Sir Stephen Cleobury – A Tribute

Yesterday King’s College Cambridge announced the very sad death of their long-time music director of 37 years, Sir Stephen Cleobury.

Many will know him from the traditional Christmas Eve Festival of Nine Lessons and Carols, the annual broadcast live from King’s that is seen as the beginning of Christmas for many. Yet Cleobury’s work extends well beyond that sphere, not just as day to day conductor of the choir but for his work with the BBC Singers and the Cambridge University Musical Society. As a conductor and organist he made a good number of excellent recordings, a selection of which are included with this article.

One of Cleobury’s most recent releases highlighted one of his favourite composers, Herbert Howells – in recordings of An English Mass and the Cello Concerto:

His association with Howells extended to the organ works, which he recorded for the Priory label back in the mid-1990s. Here is Volume 1 from 1993, including the four wonderful Rhapsodies:

With the King’s College Choir, Cleobury made a number of recordings for EMI Classics in repertoire stretching from Handel to Rachmaninov and Arvo Pärt. Perhaps the best of these is the Ikos disc he released with the choir in 1995, including the music of Pärt, Górecki and John Tavener. It was one of the first releases to recognise a new more minimal approach to sacred music headed by Eastern European composers:

Within the Festival of Nine Lessons and Carols Cleobury introduced a rather special tradition of commissioning a new carol each year. This led to wonderful new works for voices from Sir Peter Maxwell Davies, Judith Weir, John Tavener and Mark-Anthony Turnage among many. The King’s College’s own record label, in tribute to their departing music director, had already released his final service from 2018, a typically thoughtful and inspiring blend of ancient and modern settings of Christmas subjects:

Finally we include here a year-old BBC programme looking at a year in the life of the college choir, led of course by its conductor:

All this serves as an appreciation of just some of Sir Stephen Cleobury’s work and achievements, which he has brought to so many listeners over the last 40 years.

Floating Points releases new album ‘Crush’

For the first time in four years, Floating Points – aka Sam Shepherd – is releasing an album.

For those who love to anticipate a book on the strengh of its cover, Crush looks like it will be a remarkable listen indeed. The signs are good, too – with three peaks of swirling electronica already made available in the last few months. These were capped by Anasickmodular, whose video Shepherd posted a couple of days ago:

The highly acclaimed video for Last Bloom is full of colour, reflecting the accelerated growth of the music:

Meanwhile LesAlpx gets straight down to action with an urgent beat, its video a set of some of the most colourful bubbles you could imagine:

If they take your fancy, head to the Floating Points Bandcamp site to explore the album further.

As a companion piece, Shepherd’s contribution to the Late Night Tales compilation series is highly recommended – a chance to broaden your mind with some after hours treats!

New music and album from the Penguin Cafe

Photo credit (c) Alex Kozobolis

Good news for fans of the Penguin Cafe – the Arthur Jeffes-led ensemble have a new album setting foot on land in October.

For more than 35 years the Penguin Cafe name has stood for music free of constraint that looks to explore and embrace the colours of acoustic instruments around the world, enjoying the influence of classical music as it does so. The Jeffes name has been behind it from 1973, when Simon Jeffes began the group with cellist Helen Liebmann. More recently a second incarnation of the group, led by Simon’s son Arthur, was sealed by the 2017 album The Imperfect Sea.

At the core of the band’s message has been the state of the natural world, and as the press release details the new album Handfuls Of Night ‘began life after Greenpeace commissioned Jeffes to write four pieces of music corresponding to four breeds of penguins, to help raise awareness for the endangered Antarctic seas.

A fundraising evening at EartH in Hackney followed, where Penguin Cafe premiered the four songs named after their feathered counterparts to a sold out audience; the rousing contemporary folk inflected Chinstrap, the mournful and minimalistic Adelie, stoic and rhythmic The Life of an Emperor and the wistful, string-laden Gentoo Origin.

All appear on the new album, which has at its heart the soothing At The Top of the Hill, They Stood…, which you can hear below. Here the piano arpeggios are reassured by soft bass drum and woozy harmonium:

It bodes well for the long player. Handfuls of Night is out on October 4th on Erased Tapes, together with a set of UK live dates, ahead of a world tour in 2020. You can pre-order the album here