Here is some wonderful weekend music from Brooklyn trio Say She She, with their second album Silver.
Having made a strong impact at Glastonbury with their live set, which included one of the singles of the year in C’est Si Bon, they have given us a long player guaranteed to brighten up any day. A homage to the disco music of the late 1970s, it is more than mere pastiche – a brilliant collection of original compositions, packed with good feelings and funky basslines.
Described as a ‘remixed collaborative album’, this is an update for the 2010 release made by The Orb and David Gilmour, Metallic Spheres.
You may remember that the original has just two tracks, which sit either side of the vinyl release. Producer Youth recently revealed that “The idea for Metallic Spheres In Colour was that Alex Paterson could have done more on the first version, and he didn’t really have the opportunity because we had a philosophy of making the music like the Blade Runner soundtrack meets Wish You Were Here. So, I asked him why don’t we remix it and make it like an Orb classic? And in doing that, it’s almost like a completely different album.”
Have a listen to an excerpt below and see what you think:
Berlin label Tresor Records have announced that Moritz von Oswald, one of their longest-serving artists, will be releasing new album Silencio on 10 November.
Its outline is intriguing, with von Oswald looking to explore the differences between human and artificial sound, particularly using the voice. To do this he will be referring to a lineage of works from composers such as Varèse, Ligeti and Xenakis, in the company of Vocalconsort Berlin. Here is a short teaser for the album:
There is also a sizeable excerpt in the form of Infinito, the first single from the album. It is an intriguing and eerie meeting point between synthesizers and voices, music that carries very little weight in the form of bass but a good deal of intensity as it slowly unfolds. The synthesizers carry a short motif of five notes that underpins the hypnotic vocals:
Silencio will be released by Tresor Records on 10 November, while the new single Infinito will be followed by Colpo (6 October) and Opaco (20 October). For buying options and more information, head to the Bandcamp page below:
Intriguing news from Sony Classical tells us that next month they will release a collaboration between composer James Newton Howard and director M. Night Shyamalan. The record label take up the story:
Included on Night After Night are highlights from Howard’s haunting scores that became part of the identity of eight of Shyamalan’s eerie, mind-bending thrillers – The Sixth Sense (1999), Unbreakable (2000), Signs (2002), The Village (2004), Lady in the Water (2006), The Happening (2008), The Last Airbender (2010) and After Earth (2013).
For this album, James Newton Howard created eight suites that are piano-centric and include new and original material. Pianist Jean-Yves Thibaudet performs throughout the recording. Violinist Hilary Hahn recreates her contributions to the soundtrack recording of the score for The Village and cellist Maya Beiser reprises her performance of An Event from The Happening soundtrack. Gavin Greenaway conducts the orchestra and chorus in Howard’s new arrangements.
When Howard came onboard during the post-production phase to score ‘The Sixth Sense’, Shyamalan said he “felt potential and excitement” in their work together. In their mutual candour, each discovered a trusting creative partner in finding the right musical expression for Shyamalan’s supernatural thrillers.
You can listen to Morning from The Village below, with the haunting solo Hahn brought to the foreground:
American pianist Bruce Brubaker is one of those artists whose every move is worth monitoring, for his musical quests bring many rewards.
Brubaker is perhaps best known for his work with the music of Philip Glass, John Cage and Meredith Monk, but now he makes a very intriguing turn in the direction of Brian Eno, creating an album for the InFiné label that will include a selection of ambient music, including Music for Airports.
The press release asks a question: “Can a single instrument convey ambient music originally made through studio techniques and tape loops? Eno Piano is a companion to Bruce Brubaker’s acclaimed album Glass Piano (2015) — even the two album covers are companions. Named by Pitchfork “one of the most exciting pianists in the contemporary American classical scene,” Brubaker, in Eno Piano, shows that just as the studio can be a musical instrument, a single musical instrument can be a studio.”
Arcana.fm 