Switched On – Hawksmoor: Am I Conscious Now? (Before I Die)

Reviewed by Ben Hogwood

What’s the story?

James McKeown continues to move on apace with his Hawksmoor project – now numbering 13 releases in under a decade. His speed of thought is ironic, since the music he makes is not typically fast in any way, rooted in immersive ambience.

Though, as McKeown says, “While rooted in ambience, the work frequently shifts into more unsettling territory. Song structures and striking melodies appear more often than expected; ideas are sparked by psychogeography, environmental influences and hauntological drift.”

For Am I Conscious Now?, McKeown spent time shaping his music with the help of psychedelic compound 5-MeO-DMT, keen to explore how the substance might affect his music. The compound is supposed to clear the mind rather than overload it. Again, in McKeown’s words, “It overrides the body and forces surrender. It completely changed my life, outlook and perspective.”

What’s the music like?

Am I Conscious Now? responds to the experience with calm reflection. At first the worry is that the mind is cleared not just of thought but of emotion too, yet as the music settles down the ear responds well to McKeown’s subtle harmonic workings.

Initially the music is blocks of distorted but thoroughly ambient sound, but the mood softens with Golden Dolphins, a proper New Age-infused beauty. Vivid colours assert themselves through Flooding A Maze (In Slow Motion), with an extra zing added to the timbre of Infinite Tapestry.

Luke Insect’s textured artwork for the album serves as a template for the music inside, with McKeown navigating peaceful waters (Ti Kallisti, Into The White Sun) and fluctuating vistas (Astromeria) in the lead-up to the end.

Does it all work?

It does, largely – and certainly slows the mind while listening.

Is it recommended?

It is. James McKeown is remarkably consistent in his writing but also manages to avoid visiting the same place twice. A conscious yet comforting ambience is the result here.

For fans of… Flying Saucer Attack, Matthewdavid, Bvdub, My Bloody Valentine

Listen / Buy

Published post no.2,851 – Wednesday 8 April 2026

New Music – Stuart Bowditch: Constable Stereophonic Vol. 1 (Courier Sound)

by Ben Hogwood, with text lifted from the press release

Another in the 24HR series featuring pure field recordings, Stuart presents some excerpts of recordings he has been making for Constable Ambisonic in 2025-26. The premise of this project is to make 20 one hour long ambisonic (360º) audio recordings of the locations of paintings by John Constable. Excerpts of the audio will be exhibited with the original paintings at Christchurch Mansions in Ipswich during ‘The Hay Wain: Walking Constable’s Landscape‘, to celebrate the 250th anniversary of his birth. 

20-minute excerpts can be found on the Stuart Bowditch Podcast, and on his Soundcloud page. Some full length recordings are available as a #slowwtv film on the project YouTube channel, where you can subscribe, follow or share.

Constable Ambisonic is supported using public funding by the National Lottery through an Arts Council Project Grant, with match funding from Colchester and Ipswich Museums, and support from National Trust, Flatford.

Stuart has been recording sound in urban and rural environments since 2005 with artist residencies in Canada, Austria, Portugal, Rochester, Felixstowe, Southend and Colchester. His work has been exhibited internationally in China, Iceland, Germany, Sweden, Denmark and nationally across Essex, Suffolk, London and further afield in the UK. The cassette is presented in a bespoke cover individually cut from recycled card stock by Nick Dawson (Eumig/Details), with text and artwork inserts, a Constable Ambisonic sticker and released in a limited edition of 20.

Published post no.2,850 – Tuesday 7 April 2026

Bach at Easter – Easter Oratorio

by Ben Hogwood

This joyful piece of music was written by Bach in Leipzig, in April 1725. It has four vocal soloists, who take on the parts of Mary Magdalene (alto), the ‘other’ Mary (soprano) and the apostles Simon Peter (tenor) and John (bass).

The brightly scored orchestra consists of trumpets, timpani, wind and strings, and its celebratory air is perfect for the festival as it tells of the events of the first Easter day.

Published post no.2,849 – Monday 6 April 2026

Bach at Easter – Cello Suite no.6

by Ben Hogwood

Happy Easter! And with it, some more music by Bach for solo cello.

The Cello Suite no.6 in D major, BWV1012, is often paralleled with Easter Sunday and the Resurrection, its Sarabande in particular finding a serenity and light appropriate for the season. You can watch Yo-Yo Ma in the whole suite below:

Published post no.2,848 – Sunday 4 April 2026

Bach at Easter – St. John Passion

by Ben Hogwood

The second instalment of Bach at Easter is dedicated to one of the great master’s finest sacred pieces, the St. John Passion – telling the story in dramatic tones, as recorded by the Bach Collegium Japan when lockdown was imminent in 2020. You can listen below:

Published post no.2,847 – Saturday 4 April 2026