New music – Takeshi Nisimoto & Hiroshi Watanabe: Curving Time (Lo Recordings)

posted by Ben Hogwood, with the majority of text from the album’s Bandcamp page.

Curving Time is what happens when two musicians spend over a decade circling the same question from opposite directions, and finally sit down to answer it together.

Takeshi Nishimoto and Hiroshi Watanabe have individually spent more than twenty years exploring the emotional reach of instrumental music – one through guitar, sarod, and acoustic composition, the other through synthesizers and electronic production. This, their first collaborative release, unites these parallel journeys revealing a musical language where neither electronics nor acoustic instruments take center stage.

It is a sinuous, luminous album which is wholly its own, full of clarity and space where celestial shards illuminate and delight, lingering long after the last note dies away, with each player becoming equal voices in a deeply atmospheric conversation that feels both inevitable and entirely new.

The first track to be made available from the album, Empty Park, is an easy listen, the clarity of the guitar lines coming through against a background of soft reverb. The lines have a languid quality, the music improvised in its own sweet time.

Takeshi Nishimoto is a Japanese guitarist, composer, multi-instrumentalist, and educator whose work spans contemporary classical, ambient, electronic, and cross-cultural music. Classically trained at the University of Southern California, he has developed a distinctive musical voice shaped by European classical traditions, North Indian classical music, jazz, and minimalist composition. He has collaborated with artists including John Tejada, Burnt Friedman, Robert Lippok, and Mike Shannon.

Hiroshi Watanabe is a Tokyo-born electronic music producer and DJ renowned for his deeply emotional, melodic techno and ambient soundscapes. After studying synthesizers at Berklee College of Music and navigating the New York underground, he returned to Japan to forge a distinct sonic identity, with releases under various aliases via Kompakt, Derrick May’s Transmat Records, and more recently InFiné.

Curving Time will be released on Friday 6 November on Lo Recordings.

Published post no.3,020 – Friday 18 September 2026

Switched On – Kaito: Collection (InFiné)

by Ben Hogwood

What’s the story?

Kaito is the name of the project under which Hiroshi Watanabe works, the Japanese electronic musician having joined InFiné after a twenty year stint that began at the Kompakt label.

Kaito is a name of significance for Watanabe – it is the name of his son born in the year 2001, when he started with Kompakt. It means ‘universe’ and ‘secret’ in Japanese, and as the press release says, “these references hint at a spirituality visible in his photographic work and contribute to the elements that make Japanese artists masters of the ambient genre”.

Collection is made up of nine tracks composed during the pandemic.

What’s the music like?

Incredibly soothing and yet subtly energising, too. In some of these tracks Kaito transcends time and space, allowing the music to simply float.

The slow pace of A Call From The Ground is a case in point, where a lovely slow arc of synths works its way over the backing, A piano drifts weightlessly over Summer Mood, while A Life That Can Only Be Dream Now is a lovely sketch expanding like a slowly evolving cloud – complemented by Nexus 2.

Does it all work?

It does – a musical time out of the best variety. Instinctive ambient music is difficult to come by, but this definitely does the job..

Is it recommended?

Very much. The Kaito project is music that is incredibly easy to listen to – and especially at times of stress, where it can just wash over the consciousness.

Listen & Buy

Published post no.2,318 – Tuesday 1 October 2024