New music – The Utopia Strong – The Atavist (Rocket Recordings)

adapted from the press release by Ben Hogwood

The Utopia Strong (Steve Davis, Kavus Torabi and Mike York) have shared a new track, the latest to be taken from their forthcoming album, Doperider out via Rocket Recordings on 10 October 2025.

You can listen to their new release, The Atavist, below. It is a wonderfully atmospheric piece, a cloud of synthesized sound with a passing similarity (in a good way!) to Mark Snow’s music for The X-Files:

The life of a psychonaut can take one to many plateaus of reality. Opinions vary as regards which of these are either desirable or optimal. All things considered though, it’s fair to say that once the average cerebral wanderer finds themselves a stoned skeleton on a motorbike, it’s a sign that they’re going places.

Such were the movements of The Utopia Strong, in making their third and arguably trippiest full-length album for Rocket Recordings. As the band explain: “When recording we tend to have books, bits of art and interesting things lying around the place. (Kavus) had recently bought the Paul Kirchner compendium, Awaiting The Collapse. Paul’s character Dope Rider (the skeleton in question) drives around the desert, getting into all manner of high jinx and spouting cosmic philosophy, highlighting the absurdities of life, death and the American mythos. “When we had created that particular track, one of our most beautiful and outré, it seemed to name itself. Certainly, we were looking at the comic strips while listening to it and something about its wide-screen vibes and the beautiful desert seemed to marry together.”

Serendipity has always played a strong role in The Utopia Strong, with the improvisatory approach of Steve Davis, Kavus Torabi and Mike York – as well as the innate chemistry between the trio – allowing them to take extensions through dimensions that frequently end up as much of a surprise to the band as the listener.

The band has summarily found ways to evolve its approach to facilitate the most adventurous exploratory missions possible. In this realm, the band’s formidable history – Steve as a snooker champion and bona fide household name, Kavus as a psychedelic and progressive polymath in the like of Gong, Cardiacs et al, and Mike in his work with Coil, Current 93 and as one of the UK’s foremost bagpipe makers – is transcended and usurped by their combined psychic chemistry.

Yet more than anything else this remains an evolutionary process. “All the pieces on Doperider began as purely electronic pieces, with Mike and Steve on modular synths and Kavus on an analogue synth” the band relate. “We were deliberately trying to not repeat ourselves and, for this reason, made a point of changing the model a little. Not that we’ve ever been necessarily conventional but I think this album goes a little deeper than the previous two studio albums.”

Doperider does indeed take the band down a variety of auditory pathways previously unexplored, and further into the realms of more surrealistic visions akin to the systems-built bliss of Caterina Barbieri, the unforgiving noisescapes of Hiro Kone or the alien soundtracks of latter-day Laurie Spiegel. “Certainly, Steve’s listening habits have changed somewhat since the first album, he has gone deeper into abstract electronica and musique concrete as well as becoming increasingly adept with his modular set up. This seems to have formed a backbone to how the music developed” reflects Kavus.

Hence the coruscating intensity of the title track and the elegiac rapture of ‘Unity Of Light’ showcase a still more moving and melancholic approach to their art, alongside the blissful ‘Harpies’, which features the vocals of Katharine Blake (Miranda Sex Garden/Mediaeval Baebes). Elsewhere curveballs strike such as the strident and stentorian curtain-raiser ‘Prophecy’, which utilises the influence of Magma and Zeuhl music – a longstanding passion for all three members – for the first time in earnest.  “It sits better at the start of the album as otherwise it would disrupt the decent into the beautiful hell hole that unfolds” as Steve notes.

Essentially however, the mission of The Utopia Strong remains intact – to offer a transformative pathway to wonders anew. “Well, we are making psychedelic music or, if you will, head music” reflects Kavus. “We put an awful lot of detail into each piece. It’s certainly not minimalist. Often after our shows people will remark that we had made them feel like they were on drugs. That’s the idea really. We’ll take you on a voyage of self-discovery that won’t preclude showing up to work on time the next day. Although really the core message of our music is ‘Quit your job and start a commune.”

As Steve notes: “Hopefully we’ve done justice to the comic book character Dope Rider and that he’d have loved riding along on his Harley Davison on another quest, with the wind blowing through his rib cage, listening to this album. If the audience choose the psychonaut road, then we are delighted to have been of service.”

Doperider is out on vinyl, CD and digitally on 10 October 2025.

Published post no.2,660 – Wednesday 17 September 2025

News – Oxford International Song Festival, 10-25 October: Stories In Song

adapted by Ben Hogwood from the press release. Pictures by Capucine de Chocqueuse (Marie Laure Garnuer and Celia Oneto Bensaid), Peak Motion Films (The Erlkings), Rosie Hardy (Soraya Mafi), Guido Werner (Konstantin Krimmel)

  • The UK’s largest song festival, now in its 24th year, features 67 events over 16 days.
  • The Festival boasts a headline series of evening song recitals and a rich array of other events, including choral music, dance, chamber works, and talks.
  • Among several world premieres is Nice Weather for Witches, a specially commissioned song cycle by Elena Langer, as part of a programme based on the Slavic legend of Baba Yaga.
  • With ‘Pay More/ Pay Less’ and ‘Pay What You Can’ options, free events, £10 tickets for under-35s, and a variety of discounts and concessionary rates, the Festival is accessible to all.

Taking place from 10 to 25 October, the Oxford International Song Festival promises an exhilarating and ambitious fortnight filled with adventure, discovery, and vision this autumn. This year’s theme of storytelling will feature over 150 singers, instrumentalists and speakers, who will perform hundreds of works across 67 events. The Stories in Song programme ranges from fairytales and ballads to the life stories of composers and poets, from Baroque lute songs to Irish folk music, and from a Schubert Weekend to a day of Spanish and Latin American song.

Artists include Benjamin Appl and Sholto Kynoch who give the opening night recital on 10 October; bass-baritone Stephan Loges with pianist Libby Burgess(11 Oct);soprano Juliane Banse and pianist Daniel Heide (12 Oct); Christian Immler and Anne Le Bozec (13 Oct); Nicholas Mulroy with Toby Carr and Elizabeth Kenny (14 Oct); Stéphane Degout and Cédric Tiberghien (15 Oct); Dietrich Henschel and Angharad Rowlands (16 Oct); Marie-Laure Garnier (above) and Célia Oneto Bensaid (16 Oct); Thomas Oliemans and Paolo Giacometti (19 Oct); Camilla Tilling and Paul Rivinius (21 Oct); and Konstantin Krimmel (below), with Ammiel Bushakevitz (24 Oct). Artists appearing for the first time include Nikola Hillebrand with Julius Drake (19 Oct) and Sir John Tomlinson (25 Oct).

The first of this year’s world premieres is Wild Nights, a new work by Oxford Song Young Artist Will Harmer (10 Oct), performed by Sebastian Hill with Will Harmer, as one of eight showcase recitals given by Oxford Song Young Artists who are completing their 18-month programme of training and performance opportunities.

A new song cycle by Cheryl Frances-Hoad, based on the Untold Lives collection in the British Library, will be sung by Neil Balfour with Sid Ramchander (15 Oct). Oliver Johnston and Natalie Burch give the world premiere of two songs by Elena Langer, setting the Russian poet Osip Mandelstam (22 Oct). Oxford Song’s Associate Composer Emily Hazrati creates a new cycle for Soraya Mafi (above), and Ian Tindale (23 Oct), Book of Queens, inspired by the Shahnameh (‘Book of Kings’), the 10th-century epic poem by the Persian poet Ferdowsi.

Elena Langer’s new cycle, Nice Weather for Witches, is the centrepiece of a programme of song and dance, based on the legend of Baba Yaga, with mezzo-soprano Rowan Hellier, dancers Ana Dordevic and Carola Schwab, and choreographer Andreas Heise (22 Oct). The performance is preceded by a partnership storytelling event with the Crick Crack Club.

The middle weekend of the Festival (17-20 Oct) will be dedicated to the songs of Franz Schubert. Graham Johnson will continue his survey of the composer’s life 200 years on, delving into Schubert’s world in 1825, joined by the soprano Martha Guth and an ensemble of singers from Oxford Song’s Young Artist Programme. Other recitals are given by Henk Neven, Thomas Oliemans,and Nikola Hillebrand. The weekend will culminate with a performance of Die Schöne Müllerin by Roderick Williams and the Carducci String Quartet. The Erlkings (above), the unique Schubert-inspired band based in Vienna led by singer Bryan Benner, will be in residence throughout the weekend, celebrating their tenth year with a new version of Winterreise, as well as performances for students and families, and a concluding Schubert party.

Song Connections events throughout the Festival offer a range of enriching experiences for festivalgoers. On an informal Song Sofa, Katy Hamilton will lead conversations with Roderick Williams and Benjamin Appl in a new format designed to bring audiences closer to both artists and music. There will be an introduction to the Spanish language, highlighting its many regional and continental variants, and discussing its delights and challenges for singers. There will also be a session on the principal poets from the ‘Golden Age’ of Spanish poetry in the 16th and 17th centuries, through to Romanticism and the 20th century. Professor Philip Ross Bullock will explore the life and music of Dmitry Shostakovich, commemorating the 50th anniversary of the composer’s death. Natasha Loges explores a rich legacy of composers from around the globe who studied in Europe, were drawn to the voice-piano combination of song, and subsequently integrated Western idioms with vernacular languages, harmonies and rhythms.

Late-night events include a performance by Argentinian bandoneon virtuoso Victor Villena, who will deliver an electrifying set of tango music (14 Oct), mezzo-soprano Olivia Vermeulen and pianist Jan Philip Schulze with their latest programme, ‘In Heaven’ (17 Oct), and a Halloween-inspired concert with Aphrodite Patoulidou and Keval Shah (24 Oct). An Irish folk-music performance with Zoë Conway and John McIntrye concludes a day focused on the music and poetry of Ireland (23 Oct).

Some events are free or priced at just £6-£10, and there are thousands of tickets available for £18 or less. A generous range of discounts are offered to anyone booking multiple events, and under-35s can attend any event for just £10.

Sholto Kynoch, Artistic Director of the Oxford International Song Festival, shared his excitement: “Telling stories is a fundamental element of song, at the heart of all we do. It is part of the fusion of words and music that creates such magical sparks. In this year’s Festival, we explore stories in many different forms, from fairytales and ballads to the human and artistic relationships behind the songs, and the developing stories of national song traditions. Whether classical song is new to you or you’ve been a regular visitor to the Festival, be assured of the very warmest welcome: the music is thrilling and profound, but the Festival remains informal, sociable and friendly. I look forward to seeing you there.”

Public booking for the Oxford International Song Festival is now open. Book tickets online at http://www.oxfordsong.org or call the Box Office on 01865 591276 (Mon-Fri 9.30am – 1pm).

Published post no.2,658 – Monday 15 September 2025

New music – Warrington-Runcorn New Town Development Plan – Public Works and Utilities (Castles in Space)

adapted from the press release by Ben Hogwood

Warrington-Runcorn New Town Development Plan – the one-man retro-futurist electronic project of Gordon Chapman-Fox – has announced his sixth album, Public Works and Utilities. It will be released via the Castles In Space label on October 10, alongside a new compilation, titled Appendix I, which rounds up the tracks from three Warrington-Runcorn EPs on one handy CD.

Public Works and Utilities is the sixth Warrington-Runcorn New Town Development Plan album in less than five years and continues to explore new towns and the demise of the post-war consensus. This time, Gordon’s gaze falls on our public services that have been starved of cash or privatised since 1980.

“It seems ridiculous in hindsight for a developed country to have packed up and sold off vital infrastructure such as power, water or the rail network,” he says. “Forty years down the line, and all of these vital industries are barely functional. Their prime function now is to drain cash from our pockets and into the bulging wallets of shareholders.”

This anger continues to power Gordon’s desire to make Warrington-Runcorn a statement for the here and now, with the themes more relevant than ever, rather than an exercise in rose-tinted nostalgia. As the epic, 18-minute album closer will attest, ‘The People Matter’.

“This album very much came from my live shows,” says Gordon. “A lot of these tracks were designed to be performed live, and you will have heard quite a few of them if you’ve seen me live in the last year.”

As a result, there is a certain rawness, not to mention an almost upbeat danceable quality. The atmosphere of the previous albums has become fused with an urge to get you to move your feet.

The full tracklisting of Public Works and Utilities is:

1. Swift Safe And Comfortable

2. Sunset Over Stanlow

3. 800 Yards Down At Ince Six Feet

4. Water Treatment Works

5. Renewal And Regeneration

6. The People Matter

Released on the same day as the new album, the compilation Appendix I brings together three Warrington-Runcorn EPs onto CD for the first time, bringing together some of the more esoteric elements of the world of musical new town planning.

Building A New Town from 2023 moved the reference point of Warrington-Runcorn back from the synth-drenched late-’70s to the more post-psychedelic, folk infused world of Mike Oldfield and Pentangle. The four tracks are guitar-led, but retain Gordon’s mix of optimism and sinister atmosphere.

The next EP, A Shared Sense Of Purpose was the lead single from last year’s Your Community Hub album, and released in both 7” and 12” versions. This CD takes the single edit from the 7”, and adds the bonus tracks from the 12” – including a remix from the legendary Vince Clarke, and a another guitar-led folk remix of the title track.

Lastly, Overspill Estates adds four songs taken from the sessions for Your Community Hub that didn’t make it onto the final album.

Listen to Appendix I

The full tracklisting of Appendix I is:

1. A Fresh Dawn For North Cheshire

2. The View From Halton Castle

3. Solid Foundations

4. The Cornerstone

5. A Shared Sense Of Purpose (Single Edit)

6. A Shared Sense Of Purpose (Vince Clarke remix)

7. Oakwood

8. A Shared Sense Of Purpose (1973 version)

9. The People Of The Town

10. All Mod Cons

11. Open Green Spaces

12. All You Need In Five Minutes Brisk Walk

Published post no.2,655 – Friday 12 September 2025

New music – Vanessa Wagner – Philip Glass: Etude no.8 (InFiné)

from the press release by Ben Hogwood

Vanessa Wagner continues her exploration of Philip Glass’s piano works with Etude No. 8, released on September 5th.

Etude No. 8 is one of the most mysterious pieces of the cycle and undoubtedly the most lyrical of Book I. It begins with an ethereal unison between the right and left hands, sounding like a question, a call, and resolves into a phrase with a theme of heartbreaking tenderness. The central section, with its deep basses and 3-against-2 rhythmic sway, carries us into a universe of dark, passionate turmoil before returning to the initial unison—pure and bare, like a moment of renunciation. In just a few minutes, Philip Glass takes us through multiple emotional landscapes, all infused with gentleness, melancholy, and depth.” – Vanessa Wagner

Published post no.2,651 – Monday 8 September 2025

New music – Scanner & Todd Reynolds: The Sinking Of The Titanic (Bandcamp)

Robin Rimbaud, aka Scanner, writes on his Bandcamp site:

Back in February 2007, I was invited to perform with my friend Todd Reynolds for the opening of the new season for Peregrine Arts in Philadelphia. It was a low key event, as I was about to present my museum performance/installation work, The Order of Things, at the Wagner Free Institute of Science in the same city in the following days.

Bahdeebahdu is an eclectic establishment in Philadelphia, PA that offers a unique blend of art, design, and creativity. It was an extraordinary space, filled with sculptures constructed almost entirely from everyday objects that the owner Warren Muller collected on regular pilgrimages to flea markets, junk stores and so on.

Todd and I set up in this remarkable space and performed an intimate interpretation of the classic work from British composer Gavin Bryars, The Sinking of the Titanic.

For years Todd has been violinist of choice for contemporary artists such as Steve Reich, Meredith Monk, and Bang on a Can, and he’s also a founder of the string quartet known as Ethel. He’s also collaborated with artists like Yo-Yo Ma, Todd Rundgren, Joe Jackson, Mark Mothersbaugh, and even Bruce Springsteen!

It has been remixed and remastered for this 2025 release. Purchase options are below:

https://scanner.bandcamp.com/album/the-sinking-of-the-titanic

Published post no.2,649 – Saturday 6 September 2025