In appreciation – Matthias Siefert

Today I want to use Arcana to pay tribute to a great friend, who very sadly passed away recently at the age of 63.

I first met Matthias Siefert in the year 2000. We were working at an Internet startup company, Muze UK, whose function was to supply data on music and film to the likes of Amazon and BOL. Matthias was brought in to head up the German department – and later, after the company was absorbed into what was then RED, we ended up working together at PPL for a while.

We formed a firm friendship based on humour (or lack of!), sport and music. Matthias was incredibly well connected and our musical tastes frequently coincided, him approaching from a punk direction and me as a late pop music developer in the 1990s.

Matthias’s connections came through his own love of music and his career as a manager, looking after a host of up-and-coming bands while forming connections to the well-known ones. I have put together some videos of songs we heard at Matthias’s funeral on Friday, along with choice cuts from musical people he knew and who we interacted with. The first is from a gig we went to in 2003, to celebrate the impending release of a new album from Goldfrapp, some of whom he knew well. This was when they were about to go stellar:

Matthias’s funeral began with music from The Coral Sea, the California band he managed headed by Rey Villalobos:

A particularly beautiful moment in the ceremony combined a meaningful montage of photographs and this beautiful early Elton John song, previously unknown to me:

Matthias was good friends with Roland Orzabal and Curt Smith from Tears For Fears – and it was wholly apt that the shuffle function brought this song up to head the playlist in the pub where we had gathered to celebrate his life:

Another connection that Matthias had was with the duo Yello, with both Boris Blank and Dieter Meier. The obvious choice here is one of their stand-out tracks:

One of the many new bands Matthias introduced me to in the noughties was The Infadels, and to this day I am surprised they didn’t make it big, because the songs are brilliant! We went to an old-school, sweaty gig at the Water Rats, King’s Cross, where they dazzled with their special mix of electronic and pop. This song was a particular highlight for me!

There is only one place to finish, however…and it’s with the final song from the funeral ceremony, The Black KeysLittle Black Submarine. Again this is a song I was not familiar with, but it struck deep with its deceptively pastoral opening and its uncanny resemblance to Led Zeppelin. Listen to the full song, though – especially if you don’t know it, and revel in the moment where the drums kick in!

Rest well, Matthias. We’ll miss you greatly, and our condolences go to your special family and friends in their shock and sadness. I will miss our chats about music and football, more recently from afar, but thanks so much for the music and the memories!

Ben Hogwood

Published post no.2,785 – Sunday 1 February 2026

Storms in music – Sibelius: Tapiola

by Ben Hogwood

With the UK braced for the arrival of Storm Éowyn today, it got me thinking of successful portrayals of storms in music.

The first piece that came to mind was Sibelius’s masterpiece Tapiola, a remarkable and vivid orchestral poem written late in his compositional career about Tapio, the spirit of the forest. Its depiction of a storm is like no other.

Listen here, in a particularly incendiary account from the Berliner Philharmoniker and Herbert von Karajan, keeping an ear out for the storm as it begins around the 16:50 mark:

Published post no.2,421 – Friday 24 January 2025

An Epiphany…Happy New Year!

The Adoration of the Magi, by Edward Burne-Jones

‘A moment of sudden and great revelation or realization’.

This is the second Oxford definition for the word ‘epiphany’…which is also a Christian feast day, ‘the manifestation of Christ to the Gentiles as represented by the Magi’.

It’s the ‘sudden realization’ that has descended on Arcana towers, however, as many of us go back to work today. Christmas is done, two weeks that have flown by – and just a heartbeat later we’re thrust wide-eyed into the New Year, back into the strong current of the river that is modern life.

Help is at hand, however. Music is such a reliable ally in times like this, whether it’s the music we know and love or the music we haven’t discovered yet. Both are reasons to look forward to 2025 with anticipation! Arcana will be hoping for several ‘epiphanies’, as we split our loyalties between the old and the new, covering music from the last 500 years or more as we go.

2025 will see the tenth birthday of this resource, believe it or not – on Saturday 1st February. By then we hope to be well in the groove of providing a daily digest of shared musical loves, interviews and concerts. Along the way there will be special focus on Shostakovich, who died 50 years ago this year, and is a favourite composer in these parts. We will also look to enjoy classical music from London, Birmingham and online, electronic music from all corners of the world, and plenty in between.

If you’d like to get in touch with us about any of it, suggest some things for us to listen to, or even write for us, get in touch! You can get me, Ben Hogwood, via e-mail (editor@arcana.fm), over BlueSky (Ben Hogwood or Arcana) or – if you must – on Twitter / X for a little while longer.

Before you go, do listen to this remarkable carol marking Epiphany from British composer Judith Bingham – both haunting and tremendously powerful. Happy New Year!

Published post no.2,403 – Monday 6 January 2025

Summer serenades: Mozart’s Eine Kleine Nachtmusik

Sooner or later, Arcana’s Sunday serenade series had to arrive at the most famous one of them all – Mozart‘s Serenade no.13 in G major, known universally as Eine Kleine Nachtmusik.

The work was written for string quintet in 1787, but expands beautifully for string orchestra, as demonstrated in this version from the Wiener Philharmoniker and Karl Böhm. As is so often the case with Mozart, its beauty lies in simplicity, with memorable tunes that are developed with a pure musical instinct:

Published post no.2,281 – Sunday 25 August 2024

Summer serenades: Barber

If you search for Barber‘s Serenade for Strings on YouTube, the search facility thinks you want to hear the Adagio. This is not a surprise, given the popularity of Barber’s most famous music – but there is indeed a Serenade for Strings, the first published material from the American composer.

Like the Adagio, it was originally written for string quartet but transcribes effortlessly for bigger forces – as here, with the Royal Scottish National Orchestra under Marin Alsop. Lasting just over 10 minutes, it is in three movements:

Published post no.2,274 – Sunday 18 August 2024