New music – Caroline Shaw: Leonardo da Vinci (Original Score) (Nonesuch)

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published by Ben Hogwood, with text appropriated from the press release

The original score for Ken Burns’s new two-part documentary, LEONARDO da VINCI, with new compositions by Caroline Shaw, is available via Nonesuch Records on 25 October. The album features performances by the composer’s long time collaborators Attacca Quartet, Sō Percussion, and Roomful of Teeth as well as John Patitucci. Shaw wrote and recorded new music for LEONARDO da VINCI, marking the first time a Ken Burns film has featured an entirely original score. The video for Intentions of the Mind, from the album, can be viewed here:

LEONARDO da VINCI is directed by Ken Burns, Sarah Burns, and David McMahon. The film, which explores the life and work of the fifteenth century polymath Leonardo da Vinci, is Burns’s first non-American subject. It also marks a significant change in the team’s filmmaking style, which includes using split screens with images, video, and sound from different periods to further contextualize Leonardo’s art and scientific explorations. LEONARDO da VINCI looks at how the artist influenced and inspired future generations, and it finds in his soaring imagination and profound intellect the foundation for a conversation we are still having today: what is our relationship with nature and what does it mean to be human?

“No single person can speak to our collective effort to understand the world and ourselves,” said Ken Burns. “But Leonardo had a unique genius for inquiry, aided by his extraordinary skills as an artist and scientist, that helps us better understand the natural world that we are part of and to appreciate more fully what it means to be alive and human.”

“To help give depth and dimension to Leonardo’s inner life, and to carry our viewers on his personal journey, we enlisted the composer Caroline Shaw,” McMahon says in the album’s liner note. “Caroline’s existing body of music—joyful, daring, at times transcendent, and wholly unique—seemed to speak directly to Leonardo, a seeking soul who, 500 years after his death, can come across as strikingly modern. A fully original score, we believed, would add crucial connective tissue to areas where the record of Leonardo’s life is thin and it’s possible to briefly lose his trail. The music Caroline created is dynamic, enthralling and filled with wonder.

“This soundtrack is a testament to the inspired efforts of Jennifer Dunnington, who marshaled it into being, the brilliant musicians and vocalists who, with the help of Alex Venguer, Neal Shaw, Colton Dodd and Tim Marchiafava, made it soar, and most of all Caroline Shaw, who might be Leonardo’s soulmate from across time,” he continues. “With her help, the Leonardo who emerges is no wizard shrouded in mystery, but a prideful, obsessive, at times lonely or flustered, occasionally ecstatic, and, in the end, content man who is in ways both modern and thoroughly of his time.”

“As we set out to explore Leonardo’s life, we realized that while he was very much a man of his time, he was also interested in something more universal,” said Sarah Burns. “Leonardo was uniquely focused on finding connections throughout nature, something that strikes us as very modern today, but which of course has a long history.”

You can read more about Caroline Shaw at her website – and also more about Nonesuch here

Published post no.2,242 – Wednesday 17 July 2024

Switched On – Luke Elliott: Every Somewhere (AKP Recordings)

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by Ben Hogwood

What’s the story?

The theme of Every Somewhere is the relationship between humans and the natural world – a theme that has preoccupied a number of artists in recent years.

Luke Elliott, a UK-born musician and producer based in Amsterdam, used modular and analogue synthesizers to make this work, sampling and re-sampling material together with fresh ideas. Talking about the album, he says how “the crossover between artificial sound and nature became a central theme, a subject for particular consideration, whether by “leaning into the sounds of people shouting alongside bird calls and breezes” or by incorporating a friends’ recording of the sea organ of Zadar, a large-scale land art instrument which plays music via sea waves passing through its tubes.” This appears on the opening Better Start Being.

Every Somewhere is dedicated to Elliott’s late cat Agatha (below), who was by his side – and on his lap! – during much of the record’s construction.

What’s the music like?

This is ambient music, developed through rich colours. Elliott writes with a refreshing freedom, and with positive energy, his compositions unfolding with an easy and instinctive charm. The music might be mostly electronic but it does feel as though it was recorded outdoors, in the close company of the listener.

Often the light is dappled on Elliott’s compositions, with a really appealing sense of light and shade. Go With Curiosity pulses with rhythmic invention and riffs of a semi-serial quality, while Land Soft has a similar energy but in a more tonal plain. Stellar Overflow takes a wide panoramic look, a lovely restful track.

Shelter In Western Regions, a co-write with Ryan J Raffa, has a fulsome bassline, Even The Moon Is Leaving has a lush backdrop, while Presolar Friends feels more personal in spite of its similarly wide scope.

Does it all work?

Yes. Elliott writes fluently, and each track has its own pleasing structure within the whole. The wide-open sound lends itself to headphones or a surround sound system, with stimulating audio perspectives.

Is it recommended?

It is – there is plenty to enjoy here, either on a purely ambient, background level, or through more detailed listening.

For fans of… Tim Hecker, Matthewdavid, Kaitlyn Aurelia Smith

Listen & Buy

Published post no.2,240 – Monday 15 July 2024

Switched On – QOA: SAUCO (Leaving Records)

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by Ben Hogwood

What’s the story?

QOA is Argentinian producer Nina Corti, a musician and sound artist. SAUCO is her sonic journey, ‘crafted to cultivate poetic gestures amidst Fauna, Flora, Fungi, Mineral Waters, Wind and Earth’.

It is a kind of love letter to Argentinian natural history, bringing forward the natural inhabitants of the country and putting them in the spotlight.

What’s the music like?

In a word, fresh! There is an immediately appealing lightness to Corti’s touch, a weightless quality that means her music is almost always airborne through its lightness.

Natural phenomena are always close at hand, with sounds captured from the Argentinian wilderness. Each of the nine tracks are inspired by a lifeform native to the country, and so are effectively character studies.

Sauco is a kind of magical tree, reflected in its elusive light, whereas Liquen, starting close, ends up beyond the aural horizon. Muitu introduces a beat to steady the distant voices, while Lippia alba, a multi-branched shrub, is represented by music that spreads out in many different directions. By the time we get to Senna the music becomes minimal and the atmospherics take over, but the tables are turned by Anartia (a butterfly from the peacock family) whose dance is a riot of colour.

The musical language reflects QOA’s time spent as a member of a Gamelan collective, with vibrant hooks, flighty motifs and sudden, lush bursts of instrumental colour. These can all be glimpsed on the album’s most intriguing track, Cievrvo De Los Pantanos, a portrait of a marsh deer that is by turns playful, mysterious and elusive.

Does it all work?

It does. The wide sonic perspective Corti uses means the musical shapes are constantly shifting, their vibrant colours always on show.

Is it recommended?

Yes. This is very fresh and free music, elusive too – but always colourful and often joyful. QOA has made a musical celebration of nature, a charming and invigorating album

For fans of… Matthewdavid, Susumu Yokota, Terry Riley, John Cage

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Published post no.2,240 – Monday 15 July 2024

Summer serenades: Beethoven

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This Sunday Arcana’s look at the serenade alights, perhaps unexpectedly, on Beethoven. While he didn’t write in the form anywhere near as comprehensively as Mozart, Beethoven did nonetheless complete a multi-movement serenade for an unusual trio of instruments.

When Arcana visited the Serenade as part of our ongoing Beethoven series, we found that “the air of Spring, so prevalent in the sonata for piano and violin of the same name, is here in abundance too. The bright sound of the flute is one of the reasons for this, but so are the busy parts Beethoven assigns to violin and viola. There are few if any breaks for the instruments, and because of the almost complete lack of a bass instrument the piece has the lightest of textures.”

Published post no.2,239 – Sunday 16 July 2024

Let’s Dance – Floorplan: The Master’s Plan (Classic Music Company)

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by Ben Hogwood

What’s the story?

Robert and Lyric Hood release their fourth album as Floorplan, building on their reputation as purveyors of spiritually infused house and techno. The Master’s Plan is a big conception, with 18 tracks, and includes guest slots for Earthtone, Honey Dijon, Lowell Pye and Dames Brown.

What’s the music like?

Floorplan traverse an impressive variety of styles on this piece of work, moving between chest thumping gospel hitters and darker slabs of techno with effortless ease. Whenever the piano comes into play the killer riffs are brilliantly executed, the tough beats and bold bass lines delivered with pace and power.

Into the former camp go We Give Thee Honour, Feel It and The Curse Breaker, whose extended vocal monologue is so powerful the preacher fair pins you up against a wall. Flashe No Deux is a big hitter, while the prize of catchiest riff goes to the rollicking No Ones Ready.

The collaborations are all a resounding success, especially the Honey Dijon-fronted Fake & Unholy – a great look at the other side of the coin – while The Plan is a powerful pick-me-up thanks to Earthtone.

Does it all work?

Yes, impressively so. Not many house / techno long players sustain their quality as this one.

Is it recommended?

It is. Floorplan know how to raise the spirits, and do so throughout this excellent album. Their refreshingly direct lyrics and message go with the big, piano-powered riffs to make a slab of spiritual house and techno that works a treat.

For fans of… Moodymann, Charles Webster, Carl Craig, Juan Atkins

Listen & Buy

Published post no.2,238 – Saturday 13 July 2024