St-Martin-in-the-Fields launches first Music for Mindfulness concert

published by Ben Hogwood, text from the press release

Thursday 10 October, 19:00
Tenebrae: Meditatio – Music for Mindfulness

Sandström / Praetorius Es ist ein Ros entsprungen
Donna McKevitt Lumen
Rachmaninov We Hymn Thee
Gibbons / Forshaw Drop, drop slow tears
Chilcott The Last Invocation
Kedrov Otche nash
Rachmaninov Rejoice, O Virgin
Lobo Versa est in luctum
Allegri Miserere
Stanford The Blue Bird
Golovanov Cherubic Hymn
Chilcott Even Such Is Time
Howells Requiem aeternum II

In a new initiative that combines well-being and musical excellence, St Martin-in-the-Fields presents an evening of Music for Mindfulness with award-winning vocal group Tenebrae and mindfulness coach Michael McCaffrey. Tenebrae’s Artistic Director Nigel Short has devised a sequence of beautiful and calming vocal masterpieces by Lobo, Allegri and Rachmaninov and others, while Michael McCaffrey will guide the audience towards deeper listening through a focus on the breath. No previous experience of meditation or mindfulness practice is required, and in the inspiring candlelit surroundings of St Martin-in-the-Fields, the unbroken sequence of music and mindfulness invites the audience to take an hour at the end of the day to relax and centre themselves.

Nigel Short explains, “I’ve wanted to experiment with this format ever since I
conducted a similar concert in Denmark several years ago. We all know that
people are living increasingly busy lives, and the constant stream of
information we receive through our phones is making it harder and harder to
switch off. Music has always been something that people have turned to for
comfort and solace, and arguably we need this now more than ever. We hope that
this combination of beautiful music and guided breathwork will allow everyone a
small bit of time and space to take some time out and slow down.”

Reversing the emotional arch of a standard concert programme, Short and McCaffrey have worked together to shape the evening to guide the audience towards deeper tranquillity at the midpoint of the concert, before gently bringing them back to the present moment. The concert will include choral masterpieces such as Allegri’s Miserere, and extracts from Rachmaninov’s Vespers and Howells’ Requiem. Analysing their social media, Tenebrae noticed that many listeners discovered their recordings through YouTube searches for music to aid relaxation and sleep, and wanted to create a live concert experience that would help people to switch off and slow down.

Michael McCaffrey says, “As both a musician and experienced mindfulness teacher, the power of music as a tool to tap into deeper states of being is apparent. Music speaks to those same states that meditation often guides us into. A sense of calm, a present moment consciousness, the alive, immediate ‘now’ of each moment. It is no coincidence that ancient practices that encourage these states often use sound as a direct means by which to enter the stream of calm that mindfulness delivers.”

Michael McCaffrey is a dedicated meditation, mindfulness and breathwork
guide, passionately committed to making the transformative benefits of these practices accessible to all. With a rich background in these various techniques, his teachings focus on demystifying mindfulness, offering clarity and guidance to beginners while providing depth and insight for seasoned practitioners. It is his belief that anyone can take something positive from these practices and achieve an overall sense of wellbeing. Michael creates an inclusive space where individuals can embark on a journey of self-discovery and
inner peace. Over the last decade he has built up a dedicated following for his sessions, working with individuals and also with companies such as Chelsea FC, NBC Universal, Amazon and Google.

Described as “phenomenal” (The Times) and “devastatingly beautiful” (Gramophone Magazine), award-winning choir Tenebrae is one of the world’s leading vocal
ensembles, renowned for its passion and precision. Under the direction of Nigel Short, Tenebrae performs at major festivals and venues across the globe, including the BBC Proms, Wigmore Hall, Elbphilharmonie Hamburg, Rheingau Musik Festival and Sydney Festival. The choir has earned international acclaim for its interpretations of choral music from the Renaissance through to contemporary masterpieces, and has commissioned new
music from composers including Judith Bingham, Joanna Marsh, Owain Park, Josephine Stephenson, Joby Talbot and Roderick Williams. Tenebrae has enjoyed collaborations with some of the UK’s leading orchestras, including the London Symphony Orchestra, Aurora Orchestra, the Academy of Ancient Music and Britten Sinfonia. The choir also undertakes regular session work, having contributed the vocals for Max Richter’s Voices (2020), Jean-Jacques Annaud’s Notre Dame brûle (2022), and blockbuster sci-fi movie Avatar: The Way of Water (2022) among others. Its extensive recording catalogue comprises a wide range of music on labels including Signum, LSO Live and Warner Classics, and has earned the choir two BBC Music Magazine Awards, an Edison Classical Award and a Grammy nomination.

Alongside its performance schedule, the choir runs a thriving Learning & Connection programme encompassing activities with London Youth Choirs, Tenebrae Effect workshops with amateur choirs, and Tenebrae Schools. In partnership with Ealing Music Service, this programme aims to embed a long-lasting culture of singing activities in local primary schools which might otherwise face barriers to music-making Through its Associate Artists programme, Tenebrae also provides talented young professional singers with vital experience and support in the early stages of their careers.

‘Passion and Precision’ are Tenebrae’s core values. Through its continued dedication to
performance of the highest quality, Tenebrae’s vision is to inspire audiences
around the world through dramatic programming, flawless performances and
unforgettable experiences.

St Martin-in-the-Fields is a landmark church, concert venue and visitor attraction on London’s Trafalgar Square. It is a friendly and forward-thinking community and the
building itself is steeped in beautiful Georgian architecture. With a huge
programme of services, concerts, events, exhibitions and lectures, St Martin’s
welcomes hundreds of thousands of visitors from all over the world each year.

A strong musical tradition flourishes at St Martin’s. Their concert series includes over 350 performances and gigs every year, featuring some of the UK’s finest ensembles, chamber orchestras, choirs and musicians. An outstanding music programme is provided by the Choir and Choral Scholars of St Martin-in-the-Fields, some of London’s finest voices who are regular performers on the BBC and in concert. In the Crypt you can find St Martin’s award-winning Café, Shop, Brass Rubbing Centre and a number of excellent spaces available for hire for meetings, celebrations and corporate events.

For further information, please head to the websites for St Martin-in-the-Fields or Tenebrae, where you can purchase tickets

Published post no.2,295 – Monday 9 September 2024

The 19th Malcolm Arnold Festival, 2024

posted by Ben Hogwood – text copied from the festival’s press release:

One of England’s most colourful and charismatic composers – Sir Malcolm Arnold (1921-2006) – is to be celebrated at the 19th International Malcolm Arnold Festival; an annual programme of events centred around the multi-faceted composer and his music. The composer’s hometown of Northampton will host a day of live music-making on Saturday 19 October, and a specially procured programme to attract listeners from around the world will live-stream on Sunday 27 October.

SATURDAY 19 OCTOBER – LIVE MUSIC CONTINUNES ALL DAY

Continuing his successful presentations in both live and digital formats, Festival Director Paul Harris is extending the reach of Malcolm Arnold’s music to listeners everywhere, with live concerts and a Symposium hosted in the composer’s hometown, and a specially conceived live-stream day, presenting recorded performances and talks, this year with a particular focus on Arnold’s songs and choral works – a relatively little-known area of the composer’s output.

Paul Harris says: “This year we are offering three concerts within central Northampton (Malcolm’s birthplace), all in walkable distances from each other. We are delighted that Saturday’s launch concert will take place at St Peter’s, marking the reopening of the church as a performance space.”

Launched by composer, Matthew Taylor, listeners will be able to enjoy a programme of rousing music for brass, one of Malcolm Arnold’s most popular genres as a renowned trumpet player himself, performed by Spectacle Brass Quintet lead by Nick Budd. Following this there will be a performance of the composer’s second String Quartet performed by students from the Royal Birmingham Conservatoire.

Live music continues throughout the day, transferring to All Saints’ Church, just a short walk away, with music for choir and organ to include the composer’s psalms and part songs, his John Clare Cantata, and Turtle Drum; familiar to many from school days. Also featured will be Arnold’s Organ Variations: five variations by living composers and one new variation written especially by Jonathan Whiting for this year’s Festival.

Demonstrating the exuberance of Arnold’s works and some of his finest and most popular tunes, the Festival’s Gala Concert takes place at Northampton Guildhall and will be performed by the  Northamptonshire County Youth Concert Band and Orchestra (NMPAT) who are regular guests at the Festival. The Festival will end with a short Symposium hosted by Matthew Taylor discussing all things Arnold.

HOW TO BOOK
Tickets are £10 per concert or £25 for a day ticket, available at the door or book in advance online. Students and under 18s are admitted FREE of charge.
www.malcolmarnoldfestival.com

ONLINE DAY (FREE live-stream) – SUNDAY 27 OCTOBER

FREE-to-view and presented live by Director Paul Harris, the Festival’s complimentary digital live-stream day will take place on Sunday 27 October and features performances of some of Malcolm Arnold’s greatest solo, chamber and orchestral music as well as talks, lectures and exclusive interviews.

Paul Harris says, “The day is structured around the years that have their anniversary this year; 1934, 1944, 54, 64, 74 …etc. and what Malcolm was writing and doing in those years. We are also featuring all of his wonderful songs as the central theme performed by Claire Thompson and Scott Mitchell – Malcolm is not well-known for his vocal writing and our programme will give a fascinating insight into this genre. Also a host of Arnold specialists will be contributing through their knowledge and enthusiasm to bring together another fascinating and engaging day of music making.”

Harris himself will give a talk on Malcolm Arnold at the Royal College of Music, and there are further talks by Arnold authorities including Dr. Timothy Bowers, Dimitri Scarlato, Eleanor Fox, Gus Woodward, and BBC Radio 3 broadcaster and long-time Arnold enthusiast, Martin Handley.

Amongst the assortment of Malcolm Arnold’s chamber works will be historic recordings and specially recorded performances by students from Chethams’ School and the Royal College of Music. Soloists taking part, who will also introduce their pieces, include soprano, Claire Thompson, pianists Scott Mitchell and Lynn Arnold, and oboist Ewen Millar.

Amongst those pieces featured will be Kensington Gardens for Oboe, a piece by Arnold’s fellow composer at the Royal College of Music, Ruth Gipps, known affectionally to Malcolm as ‘Widdy’. Written for Gipps’ own instrument and piano, this is an engaging short suite of three pieces named Elfin Oak, Fat Pigeon and Chestnut Trees.  Alongside Arnold’s songs from his own Kensington Gardens are his William Blake Songs, which were hailed by Gipps as “the real Malcolm”.

Both dramatic and playful in tone, the Sinfonietta No. 3, Arnold’s third “Little Symphony” completed in September 1964, extends the scope of his two earlier essays in this form and is scored for a classical chamber orchestra, demonstrating all the usual hallmarks of the composer’s inventiveness in smaller scale.

From the same year, the celebratory Water Music was commissioned by the National Trust for the opening of the Stratford Canal. In three movements, the piece was written for wind and percussion to be played on a raft moored on the River Avon, and later transcribed by the composer for full orchestra.

HOW TO VIEW
Live-stream FREE to view. Refer to the website for further information including the full programme: www.malcolmarnoldfestival.com

Published post no.2,290 – Tuesday 3 September 2024

Wigmore Hall news – A season-long celebration of Fauré begins this September

Véronique Gens (soprano), Fleur Barron (mezzo-soprano), Laurence Kilsby (tenor), Stéphane Degout (baritone), Susan Manoff (piano), Julius Drake (piano) – all performing on Friday 13 September 2024 at the Wigmore Hall

The Gabriel Fauré Centenary Celebrations open with a song gala involving some of Fauré’s finest contemporary interpreters, who explore the composer’s output at various stages, and all of whom share in the performance of his cycle La bonne chanson.

The concert will take place on Friday 13 Sep 2024, 7.30pm (click here for tickets) – and marks the start of a celebration which will cover the French composer’s celebrated chamber music.

You can read about the celebrations at the Wigmore Hall website, where you will find details of the five-day festival planned and curated by Steven Isserlis and friends, running from Friday 1 November to Tuesday 5 November. The programme will include all of Fauré’s chamber music, put in context of his friends and contemporaries. It will also give us the rare opportunity to hear both of the piano trios by his good friend Saint-Saëns.

Published post no.2,288 – Thursday 29 August 2024

New music – Jeremy Denk – Ives / Denk (Nonesuch)

published by Ben Hogwood, with text appropriated from the press release

Nonesuch Records releases Jeremy Denk’s Ives Denk on October 18. The pianist, known as a champion of Charles Ives, is acclaimed for his performances of the great American composer’s works. Ives Denk, released in celebration of the 150th anniversary of Ives’ birth, features the composer’s four violin sonatas, performed with violinist Stefan Jackiw, as well as remastered versions of his Sonatas No. 1 and 2 for piano, from Denk’s 2010 debut recording, Jeremy Denk Plays Ives. ‘In the Barn’, the second movement of Sonata No. 2 for violin and piano, is available to download and can be listened to here:

In his liner note, Denk says that Ives’ “deepest dream was to create an original musical style, a fresh and uniquely American voice. He achieved this. But it was a voice most didn’t want to hear, and still don’t. He is one of history’s least popular populists … Ives’ writing – especially the later ones, when he was in terrible physical decline – are… often unhinged with anger, full of mean-spirited nicknames and simplistic binaries, they reflect some of the worst angles of America. One thing that saves Ives’ music from these dangers is his sense of humour, and his willingness to embrace failure.”

“If there is one piece that sums up for me Ives’ difficult virtues, it is the slow movement of the first violin sonata, a jagged musical reflection on the Civil War, so eerily relevant now, with America split into red-blue madness. It is interesting to compare this kind of piece, profound yet unloved, with the far more identifiably American voice of Aaron Copland … Ives is optimistic but always messy, always falling apart at the seams. His music suggests America will just have to muddle through, and wrestle with its own failure. At this particular historical moment, Ives seems to be more right than ever.”

“‘In the Barn’ is a joyful disaster,” Denk says of the second sonata movement, above. “It starts with country fiddling, slips slyly into urban ragtime, and as time passes, every imaginable genre makes a cameo – overheated Wagnerian Romanticism, fashionable exoticism, a dizzying tour of the early twentieth century musical world.”

Ives / Denk will contain the following repertoire:

Violin Sonata no.4 ‘Children’s Day at the Camp Meeting’
Violin Sonata no.3
Violin Sonata no.2
Violin Sonata no.1
Piano Sonata no.1
Piano Sonata no.2 ‘Concord, Mass., 1840-1860’

Published post no.2,277 – Wednesday 21 August 2024

New music – Bonobo: Expander (Ninja Tune)

published by Ben Hogwood, with text appropriated from the press release

Released on Ninja Tune, Expander cuts a slice of unmistakable Bonobo, deftly weaving organic vocals and instrumentation with peak-time dance-floor sensibilities that set it up to become one of the songs of the summer. Following his recent roadblock set on Glastonbury’s LEVELS stage, numerous clips of the unreleased track begin circulating online, with fans clamouring for an ID.

The track is already a staple at his legendary OUTLIER sets, an event series curated by Bonobo which shows his continued influence as a DJ and also the reverence a new generation of artists hold for his own releases. Joining him on DJ line ups over the last year have included Barry Can’t Swim, DJ Koze, Sofia Kourtesis, salute, Kelly Lee Owens, Mall Grab, DJ Tennis, Dixon, TSHA, SG Lewis, Young Marco, Kerri Chandler, Carlita, Elkka, HAAi, John Talabot, Paula Tape amongst others. The 15,000 capacity event at Drumsheds in London was the fastest selling event of the season. Bonobo also recently played “Expander’ when going b2b with Disclosure at their Friends & Family pop-up in LA.

Expander sees Bonobo continue his stellar run of heavier, club-inspired tracks released in between albums. Following, as it does, his 2022 singles Defender and ATK, the subsequent single Fold — a collaboration with Jacques Green — and 2020’s anthemic NYC disco-inspired Heartbreak 12” with Totally Enormous Extinct Dinosaurs.

Published post no.2,271 – Thursday 15 August 2024