by Ben Hogwood

What’s the story?

BUNKR‘s third album is centred around Antenne, a 24-hour pirate station transmitting instrumental music only, “devoid of any human voice to provide us with clues. No big ups for the SW9 crew, no ads for the turbo-sound rave with safe security.  The 97.9 FM frequency was vibrant with all manner of cosmic, unending playlists of widescreen techno, breakbeats, ambient washes and occasional forays into obscure German synth music.”

The commentary goes on. “Who or what was behind Antenne we may never know; without doubt the unknown makes it all the more alluring. But this album serves to keep the memory of Antenne alive along with the countless other faceless pirate stations from the golden era of electronic music. Just maybe those radio waves continue to hurtle through space like gradually decaying echoes from a once brave new world, readying to connect with our brothers and sisters on the back side of the sun.

Antenne transmitted and informed, we listened and absorbed.”

What’s the music like?

The concept is an ideal one for BUNKR’s music – which could indeed have been teleported from 1996 – but has certainly come via a contemporary mind that knows how to make things fit in the modern world. Antenne flows beautifully, like one of those DJ sets, with BUNKR – aka James Dean – securing music of great fluidity and no little energy.

The beats have more breaks this time round, and his music feels faster, the likes of I Feel Eye See, Controller 29 and Nectar Rushes tearing up ground with very different beats, as they cleverly and energetically intertwine their loops. There is still room for the slower atmospheric grooves we know he can produce, Ceres Outpost and Waiting In Tofino the pair of beauties appearing on here. Meanwhile Oriam Speedway works intricate bleeps and percussion into formation.

Does it all work?

It does. BUNKR’s music is as expressive as ever, the moody soundscapes painting many a picture – and working so well in instrumental form. The greater variety of beats is the icing on the cake.

Is it recommended?

Enthusiastically. James Dean is a prolific writer – this is his third long player in five years – but each one adds a thrilling chapter to what is turning into a compelling story. If atmospheric electronic grooves are your thing, then you need look no further.

Listen & Buy

Published post no.2,224 – Saturday 29 June 2024