Latvian Radio Choir / Sigvards Kļava (above)
Rachmaninov All Night Vigil (Vespers), Op.37 (1915)
Royal Albert Hall, Sunday 13 August 2017 (late night)
You can listen to this Prom here
Once in a while it is good to be reminded that some of the most moving music does not have to rely on volume to make its point.
Rachmaninov’s All Night Vigil is a case in point, sung here by the Latvian Radio Choir in a highly atmospheric late night Prom. This notoriously self-critical and doubting of composers believed in it as one of his very best compositions, and even wanted the central Nunc Dimittis sung at his funeral. Though designed to be performed in the course of a Russian orthodox day (beginning and ending at sunset) it lasts for just over an hour if performed in an unbroken span, and here it created a wonderful spell.
The work has been sung at the Proms three times before, in the Late Night slot each time, and its blend of music for the spirit and the soul is ideal for late night contemplation. That state of mind was easily reached here, in a clean and relatively understated way. Recordings of great Russian choirs performing this music show how great depth and volume can be achieved, but with six singers to each part the Latvian Radio Choir were daringly exposed, and their relative lack of heft encouraged the audience to listen more attentively.
That they did so was an indication of just how well observed this performance was. Delicately controlled by Sigvards Kļava, each section merged almost seamlessly into the next, and yet there was room for each hymn or anthem to breathe. The refrains of the third anthem, Blessed Is The Man, were beautifully observed, by now the reduced forces acclimatised to the cavernous Royal Albert Hall acoustic.
The pacing felt ideal too, so that when the bigger numbers – the Glorifying song of the Resurrection and the Great Doxology – arrived, they did not flag, and the high points of each were unfailingly hit. The longer melodic threads were beautifully phrased, unexpectedly drawing the parallels between this music and some of the big tunes elsewhere in Rachmaninov’s output, such as the opening of the Third Piano Concerto, heard earlier in the evening.
The standard of performance was high throughout, with a level of control and ensemble that never dipped below excellent. The sopranos were relatively bright in sound, and the basses controlled their notes down to the depths beautifully, not least the Nunc dimittis, where the audience were visibly straining to hear their descent. Earlier in this number the tenors showed restraint, but there was emotion in their voices nonetheless.
All these elements contributed to a night that frequently stopped the heart with its subtle but lasting beauty. The text, and Rachmaninov’s response, had a timeless feel that transcended this single concert experience, which will last long in the memory.
You can hear the Latvian Radio Choir’s recording of the Rachmaninov All Night Vigil on the Spotify link below: