described as ‘a studied engagement with what techno was and should be, it is an atmospheric machine piece with strong breakbeat, busy electronics and moody backdrop. In other words, as the vocal goes, “We will maintain”…with the elements that made Clear such a lasting track largely present and correct. While not quite on that exalted level, it is still a fine piece of work. Now to see if there are more plans afoot!

New music – Roger Eno: Tidescape

British producer and composer Roger Eno has hit a rich vein of form in recent years – and his prolific writing period continues with the The skies, they shift like chords…, due to be released on Deutsche Grammophon on 13 October.

On the press release for The skies, they shift like chords… Eno describes the world in a dozen musical watercolours based on spontaneous sketches, tracing an evocative and thought-provoking path through sound and silence. “I think of music in visual terms. Perhaps here the chords could be the earth, the melody the trees rising above ground, and the atmosphere of floating guitar could be the sky. These three elements are different but interconnected.” He adds, “Most of my pieces are snapshots of things that were experienced in the moment,” says Eno. “How do you describe the world unless it’s in an instant? You can’t fix anything because everything is in flux, it’s changing and mutable.”

Here is the first excerpt from the album, Tidescape, in the form of a visualizer:

New music – Vince Clarke: The Lamentations of Jeremiah

Yesterday Vince Clarke, founding member of Depeche Mode, Erasure and Yazoo, and all-round electronic maestro, announced a new album.

Due on 17 November on Mute, Songs of Silence is described as an ‘ambient instrumental album’. Its first single, The Lamentations of Jeremiah, represents a striking musical structure. A haunting solo cello line takes the lead, a true lament set against a drone accompaniment. It is certainly dark, but has at its heart an outpouring of emotion that is ultimately positive. Listen below: